Showing posts with label Justin Currie. Show all posts
Showing posts with label Justin Currie. Show all posts

Tuesday, June 1, 2021

Justin Currie and Del Amitri: Top 40 Songs

Justin Currie/Del Amitri

Top 40 Songs

This was originally posted on December 11, 2019 in celebration of Justin Currie’s birthday. He was born December 11, 1964 in Glasgow, Scotland. The singer/songwriter was best known for fronting Del Amitri from 1980 to 2002. He then fronted the short-lived Uncle Devil Show before striking out as a solo artist. This list has been updated and is being reposted in honor of the upcoming new Del Amitri album – their first in 19 years!

Click here to see other best-of lists from performers and here to see other best-of lists from songwriters and/or producers.

You can also check out the Dave’s Music Database podcast based on this list.

Awards:


Top 40 Songs


Dave’s Music Database lists are determined by song’s appearances on best-of lists as well as chart success, sales, radio airplay, streaming, and awards. The recording artists for each song are indicated with the following codes: DA = Del Amitri, JC = Justin Currie, UD = Uncle Devil Show.

DMDB Top 10%:

1. Kiss This Thing Goodbye (DA, 1989)
2. Always the Last to Know (DA, 1992)
3. Roll to Me (DA, 1995)

DMDB Top 20%:

4. Nothing Ever Happens (DA, 1989)

Beyond the DMDB Top 20%:

5. Move Away Jimmy Blue (DA, 1989)
6. Not Where It’s At (DA, 1997)
7. Driving with the Brakes On (DA, 1995)
8. The Return of Maggie Brown (DA, 1989)
9. Just Like a Man (DA, 1992)
10. Be My Downfall (DA, 1992)

11. Jesus Saves (DA, 2002)
12. Every Song’s the Same (JC, 2013)
13. Hey Polly (JC, 2017)
14. Tell Her This (DA, 1995)
15. The Fight to Be Human (JC, 2010)
16. Just Before You Leave (DA, 2002)
17. The Whole World Is Quiet (DA, 1992)
18. Food for Songs (DA, 1995)
19. Gilbert O’Sullivan (UD, 2004)
20. Sticks and Stones Girl (DA, 1985)

21. This Side of the Morning (DA, 1989)
22. Some Other Sucker’s Parade (DA, 1997)
23. When You Were Young (DA, 1992)
24. Former Owner (DA, 1985)
25. In Ignorant Heaven (DA, 1985)
26. Cry to Be Found (DA, 1998)
27. A Matter of Time (Heard Through a Wall) (DA, 1985)
28. Empty (DA, 1989)
29. Bimbo in the Limo (UD, 2004)
30. A Drunk in a Band (DA, 2002)

31. Bend to My Will (JC, 2013)
32. She Cuts Her Own Fringe (UD, 2004)
33. What Is Love For? (JC, 2007)
34. Close Your Eyes and Think of England (DA, 2020)
35. Failing to See (JC, 2017)
36. This Is My Kingdom Now (JC, 2017)
37. Hammering Heart (DA, 1985)
38. Little Stars (JC, 2013)
39. You’re Gone (DA, 1989)
40. A Man with Nothing to Do (JC, 2010)


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First posted 12/24/2019; last updated 6/1/2021.

Friday, May 28, 2021

Del Amitri released first album in 19 years

Fatal Mistakes

Del Amitri


Released: May 28, 2021


Peak: -- US, 5 UK, -- CN, -- AU


Sales (in millions): -- US, -- UK, -- world (includes US and UK)


Genre: adult alternative rock


Tracks:

Song Title (date of single release, chart peaks) Click for codes to singles charts.

  1. You Can’t Go Back (4/30/21, --)
  2. All Hail Blind Love (8/20/21, --)
  3. Musicians and Beer
  4. Close Your Eyes and Think of England (11/13/20, --)
  5. Losing the Will to Die
  6. Otherwise
  7. It’s Feelings (2/18/21, --)
  8. I’m So Scared of Dying
  9. Mockingbird, Copy Me Now
  10. Missing Person
  11. Second Staircase
  12. Lonely
  13. Nation of Caners


Total Running Time: 45:42


The Players:

  • Justin Currie (vocals, bass)
  • Iain Harvie (guitar)
  • Ash Soan (drums)
  • Andy Alston (keyboards, percussion)
  • Kris Dollimore (guitar)

Rating:

3.371 out of 5.00 (average of 6 ratings)

About the Album:

Fatal Mistakes is the seventh album from Scottish rock band Del Amitri. Their previous studio album, Can You Do Me Good?, was released 19 years earlier. In the interim, lead singer Justin Currie released four solo albums and an album with Uncle Devil Show. Reunion tours in 2014 and 2018 sparked the idea of recording together again.

Work was completed on the album before the UK-wide Covid 19 lockdown in March 2020. Justin Currie, the band’s lead singer and bassist, said the songs were recorded over three weeks “in a stately home in deepest England.” CR he called it “a collection of bizarre tales of poisoning, pleading, and bitter acceptance, powered by guitars, drums, and keyboards.” CR

In the UK, the band had five top-10 albums. They didn’t find the same level of success in the United States, but they did have a top-10 hit with 1995’s “Roll to Me” and have sold six million albums in their career. AS With such a long layoff since their last album, the band has “to create songs that match the rousing, resonant melodies of their earlier efforts…Happily they rise to the challenge.” AS Del Amitri “recognizes the difficulty of maintaining a certain standard but…[are] determined to reach new goals.” AS

The first single, “the state-of-the-nation lament Close Your Eyes and Think of England,” CR was released in November 2020. Currie called it the band’s “European vacation, a ballad of pure bile and remorse, sweetened by a sledgehammer of sarcasm.” CR

The opening track, You Can’t Go Back, “is the most impressive of all, an assertive launching pad that paves the way for the driving, determined offerings that follow.” AS

I’m So Scared of Dying may boast an emphatic edge, but it hints at a fear and a vulnerability that are impossible to ignore.” ASLonely hits at the same, while the solemn Second Staircase comes across as a brooding ballad that caps the earlier momentum.” AS

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First posted 5/28/2021; last updated 8/24/2021.

Friday, May 12, 2017

Justin Currie released This Is My Kingdom Now

This Is My Kingdom Now

Justin Currie


Released: May 12, 2017


Peak: 54 UK


Sales (in millions): -- US, -- UK, -- world (includes US and UK)


Genre: adult alternative rock


Tracks:

Song Title [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. My Name Is God [2:46]
  2. Fallen Trees [2:55]
  3. This Is My Kingdom Now [4:44] (2/9/2017, --)
  4. Sydney Harbour Bridge [4:24] (3/31/2017, --)
  5. Crybabies [3:13] (5/14/2017, --)
  6. Failing to See [4:31] (4/19/2017, --)
  7. The Dead Sea [4:01]
  8. Abandoned Sons [2:44]
  9. Hey Polly [2:39]
  10. I Love the Sea [4:26]
  11. I’ll Leave It to You [4:32]
  12. Two People [4:07]
  13. My Soul Is Stolen [2:32]

Rating:

2.669 out of 5.00 (average of 8 ratings)

About the Album:

“Justin Currie has ploughed a pretty deep furrow since disbanding Del Amitri,” AU enjoying “a small but very dedicated fanbase which lap up his razor sharp observations couched in melodies that lesser songwriters would dream of imagining.” AU “It’s easy to understand why he continues to garner admiration from legends such as Jimmy Webb – he is the songwriter’s songwriter” BSM and This Is My Kingdom Now, his fourth solo outing, “is more proof that he is songwriting royalty.” BSM

The album “fits perfectly” AU alongside his “back catalogue of genuine pop classics laced with his black humour.” AU “He has picked up from where he left off with Lower Reaches by perfecting the balance between the light and dark – not only in individual songs but also through the duration of the album.” BSM This is his “most accessible solo album for a wider audience” BSM “with catchy melodies and tight arrangements.”

“The short but sweet My Name Is God…[finds] Currie proclaiming ‘I don’t need anyone.’ The acoustic introspection combined with the thrill of Currie’s enthralling voice is the musical equivalent of the warmth and familiarity of a homecoming.” BSMFallen Trees is Currie at his observational best – never failing to relate to other’s inadequacies – while the asynchronous beat and guitar on the first single and title track…create a more unsettled and darker feeling” BSM “with its repeated affirmation just hiding the unspoken contempt in Currie’s polemic.” AU

The “wistful Americana of CrybabiesBSM “features a gorgeous hook and heartbreaking lyric.” AU “The lyrics hint of the relationship between Currie and his father – former RSNO chorus master John Currie – although it’s always difficult to determine whether he is being autobiographical. Either way, it’s lyrical perfection.” BSM

Failing to See is one of the more upbeat tracks on the album. Over a funky retro groove, that belongs on the dance floor at the end of a disco, Currie questions ‘Is this what falling in love is aiming to be?’” BSM It features “a glorious 70’s guitar motif, and The Dead Sea sounds as if Pete Bruntnell has been in touch with its spiky guitar, harmonies and driving rhythm.” AU

Hey Polly is another uptempo song – this time a quirkier number with Currie singing in his sharpest vocals ‘get your claws round here today.’” BSM

Sydney Harbour Bridge is fuelled by regret and features a neat shift from singing that there’s ‘nothing I can do’ into a ridiculously catchy chorus of ‘do do do.’ It’s yet another example of Currie’s ability to fuse heartbreak to a cheerier tune.” BSM

“Throughout it all Currie’s voice brings such assurance and depth to each lyric. At its best it imbues real heartbreak and melancholy.” AU I’ll Leave It to You sports an “opening riff is reminiscent of The Faces and – like all Currie’s best tracks do – it tugs…heart strings through the deftest combination of melody, lyrics and his incredible voice.” BSMTwo People is equally dramatic, but with a stripped-back drone sound that eerily lurks behind Currie’s echoing vocals. It almost has a choral quality and is beautiful in its starkness.” BSM

“The brooding I Love the SeaBSM “features a growling guitar above the thunderous piano melody.” BSM “The connection with water and bad weather that seems ever-present in Currie’s songwriting” BSM shows through on that song as well as the “the rockier The Dead Sea.” BSM

“Swirling keys and guitar brings the warmth into…[My Soul Is Stolen] where Currie seems to reflect on his craft – ‘Look into my throat, whoever’s singing isn’t me. Cos I’m a prisoner of who all you listeners might be.’ It’s a song that ends too quickly and leaves you wanting more – making it a perfect album closer.” BSM

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Other Related DMDB Pages:


First posted 5/14/2021; last updated 8/24/2021.

Monday, August 19, 2013

Justin Currie released Lower Reaches

Lower Reaches

Justin Currie


Released: August 19, 2013


Peak: 46 UK


Sales (in millions): -- US, -- UK, -- world (includes US and UK)


Genre: adult alternative rock


Tracks:

Song Title [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Falsetto [3:50]
  2. Every Song’s the Same [2:30]
  3. Bend to My Will [3:37] (7/1/2013, --)
  4. Priscilla [3:31]
  5. I Hate Myself for Loving You [2:30] (11/5/2013, --)
  6. On a Roll [3:30]
  7. Into a Pearl [4:12] (8/19/2013, --)
  8. On My Conscience [2:50]
  9. Half of Me [3:07]
  10. Little Stars [4:15] (5/31/2013, --)

All songs written by Justin Currie.


Total Running Time: 39:49

Rating:

2.537 out of 5.00 (average of 9 ratings)

About the Album:

Justin Currie helmed rock band Del Amitri (“Roll to Me,” “Kiss This Thing Goodbye”) for six albums before the one-off Uncle Devil Show and a solo career. He “has sharpened his pop hooks and topped off the vinegar in his veins” CR for his third solo outing, “the dusty, driving, and soulful Lower Reaches.” AMG

The title suggests “Currie doesn’t expect it to be the album which launches him into the mega-selling musical stratosphere where he can expect blanket-airplay, a completely fair reassessment of his band’s career and every drop dead cool skinny trousered axe-wielder to confess that Del Amitri were the band that were the band that convinced them to pick up the guitar for the first time.” BSM

Nonetheless, you can “rest assured you’re about to get a master class.” NY BBC News said, “Currie’s old-school craftsmanship is rigorously solid” CR and the New York Daily News says the album is marked “as always, by Currie’s finely spun melodies, expertly placed hooks and ironically warm vocals.” CR This is yet another “well crafted album by a mature singer-songwriter.” BSM

He recorded the album in Austin, Texas with Mike McCarthy (the Hold Steady, Patty Griffin, Spoon, …And You Will Know Us by the Trail of the Dead) producing. “The album features stories of love and loss with a magical mix of the Scottish songwriter’s bittersweet poetry and soulful vocals.” CR He “marries the misty melancholia of his homeland and the red rock vistas of the southwest with ease, resulting in a collection of road-ready, Scots-spun Americana that feels both loose and lived in.” AMG That is apparent on the lead single, “the folky and reflective Little Stars.” CR

“There has always been something genuine and believable in Currie’s lyrics and his slightly cracked vocals have always made the most of them.” BSM BBC News called Currie’s lyrics “considered and honed…delivered with intelligence and sincerity.” CR All Music Guide said, “As wry and erudite as ever, Currie can turn a phrase with the best of them, and Lower Reaches has some real dark gems like ‘I feel my body going south, so I take the scenery in,’” AMG from the “ironically upbeat radio single Bend to My Will,” CR which “recalls the Eagles’ hit ‘Already Gone.’” NY

Another highlight is “the equally pastoral Every Song’s the Same.” AMG “The melody moves smoothly enough to let Currie's words flow like they wrote themselves. But the chorus holds a troubling irony. While Currie encourages the aspiring songwriter he's advising to find an individual voice.” NY

In I Hate Myself for Loving You, he sings, “I love to hate myself.” “Of course, that title has been used before, but, as with all things Currie, never quite like this.” NY “Witty, raw, prosaic, and altogether well-written, often bleak observations about life and death and all of the petty things in-between have been his calling card since the ‘80s, so it should come as no surprise that he can still deal them out without the slightest twitch of the wrist.” AMG “His deep, unflawed voice has a leading man’s charisma – but with an edge. Colin Farrell could play him in the movie.” NY

“Musically, Lower Reaches spends the majority of its time in the lower gears, opting for midtempo balladry and contemplative fingerpicking over the smooth, yet propulsive folk-pop that made Currie-penned Del Amitri staples…so immediate and engaging, but at a refined ten songs, it never drags the listener under, even as it's stealthily immersing them in darkness.” AMG


Notes: Some versions of the album contained bonus tracks “Guess” and “London Is Dead.”

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First posted 5/14/2021.

Saturday, March 11, 1995

Del Amtri Twisted released

Twisted

Del Amitri


Released: March 11, 1995


Peak: 170 US, 3 UK, -- CN, -- AU


Sales (in millions): 0.26 US, 0.1 UK


Genre: adult alternative


Tracks:

Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Food for Songs
  2. Start with Me
  3. Here and Now (2/28/95, 21 UK)
  4. One Thing Left to Do
  5. Tell Her This (10/31/95, 32 UK)
  6. Being Somebody Else
  7. Roll to Me (6/13/95, 10 US, 7 CB, 6 RR, 4 AC, 1 A40, 22 UK, 5 CN)
  8. Crashing Down
  9. It Might As Well Be You
  10. Never Enough
  11. It’s Never Too Late to Be Alone
  12. Driving with the Brakes On (4/30/95, 18 UK)


Total Running Time: 54:12


The Players:

  • Justin Currie (vocals, bass, acoustic guitar)
  • Iain Harvie (guitar)
  • David Cummings (guitar)
  • Andy Alston (keyboards)
  • Chris Sharrock (drums, percussion)

Rating:

3.740 out of 5.00 (average of 17 ratings)


Awards: (Click on award to learn more).

About the Album:

Del Amitri’s newest album represents “a moderate change of direction” WK from 1992’s Change Everything. “Whilst retaining their trademark melodic sensibilities,” WK “the Scottish quartet [are] revvin’ up the guitars for their rawest album yet.” GM Guitarist Iain Harvie considers it “the most ideal representation thus far of Del Amitri’s true character.” GM He says, “‘We made Waking Hours…on a really tight budget, and we were a bit uptight when it came time to making the follow-up record, Change Everything.’” GM He continues saying, “‘The up-tightness of the last record, I think, came from too much time being ‘songwriterly’ – trying to do things the way they should be done.’” GM

In contrast, Harvie says, “‘Twisted was done in a very spontaneous manner without any real concern for a particular sound and I think it helped the record a lot.’” GM “‘We wrote the album very organically – all living together for weeks in the country – and a lot was just bashed onto 4-track and that was very cool.’” GM “‘It was a real joy to get out of the grim rehearsal rooms, and get out into the fresh air.’” GM

“‘For those sort of reasons I’d choose Loneliness Comes Crashing Down the best riff I’ve ever written; it was certainly great fun to record. It was done completely live with only one guitar solo and the vocals overdubbed later. It was the first time we’ve successfully managed to write something in the rehearsal room around a live track, around the guitar playing, so it’s a favourite for me.’” GM

Frontman Justin Currie echoes the desire to put out music without dissecting it too much. He says “he longs for the days when bands would record songs in a couple of weeks, and the album would be released shortly thereafter.” JK “‘We actually finished writing all the material for this album in 1993…Every time [the guys in the band] got together, we wrote a new song. When we had about 30 songs ready to record, we demoed them in the fall of 1993. For whatever reason, our record company asked us to wait till 1995 to release the album because that’s when they wanted it out. So we had all our work done by the end of ’93.’” JK

The long layoff between albums wasn’t the only challenge to overcome. “On its current CD Twisted, Del Amitri serves up more of the group's trademark pop melodies, searing guitar work and Currie’s slightly off-kilter voice. An alto baritone/tenor who downplays his voice, the singer is adept at conveying feelings of pain and longing and jubilation without resorting to vocal histrionics.” JK The band maintains “Currie’s downbeat romantic meditations and Iain Harvie’s soaring Rickenbacker tones,” DS but “the label does have to overcome Del Amitri's relatively low profile.” DS As A&M product manager Brad Pollak says, “‘There’s this lingering problem of identifying them with the band.’” DS “‘People know some of their songs’” DS but still wonder “‘is Del Amitri a band, a guy, an Italian dish?’” DS

Currie says, “‘We’ve always put songs before gestures, which may have limited our audience for a time…If you’re a melodic band, as we are, it’s very easy to sound twee, which we’ve tried to avoid at all costs. This is the first time we’ve been able to make a record as raucous as we wanted to, no trumpets, no strings.’” DS

Pollack continues, saying “‘People need two or three singles before they decide they're going to buy this kind of record, so we're prepared for a long commitment.’” DS “That trek begin with the release of Here and Now, a melancholy first single that will be launched at album alternative radio.” DS

Next up was Roll to Me, on which Currie says the band were “purposefully aping Paul McCartney in its use of melody and intervals.” VM The result was Del Amitri’s most successful single, a top ten in the U.S. “The band are known not to consider the song one of their best, however, and have often seemed irked by the fact that what they see as a throwaway pop song gave them their biggest hit.” WK

“There’s enough diversity on Twisted – from the sardonically biting Being Somebody Else to the teary, romantic balladeering of Tell Her This – to propel the album into the hearts of a wide range of folks. But, as Currie admits, most of the songs are marked by a melancholy that makes Del Amitri seem best suited for a solitary mope, rather than a party.” DS

“‘I’ve tried to write happier songs, ‘cause I’m genuinely not an unhappy person,’ he says. ‘I’ve had terrible times in my life, and people around me will sometimes say, ‘Well, at least you’ll get a song out of it.’ That’s deeply offensive: It would be immoral of me to go around ambulance chasing to get songs. I think it’s just a matter of me listening to too much country music!’” DS

Twisted “was the last album to feature guitarist David Cummings, who left to begin a successful career in TV scriptwriting, and the only to feature drummer Chris Sharrock, who agreed to play on Twisted but declined to join the band as a permanent member.” WK

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First posted 2/5/2009; last updated 8/24/2021.

Saturday, August 19, 1989

Del Amitri charted with “Kiss This Thing Goodbye”

Kiss This Thing Goodbye

Del Amitri

Writer(s): Justin Currie, Iain Harvie, Mick Slaven (see lyrics here)


Released: July 1989


First Charted: August 19, 1989


Peak: 35 US, 35 CB, 28 RR, 17 AR, 13 MR, 43 UK, 28 AU, 1 DF (Click for codes to singles charts.)


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 0.32 video, 3.36 streaming

Awards:

Click on award for more details.

About the Song:

Del Amitri were a Scottish band who got their start in the ‘80s. From then until their final release in 2002, they never featured the same lineup on any two records. WK Only singer/songwriter Justin Currie and guitarist/songwriter Iain Harvie appeared on all their albums and keyboardist Andy Alston proved a stable member, having been with the band from 1989 on. While a changing lineup would certainly produce a different sound each time out, it was never more marked than it was from their 1985 self-titled debut to 1989’s Waking Hours. On the latter album, the band eschewed the post-punk sound of the first album for what was arguably “Del Amitri’s first ‘mature’ record.” WK

They also found their first taste of mainstream success. In the U.K., they recached #11 with “Nothing Ever Happens,” and then they hit the U.S. Billboard Hot 100 when “Kiss This Thing Goodbye” saw a re-release as a single. This time, they hit the top 40 and also took the song to the top 20 of the album rock and modern rock charts. In the U.S., they only hit the top 40 two more times – with 1992’s “Always the Last to Know” (#30) and 1995’s “Roll to Me” (#10), but they scored fifteen top-40 hits in the U.K.

Songfacts.com describes it as “one of the more resigned break-up songs, about a relationship that is not working and never will. The couple can barely even stand to share the same space, so there’s no point in prolonging the end of it.” SF The music, however, betrays the gloomy lyrical theme with its poppy, upbeat feel.

On a personal note, I repurposed the song in the early ‘90s. I played it (then on a car tape deck) as a farewell to my first car – a used Mustang – when I bought a brand spankin’ new Grand Am.


Resources:


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First posted 12/24/2019; last updated 10/30/2022.