Rod Stewart began 8-week run at #1 with “Tonight’s the Night”

Tonight’s the Night (Gonna Be Alright) Rod Stewart

Writer(s): Rod Stewart (see lyrics here) Released: May 1976 First Charted: June 5, 1976 Peak: 18 US, 15 CB, 16 HR, 15 RR, 42 AC, 1 CL, 5 UK, 16 CN, 3 AU (Click for codes to charts.) Sales (in millions): 1.0 US, -- UK, 1.0 world (includes US + UK) Airplay/Streaming (in millions): -- radio, 16.8 video, -- streaming

Awards: Click on award for more details.

About the Song: In the Paul Nelson-Lester Bang biography Rod Stewart, critic Greil Marcus said this “is a seduction song so transparent, helpless and forthright that not even a cynic can resist it.” FB However, some program directors initially did exactly that – citing lyrics about the deflowering of a “virgin child” BB and the line “spread your wings and let me come inside” as too sexually explicit. FB The “romantic murmuring in French near the fade-out,” which was voiced by Stewart’s then-girlfriend Britt Ekland, BB was also considered too suggestive. WK Jesse Jackson’s People United to Save Humanity even target the song “as an example of one that was loosening the morals of young people.” SF Public demand won out in the end and the song became the biggest #1 of 1976. CPM Its eight weeks on top made it the biggest #1 since the Beatles’ “Hey Jude” in November 1968. It was also the biggest hit of Stewart’s career. It was the best-selling song in the United States in 1977. WK In 2018, Billboard ranked the song the 19th biggest in the history of the Hot 100. Dan Peek says he and Stewart were playing together in Peek’s home recording studio and Peek played him the song “Today’s the Day” from his band America. Stewart said he liked it and it gave him an idea for a song of his own. When Peek heard “Tonight’s the Night,” he laughed and said, ‘Why didn’t I think of that?’” WK The famed Muscle Shoals Rhythm Section played on the song. They had played with Aretha Franklin, Wilson Pickett, and other famous soul acts. When Stewart arrived at the studio, he refused to believe that these guys were the actual band. He found it difficult to believe “that four white guys could deliver so much soul.” SF Resources: BB Billboard (9/08). “All-Time Hot 100” FB Fred Bronson (2003). The Billboard Book of Number One Hits (5th edition). Billboard Books: New York, NY. Page 448. SF Songfacts CPM Joel Whitburn (1999). A Century of Pop Music. Record Research, Inc.: Menomonee Falls, WI. Page 103. WK Wikipedia Related Links: First posted 3/7/2021; last updated 9/14/2023.

America “A Horse with No Name” hit #1

A Horse with No Name America

Writer(s): Dewey Bunnell (see lyrics here) Released: November 12, 1971 First Charted: December 18, 1971 Peak: 13 US, 13 CB, 12 GR, 13 HR, 3 AC, 1 CL. 3 UK, 11 CN, 2 AU, 1 DF (Click for codes to singles charts.) Sales (in millions): 1.0 US, 0.6 UK Airplay/Streaming (in millions): -- radio, 18.59 video, 458.75 streaming

Awards: Click on award for more details.

About the Song: Dewey Bunnell, Dan Peek, and Gerry Beckley were American kids who were sons of fathers in the Air Force based in England. They met at London’s Central High School, a school primarily for children of military families, FB and “bonded over the shimmering, heavily harmonized folk-rock that was coming out of California. When they started a band, they called themselves America because they didn’t want anyone to get the idea that they were English kids trying to sound American.” SG They released their self-titled debut in the UK in 1970. They wanted to release the ballad “I Need You” as a single, but the label was more interested in releasing a new song the band initially called “Desert Song” which they thought “would be a fun little novelty…that…was too weird to be a big success.” SG The non-album single was named “A Horse with No Name” and took off. When they released it in the U.S., the song was added to the debut album. The song is “about finding an existential epiphany after a trip through the desert.” SG Bunnell, who was 19 when he wrote it, said it was about “solitary thinking in a peaceful place.” SG He was “inspired by a homesickness for America and the desert countryside he remembered when he lived briefly at Vandenberg Air Force base” FB in California. The song “is hazy and memorable” SG despite some “real lyrical clunkers…that nobody older than 19 would’ve been able to sing with a straight face;” SG lines like “There were plants and birds and rocks and things” and “The heat was hot.” Of course the question the song has raised since the beginning is why doesn’t the protagonist name horse after nine days in the desert? Bunnell also distractingly “sounds a whole lot like Neil Young” SG with his “very distinct vocal tone, an airy high-lonesome quaver.” SG Despite that, “’A Horse With No Name’ works. There’s a warm, cloudy sense of mystery to the song. The band (and the session musicians who filled out the song) play with a real confidence. It’s full of neat production touches: murmuring bongo drums, a politely meandering bassline, a darting-hummingbird dual guitar lead that nods to flamenco without giving into it altogether. The harmonies add a mythic out-of-time quality even as they imitate what Young’s buddies Crosby, Stills & Nash were doing at the time, and the arrangement builds to a pleasant swirl.” SG Resources: DMDB encyclopedia entry for America FB Fred Bronson (2003). The Billboard Book of Number One Hits (5th edition). Billboard Books: New York, NY. Page 309. SG Stereogum (2/22/2019). “The Number Ones” by Tom Breihan WK Wikipedia First posted 7/13/2022; last updated 12/6/2022.