Showing posts with label Siberian Khatru. Show all posts
Showing posts with label Siberian Khatru. Show all posts

Monday, November 22, 2021

Kevin Gilbert Covers released

Covers

Kevin Gilbert


Recorded: 1984-1996


Released: November 22, 2021


Peak: 15 DF


Sales (in millions): --


Genre: neo progressive rock


Tracks:

Song Title (original performer) [time]

  1. Solsbury Hill (Peter Gabriel) [3:59]
  2. Carpet Man (Johnny Rivers) [4:25]
  3. El Paso (Marty Robbins) [4:43]
  4. Funeral for a Friend/Love Lies Bleeding/Burn Down the Mission (Elton John) [7:24]
  5. O Come, O Come, Emmanuel (traditional) [3:46]
  6. The Joker (Steve Miller Band) [4:38]
  7. Back in NYC (Genesis) [6:35]
  8. The Colony of Slippermen (Genesis) [6:33]
  9. Siberian Khatru (Yes) [8:08]
  10. Kashmir (Led Zeppelin) [4:29]
  11. Taxi Ride (Jane Siberry) [4:08]
  12. Strong Enough (Pet Shop Vocal) (Sheryl Crow) [4:06]
  13. Fall in Love with Me (Silkworm Mix) (Iggy Pop) [5:10]


The Players:
See individual tracks.

Rating:

3.145 out of 5.00 (average of 5 ratings)


Awards: (Click on award to learn more).

About the Album:

This is a collection of songs covered by Gilbert throughout his career. Many of these songs were previously released on other albums of his.

“Solsbury Hill”

Gilbert recorded this Peter Gabriel song in 1985. He did all the vocals, instruments, and programming. Jay Jordan, the music director at Serra High School, said in the liner notes, “When Kevin was in the 12th grade he was looking for a cover song he could perform during the solo set at our 1984 high school jazz concert. Kevin was a major Genesis and Peter Gabriel fan so he chose a song that I would approve as not too weird and would think was a hit. I do have a vivid memory of watching Kevin teach it to Steve Begehr, the guitarist for that performance; I stayed out of the way completely.”

“Carpet Man”

This is a cover of a Johnny Rivers song which Gilbert did in 1985. He did all the vocals, instruments, and programming. In the liner notes, Gilbert says, “I kind of resurrected this song from death on an old ‘60s album (no one ever listens to it anymore) and I gave it some new music, a new chorus, and drum machine and said, ‘Someone should do this song again because it’s a good song.’ If this one doesn’t get you dancing you must be dead.” This song also appears on the Decent Exposure disc of the Call Me Kai box set.

“El Paso”

This cover of the Marty Robbins’ song was recorded on November 28, 1990 on The Mark & Brian Radio Show. It features Gilbert and Marc Bonilla on guitar and vocals. Mark Thompson said in the liner notes, “When Brian did the birthday show for me, these guys sat up all night and recorded what I consider to be one of the best versions of ‘El Paso.’” Brian said, “Toy Matinee came into the studio – blew us away! The were one of our favorite groups. They knew you [Mark] were a big fan of that song. It says here on the tape, ‘Recorded in Kev’s living room.’”

“Funeral for a Friend/Love Lies Bleeding/Burn Down the Mission”

This medley of Elton John songs was recorded live at the Roxy in West Hollywood, California, on May 1, 1991. It was previously released on the Live at the Roxy album, also known as Toy Matinee Live. It features Gilbert on vocals and piano, Marc Bonilla on guitar and vocals, Spencer Campbell on bass, Sheryl Crow on keyboards and vocals, and Toss Panos on drums.

Bonilla said this of the recording in the liner notes: “Kev was a huge Elton John fan, for good reason. We were on a promotional tour in Japan in 1990 for Toy Matinee and had gotten up to perform an impromptu set at a gentleman’s club. They had a piano there and Kev launched into ‘Love Lies Bleeding.’ We both carved a decent version of it (or maybe it was the sake and plum wine that made us think so) so we decided to make it our encore song (along with ‘Burn Down the Mission’) to end the night when we finally had the entire band assembled. I remember Bob Birch, Elton John’s bassist, telling me he played the Roxy version for Elton, who was reported to have said in response, ‘They play it better than I do!’ I think Elton likes sake as well.”

“O Come, O Come, Emmanuel”

This was another performance from The Mark & Brian Radio Show. This one was recorded on December 20, 1990 and again featured Gilbert and Marc Bonilla on vocals and guitar. It was previously released on the Toy Matinee Acoustic album.

Brian Phelps, from the radio show, said, “We asked Kevin and Marc to prepare some sort of a Christmas carol and they said, ‘Well, is it okay if we don’t do just your standard,’ and we said, ‘Of course, anything you want to do.’ We heard them rehearse this last night and it’s very, very special.”

“The Joker”

This Steve Miller Band cover was recorded in the spring of 1995, prior to the release of Thud. The players included Gilbert (vocals, bass, guitar), Corky James (guitar), David Kerzner (keyboards), and Toss Panos (drums). The liner notes say, “Kevin agreed to produce a song for Sheryl Crow that would be featured in a film called The Pompatus of Love. At the completion of these sessions, Kevin decided to try his own take.”

“Back in NYC”

This cover of a Genesis song was recorded in the summer of 1995 for the various-artists album Supper’s Ready – A Tribute to Genesis. It featured Gilbert (vocals, guitar, bass, keyboards, cello, recorder) with Mike Keneally (guitars, kalimba, bell piano, recorder), Nick D’Virgilio (drums, vocals), and Toby Holmes (trombone solo). Gilbert says, “Me and Nick D’Virgilio worked out the arrangement. That’s my cello debut in the middle and a real trombone solo by Toby Holmes (the guy who played on Thud at the end.”

“The Colony of Slippermen”

This song and “Back in NYC” were both performed live on November 8, 1994 at the Variety Art Theater for the 20th anniversary of Genesis’ The Lamb Lies Down on Broadway. Gilbert said, “Three of the five band members were in Thud at the time. The guitar player, Dan Hancock, was my roommate, and the bass player was Stan Cotey, from Giraffe…A one-off performance with only 8 rehearsals. Pretty good band, I think.” The other performers were keyboardist David Kerzner and drummer Nick D’Virgilio.

“Siberian Khatru”

This was another song recorded for a tribute album, this time for Tales from Yesterday – A Tribute to Yes. It was recorded in the spring of 1995 with Gilbert on vocals and keyboards with Mike Keneally (vocals, guitar), Nick D’Virgilio (vocals, drums), and Bryan Beller (bass). Gilbert said, “The band was named Stanley Snail after an indecipherable lyric in the second verse which sounds like ‘Go Stanley Snail’ which I subsequently was informed is in fact ‘Gold Stainless Nail’ – go figure. Nick, D’Virgilio, is on lead vocals. I produced, arranged, sang harmonies, and played keyboards.”

“Kashmir”

This was recorded in the spring of 1995 with the intent of being included on the Led Zeppelin Encomium tribute album. However, Gilbert wasn’t a big enough name and didn’t make the cut. It was then released as a CD single, packaged with some editions of Thud. It later saw release on the archival collection Nuts and a live version is featured on Live from the Roxy.

Gilbert said, “Corky James, who was playing guitar with me at the time, came up with the end section, and I had the beginning section laying around.” The other players included David Kerzner (orchestration) and Toss Panos (drums).

“Taxi Ride”

This cover of a Jane Siberry song first appeared on the archival collection Bolts. It was recorded live for a show in Philadelphia called After Hours. Gilbert said, “They have new upcoming talent (?!!?) record a song by an old down & going talent. I’ve always liked this song, although I think I was taking it a bit too personally on this particular day. My voices almost breaks in the third stanza.”

“Strong Enough (Pet Shop Vocal)”

The original version of “Strong Enough” is on Sheryl Crow’s Tuesday Night Music Club which features Gilbert as a songwriter and musician. This dance version was recorded in the spring of 1996 and released on the collection Dance Across the Universe, Volume 1. It features Gilbert with Brian MacLeod, both on vocals and instrumentation, billing themselves as Keta-Men.

MacLeod said, “We had so much fun doing that – we called Bill Bottrell in the middle of the night when we finished it! That was going to be our side band…We had Kaviar and then we did ‘Strong Enough’ and said, ‘Oh, we gotta follow that up with something.’ We never got that far, unfortunately.”

“Fall in Love with Me (Silkworm Mix)”

This Iggy Pop cover was first featured on The Kaviar Sessions. This unreleased version was recorded in the spring of 1996 by Gilbert (vocals, keyboards, guitar) with Brian MacLeod (drums, keyboards), Nick D’Virgilio (bass), Jon Rubin (guitar), and Neil & Tyler (guitars).

MacLeod said, “I brought a copy of Iggy Pop’s Lust for Life to the studio one evening to play for Kevin & Nick. I was thinking the title cut, ‘Lust for Life,’ or the song ‘The Passenger’ would make a good cover tune for Kaviar. We listened to the whole record. Kevin loved it, but ‘Fall in Love with Me’ was the track that jumped out to him so we took his lead.”

Resources and Related Links:

  • DMDB encyclopedia entry for Kevin Gilbert
  • liner notes for Covers album


Other Related DMDB Pages:


First posted 11/8/2022.

Wednesday, September 13, 1972

Yes Close to the Edge released

Close to the Edge

Yes


Released: September 13, 1972


Peak: 3 US, 4 UK, 7 CN, 21 AU Click for codes to charts.


Sales (in millions): 1.0 US, 0.3 UK, 1.3 world (includes US and UK)


Genre: progressive rock


Tracks:

Click on a song title for more details.
  1. Close to the Edge [18:40]
    a. The Solid Time of Change
    b. Total Mass Retain
    c. I Get Up, I Get Down
    d. Seasons of Man
  2. And You and I [10:09]
    a. Cord of Life
    b. Eclipse
    c. The Preacher, the Teacher
    d. Apocalypse
  3. Siberian Khatru [8:55]


Total Running Time: 37:56


Other Songs from This Era:

  • America [10:30, 4:04 single edit]


The Players:

  • Jon Anderson (vocals)
  • Steve Howe (guitar, backing vocals)
  • Chris Squire (bass, backing vocals)
  • Rick Wakeman (keyboards)
  • Bill Bruford (drums, percussion)

Rating:

3.696 out of 5.00 (average of 16 ratings)


Quotable:

“A flawless masterpiece” – Dave Thompson, AllMusic.com

Awards:

(Click on award to learn more).

About the Album:

In 1972, Yes were coming off the one-two punch of The Yes Album and Fragile, albums which gave the band its most long-lasting album-rock classics with songs like “Roundabout” and “I’ve Seen All Good People.” The band were now “quivering on the brink of what friend and foe acknowledged was the peak of the band’s achievement.” WK

The band responded with the definitive progressive rock album, Close to the Edge. It wasn’t an easy album to make. Drummer Bill Bruford, who considered the writing and recording of the album to be torturous, came up with the album title as a reflection of the band’s state at the time. WK He “was already shifting restlessly against Jon Anderson’s increasingly mystic/ mystifying lyricism, while contemporary reports of the recording sessions depicted bandmate Rick Wakeman, too, as little more than an observer to the vast tapestry that Anderson, Steve Howe, and Chris Squire were creating.” AM Bruford left the band after the album, joining King Crimson.

The results, however, “represented the musical, lyrical, and sonic culmination of all that Yes had worked toward over the past five years.” AM The album was a top-5 hit in the US and UK and “dispatch[ed] Yes on the longest tour of its career so far and, if hindsight be the guide, launch[ed] the band on a downward swing that only disintegration, rebuilding, and a savage change of direction would cure. The latter, however, was still to come. In 1972, Close to the Edge was a flawless masterpiece.” AM

Reissue

The 2003 Rhino reissue adds the single version of Simon & Garfunkel’s “America,” the single edit of “Total Mass Retain,” an alternate version of “And You and I,” and an alternate version of “Siberian Khatru” known as “Siberia.”

The Songs

Here’s a breakdown of each of the individual songs.

America

Yes

Writer(s): Paul Simon


Released: single (6/7/1972), Yes Years (box set, 1991), In a Word (box set, 2002), Ultimate Yes: The 35th Anniversary Collection (U.S. version, 2003), Yes Singles (compilation, 2023)


B-side: Total Mass Retain


Peak: 46 BB, 44 CB, 38 HR, 16 CL, 8 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 4.61 streaming


About the Song:

In between the Fragile and Close to the Edge albums, Yes released a cover of Simon & Garfunkel’s “America” as a single.

Close to the Edge

Yes

Writer(s): Jon Anderson, Steve Howe


Released: “Total Mass Retain” as a B-side of “America,” (6/7/1972), Close to the Edge (1972), Classic Yes (compilation, 1981), In a Word (box set, 2002)


Peak: 10 CL, 15 DF (“Total Mass Retain”) Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 9.31 streaming


About the Song:

This eighteen-minute-plus title cut is broken into four parts: (a) “The Solid Time of Change,” (b) “Total Mass Retain, (c) “I Get Up, I Get Down,” (d) “Seasons of Man.”

Anderson was inspired by J.R.R. Tolkien’s The Lord of the Rings, German novelist Hermann Hesse’s Siddhartha, and Jean Sibelius’ sixth and seventh symphonies. Howe had composed a song called “Close to the Edge” a few years earlier about the longest day of the year and he and Anderson joined their ideas. An excerpt of the song, “Total Mass Retain,” was released as the B-side to the band’s cover of Simon & Garfunkel’s “America.”

And You and I

Yes

Writer(s): Jon Anderson, Bill Bruford, Chris Squire, Steve Howe


Released: single (10/28/1972), Close to the Edge (1972), Classic Yes (compilation, 1981), Yes Story (compilation, 1992), Ultimate Yes: The 35th Anniversary Collection (U.S. version, 2003), Ultimate Yes: The 35th Anniversary Collection (compilation, UK version, 2003), Yes Singles (compilation, 2023)


Peak: 42 BB, 32 CB, 32 HR, 9 CR, 9 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 9.01 streaming

Awards:

(Click on award to learn more).

About the Song:

The full ten-minute version was presented in four parts: (a) “Cord of Life,” (b) “Eclipse,” (c) “The Preacher, the Teacher,” and (d) “Apocalypse.”

The song was originally a more folk-oriented song. When they tested it on tour, Jon Anderson gave it the working title of “The Protest Song.” Anderson later considered the song similar to a hymn. An edited version of the song was released as a single, just missing out on the top 40 on the U.S. Billboard Hot 100.

“Typically, Yes songs are so open to interpretation that they could be about anything. This blending of sundry Christian and eastern creation myths, however, remains one of the band’s most powerfully focused.” DT

Siberian Khatru

Yes

Writer(s): Jon Anderson, Steve Howe, Rick Wakeman


Released: Close to the Edge (1972), In a Word (box set, 2002), Ultimate Yes: The 35th Anniversary Collection (U.S. version, 2003), Ultimate Yes: The 35th Anniversary Collection (compilation, UK version, 2003)


Peak: 17 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 6.57 streaming


About the Song:

Siberian Khatru grew out of an idea Anderson initiated on an acoustic guitar. Lyrically, he described the song as a collection of “interesting words, though it does relate to the dreams of clear summer days.” WK Anderson claimed “khatru” translated to “as you wish” in the Yemeni dialect of Arabic, but he had no idea what it meant at the time until asking someone to look up its meaning. WK

Resources and Related Links:


Related DMDB Pages:


First posted 3/25/2008; last updated 9/21/2025.