Tracks:
- Sometimes
- Hail Hail (9/14/96, 69 BA, 9 AR, 9 MR, 31 AU, 35 DF) RM
- Who You Are (7/17/96, 31 BB, 27 BA, 18 AA, 5 AR, 1 MR, 18 UK, 4 CN, 5 AU, 23 DF) RM
- In My Tree
- Smile
- Off He Goes (8/26/96, 34 AR, 31 MR, 36 CN, 46 AU, 16 DF) RM
- Habit
- Red Mosquito (9/14/96, 37 AR, 38 DF)
- Lukin
- Present Tense
- Mankind
- I’m Open
- Around the Bend
Outtakes:
- Leaving Here (3/9/96, appeared on Home Alive: The Art of Self Defense various artists collection, 24 AR, 31 MR, 17 DF) LD
- Dead Man (8/29/96, B-side of “Off He Goes”) LD
- Black, Red, Yellow (10/21/96, B-side of “Hail Hail”) LD
- Olympic Platinum (fan club Christmas single, releases 12/31/96)
- Gremmie Out of Control (on Music for Our Mother Ocean Vol. 1 various artists collection) LD
- All Night LD
- Don’t Gimme No Lip LD
About the Album:
Before releasing their fourth album, No Code, members of the band embarked on various side projects. In the spring of 1994, Vedder toured with Hovercraft, his wife Beth’s experimental band. Gossard formed an independent record company and McCready became a member of Mad Season, a supergroup formed with other grunge musicians including Layne Staley of Alice in Chains. They released one album, Above, in the spring of 1995.
In early 1995, the band backed Neil Young, whom they had noted as an influence, on his album, Mirror Ball. WK In the fall of 1995, they also released a single, I Got Id backed by Long Road, which emerged from the sessions. STE
No Code, released in 1996, “was seen as a deliberate break from the band’s sound since Ten, favoring experimental ballads and noisy garage rockers…The lyrical themes on the album deal with issues of self-examination…Although the album debuted at number one on the Billboard charts, it quickly fell down the charts.” WK “The record’s performance was also hurt by Pearl Jam’s inability to launch a full-scale tour, due both to their battle with Ticketmaster and a reluctance to spend months on the road.” STE “A European tour took place in the fall of 1996.” WK
Review by All Music Guide’s Stephen Thomas Erlewine:
“A strange phenomenon with anthemic hard rock bands is that when they begin to mature and branch out into new musical genres, they nearly always choose to embrace both the music and spirituality of the East and India, and Pearl Jam is no exception. Throughout No Code, Eddie Vedder expounds on his moral and spiritual dilemmas; where on previous albums his rage was virtually all-consuming, it is clear on No Code that he has embraced an unspecified religion as a way to ease his troubles. Fortunately, that has coincided with an expansion of the group’s musical palette. From the subtle, winding opener, Sometimes, and the near-prayer of the single, Who You Are, the band reaches into new territory, working with droning, mantra-like riffs and vocals, layered exotic percussion, and a newfound subtlety.”
“Of course, they haven’t left behind hard rock, but like any Pearl Jam record, the heart of No Code doesn’t lie in the harder songs, it lies in the slower numbers and the ballads, which give Vedder the best platform for his soul-searching: Present Tense, Off He Goes, In My Tree, and Around the Bend equal the group’s earlier masterpieces. While a bit too incoherent, No Code is Pearl Jam’s richest and most rewarding album to date as well as their most human. They might be maturing in a fairly conventional method, but they still find new ways to state old truths.”
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