Saturday, February 28, 1998

Celine Dion hit #1 with “My Heart Will Go On”

My Heart Will Go On

Celine Dion

Writer(s): James Horner/ Will Jennings (see lyrics here)


Released: December 8, 1997


First Charted: December 12, 1997


Peak: 12 US, 110 BA, 19 GR, 19 RR, 110 AC, 3 A40, 12 UK, 16 CN, 14 AU, 6 DF (Click for codes to charts.)


Sales (in millions): 4.0 US, 1.8 UK, 18.0 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 366.3 video, 411.03 streaming

Awards:

Click on award for more details.

About the Song:

When Titanic was released in 1997, it was the most expensive film ever made. TB Such an oversized budget needed a larger-than-life voice to soundtrack it and Celine Dion was an obvious choice. True, detractors berated her over-the-top performance style and cheesy sentimentality as overwhelming her undeniably huge talent, but since that was often the same criticism of Titanic director James Cameron, hers was just the right voice to help sink one of the most hyped ships of all time.

In actuality, Cameron only wanted instrumental music in the film. FB As Walter Afanasieff, one of the song’s co-producers said, “Cameron didn’t want anything modern in his film…It was a period piece and he wanted to be true to the music of the time.” FB However, when James Horner composed “a melody to die for,” TB lyricist Will Jennings couldn’t resist.

The song had a simple structure, but a range which few pop singers could handle. LW Since Horner had a good relationship with Dion, LW he asked her to record it, even though she didn’t like it initially. FB The originally reluctant director was won over. Jennings says that when Horner played the demo over the movie’s finale, “Cameron had to leave the room to compose himself.” FB

Understandably, the melodramatic song drew eyerolls from some accusing it of being “overwrought and overblown,” TB but the “money-shot line of ‘Near…far…whereeeeeeeever you are’…[made for] an operatic moment of almost Wagnerian pop.” TB Truth be told, after Leonardo DiCaprio slips from his lover Kate Winslet’s grasp and into his watery grave, most of the audience were scrounging for tissues when the song kicked in as the credits rolled.


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First posted 1/7/2015; last updated 7/25/2023.

Wednesday, February 25, 1998

Shawn Colvin’s “Sunny Came Home” won Grammys for Song and Record of the Year

Sunny Came Home

Shawn Colvin

Writer(s): Shawn Colvin, John Leventhal (see lyrics here)


Released: June 24, 1997


First Charted: February 1, 1997


Peak: 7 BB, 14 BA, 3 GR, 2 RR, 14 AC, 17 A40, 2 AA, 29 UK, 3 CN, 44 AU, 6 DF (Click for codes to charts.)


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 14.9 video, 50.14 streaming

Awards:

Click on award for more details.

About the Song:

Shawn Colvin’s first album, Steady On, dropped in 1989 when she was already in her early ‘30s. It would be nearly another decade before she found her greatest success with “Sunny Came Home,” a Grammy-winner for Record and Song of the Year in 1998.

The song was released as the second single from Colvin’s fourth album, A Few Small Repairs. It was her highest-charting album, reaching #39 in the United States and becoming her only platinum release. While Colvin has had a handful of charting songs in the UK and on the adult contemporary charts in the United States, “Sunny Came Home” was her only chart entry on the Billboard Hot 100, reaching #7.

Music historian Steve Sullivan described it as “a quietly compelling account of a troubled woman who finally goes over the edge.” SS Washington Post’s Joshua Zarov said, “Colvin’s poetic lyrics, flawless finger-picking, and unusual guitar tunings give her songs a distinctive character; and her voice, breathy and gentle, is capable of swelling with strength and emotion when necessary.” JZ

Colvin told Huffpost.com that “Sunny Came Home,” which she co-wrote with former romantic partner John Leventhal, was the last song written for the album. She’d already chosen the album cover – a painting by her friend Julie Speed of a woman holding a lit match with a fire raging in the background. It inspired Colvin to write a song about a woman who sets her own house on fire as revenge against someone who spurned her. She explained that she focused on imagery like the kitchen, the tools, and the fire but left the story open to listeners’ interpretations. Many have viewed it as a feminist anthem in which the narrator reacts to domestic abuse.


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First posted 1/12/2025.