Showing posts with label ZZ Top. Show all posts
Showing posts with label ZZ Top. Show all posts

Tuesday, September 12, 2023

Southern Rock/Country Rock: Top 100 Songs

Southern Rock/Country Rock:

Top 100 Songs

In some ways, the term “Southern rock” is redundant. American rock and roll is generally viewed as a genre which grew out of a melding of blues and country, both of which originated in the south, along with other musical forms such as R&B, gospel, and folk. However, as rock evolved and moved in different directions, the term “Southern rock” emerged in the 1970s as a reference to some of rock’s more country and blues-leaning bands that hailed from the southern United States.

The phrase may have first been coined by Mo Slotin, who used it in a review of an Allman Brothers Band concert he wrote for The Great Speckled Bird, an underground newspaper in Atlanta. Whatever its origins, the term has come to encompass some of rock’s most successful acts to come out of the South primarily in the 1970s, with the Allman Brothers Band and Lynyrd Skynyrd being the two most prominently celebrated.

I set out to create a list focused exclusively on “Southern rock” but, as is always the case with trying to define musical genres, the lines quickly blurred. I was finding lists that went beyond “Southern rock” and encompassed “country rock” as well. While distinctions aren’t firm, country rock essentially is a reference to rock bands like the Eagles and Creedence Clearwater Revival which incorporated elements of country music into their sound.

In any event, I ended up assembling this list of songs from both the Southern rock and country rock genres by aggregating more than 20 lists that focused on one genre or the other or some mix between the two. As with any list, readers are bound to have quibbles, but it makes for a jumping off point in discussing and dissecting what music comprises Southern rock and country rock. Enjoy.

1. The Allman Brothers Band “Ramblin’ Man” (1973)
2. Lynyrd Skynyrd “Sweet Home Alabama” (1974)
3. Marshall Tucker Band “Can’t You See” (1973)
4. Charlie Daniels’ Band “The Devil Went Down to Georgia” (1979)
5. Lynyrd Skynyrd “Free Bird” (1973)
6. Molly Hatchet “Flirtin’ with Disaster” (1979)
7. The Outlaws “Green Grass and High Tides” (1975)
8. Eagles “Take It Easy” (1972)
9. ZZ Top “La Grange” (1973)
10. Georgia Satellites “Keep Your Hands to Yourself” (1986)

11. Ram Jam “Black Betty” (1977)
12. Wet Willie “Keep on Smilin’” (1974)
13. Little Feat “Dixie Chicken” (1973)
14. .38 Special “Hold on Loosely” (1981)
15. The Black Crowes “Hard to Handle” (1990)
16. Ozark Mountain Daredevils “If You Wanna Get to Heaven” (1974)
17. The Band “The Night They Drove Ol’ Dixie Down” (1969)
18. Eagles “Peaceful, Easy Feeling” (1972)
19. The Allman Brothers Band “Blue Sky” (1972)
20. Pure Prairie League “Amie” (1975)

21. Charlie Daniels Band “Long Haired Country Boy” (1974)
22. Steve Earle “Copperhead Road” (1988)
23. The Rolling Stones “Dead Flowers” (1971)
24. Elvin Bishop “Fooled Around and Fell in Love” (1976)
25. Marshall Tucker Band “Heard It in a Love Song” (1977)
26. The Allman Brothers Band “Midnight Rider” (1970)
27. Creedence Clearwater Revival “Lodi” (1969)
28. The Band “Up on Cripple Creek” (1969)
29. Gregg Allman “I’m No Angel” (1987)
30. Lynyrd Skynrd “The Ballad of Curtis Loew” (1974)

31. Blackfoot “Highway Song” (1979)
32. Charlie Daniels Band “The South’s Gonna Do It Again” (1974)
33. Creedence Clearwater Revival “Bad Moon Rising” (1969)
34. Lynyrd Skynyrd “Gimme Three Steps” (1973)
35. The Allman Brothers Band “Whipping Post” (1969)
36. The Band “The Weight” (1968)
37. Crosby, Stills, Nash & Young “Teach Your Children” (1970)
38. Linda Ronstadt “Love Is a Rose” (1975)
39. Eagles “Lyin’ Eyes” (1975)
40. Kid Rock with Sheryl Crow “Picture” (2001)

41. Molly Hatchet “Dreams I’ll Never See” (1978)
42. The Outlaws “There Goes Another Love Song” (1975)
43. Neil Young “Are You Ready for the Country?” (1972)
44. ZZ Top “Tush” (1975)
45. Bob Dylan with Johnny Cash “Girl from the North Country” (1969)
46. Juice Newton “Queen of Hearts” (1981)
47. Elvis Costello “A Good Year for the Roses” (1981)
48. Led Zeppelin “Hot Dog” (1979)
49. Gram Parsons “Return of the Grievous Angel” (1974)
50. The Byrds “Hickory Wind” (1968)

51. The Byrds “One Hundred Years from Now” (1968)
52. Blackfoot “Train, Train” (1979)
53. Marshall Tucker Band “Fire on the Mountain” (1975)
54. Rossington-Collins Band “Don’t Misunderstand Me” (1980)
55. Humble Pie “30 Days in the Hole” (1972)
56. Mountain “Mississippi Queen” (1970)
57. .38 Special “Caught Up in You” (1982)
58. Bob Dylan “Lay Lady Lay” (1969)
59. Creedence Clearwater Revival “Proud Mary” (1969)
60. Ozark Mountain Daredevils “Jackie Blue” (1974)

61. Creedence Clearwater Revival “Lookin’ Out My Back Door” (1970)
62. The Fabulous Thunderbirds “Tuff Enuff” (1986)
63. Neil Young “Heart of Gold” (1972)
64. The Rolling Stones “Wild Horses” (1971)
65. Eagles “Tequila Sunrise” (1973)
66. Linda Ronstadt “Blue Bayou” (1977)
67. Lynyrd Skynyrd “That Smell” (1977)
68. Flying Burrito Brothers “Wild Horses” (1970)
69. Grateful Dead “Friend of the Devil” (1970)
70. .38 Special “Rockin’ into the Night” (1979)

71. The Black Crowes “Remedy” (1992)
72. Robert Plant & Alison Krauss “Please Read the Letter” (2007)
73. The Beatles “Act Naturally” (1965)
74. Bob Dylan “I’ll Be Your Baby Tonight” (1967)
75. Lynyrd Skynyrd “I Know a Little” (1977)
76. Johnny Van Zant “Brickyard Road” (1990)
77. Poco “Rose of Cimarron” (1976)
78. Arlo Guthrie “City of New Orleans” (1972)
79. Georgia Satellites “Battleship Chains” (1986)
80. Black Oak Arkansas “Jim Dandy” (1973)

81. Atlanta Rhythm Section “Homesick” (1981)
82. Amazing Rhythm Aces “Third Rate Romance” (1975)
83. Eagles “Desperado” (1973)
84. Elvis Presley “Blue Moon of Kentucky” (1954)
85. The Rolling Stones “Far Away Eyes” (1978)
86. The Allman Brothers Band “Melissa” (1972)
87. Kid Rock “All Summer Long” (2007)
88. Bellamy Brothers “Let Your Love Flow” (1976)
89. Linda Ronstadt “When Will I Be Loved” (1974)
90. The Byrds “You Ain’t Goin’ Nowhere” (1968)

91. ZZ Top “Cheap Sunglasses” (1979)
92. The Allman Brothers Band “One Way Out” (1972)
93. Pure Prairie League “Let Me Love You Tonight” (1980)
94. Lynyrd Skynyrd “Saturday Night Special” (1975)
95. Lynyrd Skynyrd “Call Me the Breeze” (1974)
96. Lynyrd Skynyrd “What’s Your Name?” (1977)
97. ZZ Top “Gimme All Your Lovin’” (1983)
98. .38 Special “If I’d Been the One” (1983)
99. Lynyrd Skynyrd “Simple Man” (1973)
100. Charlie Daniels Band “Uneasy Rider” (1973)


Resources/Related Links:


First posted 3/13/2023; last updated 9/12/2023.

Wednesday, March 23, 1983

ZZ Top Eliminator released

Eliminator

ZZ Top


Released: March 23, 1983


Peak: 9 US, 3 UK, 2 CN, 2 AU


Sales (in millions): 11.0 US, 1.2 UK, 23.4 world (includes US and UK)


Genre: classic rock


Tracks:

Song Title (date of single release, chart peaks) Click for codes to charts.

  1. Gimme All Your Lovin’ (4/2/83, 37 BB, 43 CB, 36 GR, 2 AR, 10 UK, 39 CN, 87 AU, 8 DF)
  2. Got Me Under Pressure (4/16/83, 18 AR, 18 DF)
  3. Sharp Dressed Man (7/9/83, 56 BB, 83 CB, 8 AR, 22 UK, 66 AU, 6 DF)
  4. I Need You Tonight
  5. I Got the Six
  6. Legs (4/14/84, 8 BB, 11 CB, 9 GR, 5 RR, 3 AR, 16 UK, 9 CN, 6 AU, 6 DF)
  7. Thug
  8. TV Dinners (12/10/83, 38 AR, 67 UK, 37 DF)
  9. Dirty Dog
  10. If I Could Only Flag Her Down
  11. Bad Girl


Total Running Time: 45:00


The Players:

  • Billy Gibbons (vocals, guitar)
  • Dusty Hill (bass, vocals)
  • Frank Beard (drums)

Rating:

4.185 out of 5.00 (average of 24 ratings)


Quotable:

“An electro-boogie masterpiece” – author Robert Dimery

Awards:

(Click on award to learn more).

About the Album:

ZZ Top formed in the 1960s as a Texas-based blues-rock trio. They made five albums for London Records in the 1970s, including the multi-platinum top-10 Tres Hombes in 1973. They also landed a few classic rock staples with “La Grange” and “Tush.” In 1978, they signed with Warners. Their 1979 platinum-selling Deguello “demonstrated with a series of wry, surreal songs, that ZZ Top were not the simple, rustic trio that most people had taken them for in the past.” TB 1981’s gold-selling El Loco “continued in a similar vein, adding a smutty sense of humor to songs such as ‘Pearl Necklace’ and ‘Tube Snake Boogie.’” TB

For their next movie, the trio surprised their fans by embracing the “synths and sequencers” AM while still retaining “the driving blues guitars of previous ZZ Top albums” TB for 1983’s Eliminator. “They plunged in with such aplomb that drummer Frank Beard was suspected of having been drum-machined off the tracks. In truth, his crisp beats and Dusty Hill’s chugging bass are merely supports for the star: guitarist Billy Gibbons – forever wrapping furry likc round the wry lyrics, but never overinduldging like lesser soloists.” RD In trying to keep up with “the sound of the times” AM the band “risked looking like the embarrassing uncles. Instead they conjured an electro-boogie masterpiece” RD that became the biggest-selling album of the band’s career.

“It wasn't that they were just popular – they were hip, for God’s sake, since they were one of the only AOR favorites to figure out to harness the stylish, synthesized grooves of new wave, and then figure out how to sell it on MTV.” AM “Even if they didn’t quite look the part, ZZ Top’s songs about fast cars and faster women were suddenly in vogue.” TB making them “rivaled only by Michael Jackson when it came to heavy MTV rotation in 1983.” TB As Beard said, “We decided that the girls were a lot better looking than we were and that the car was even better looking than we were.” RD

The videos “established a strong visual image for the band,” TB populated “with scantily clad beauties as well as the obligatory red coupe.” TB The latter image played off one of “the most iconic album covers of the 1980s” TB – the “airbrushed image of a red Ford coupe.” TB

Gimme All Your Lovin’ and Legs were MTV staples during the music channel’s formative years” TB but it also helped that the band had crafted “songs that deserved to be hits.” AM Alongside the two aforementioned songs, they also had Sharp Dressed Man. This was the band’s “greatest set of singles since the heady days of Tres Hombres.” AM Even the album cuts, such as “the elegiac I Need You Tonight and the slap-happy bass showcase Thug,” RD were high enough quality that “they would have been singles on El Loco.” AM

“The songs alone would have made Eliminator one of ZZ Top’s three greatest albums…Years later, the sound of the times winds up sounding a bit stiff. It’s still an excellent ZZ Top album, one of their best, yet it sounds like a mechanized ZZ Top thanks to the unflaggingly accurate grooves. Then again, that’s part of the album’s charm – this is new wave blues-rock, glossed up for the video, looking as good as the omnipresent convertible on the cover and sounding as irresistible as Reaganomics. Not the sort the old-school fans or blues-rock purists will love, but ZZ Top never sounded as much like a band of its time as they did here.” AM

Reviews:


Related DMDB Links:


First posted 4/28/2008; last updated 6/25/2025.

Saturday, March 30, 1974

ZZ Top “La Grange” charted

La Grange

ZZ Top

Writer(s): Billy Gibbons, Dusty Hill, Frank Beard (see lyrics here)


First Charted: March 30, 1974


Peak: 41 US, 24 CB, 33 HR, 24 RR, 1 CL, 34 CN, 15 AU, 1 DF (Click for codes to charts.)


Sales (in millions): -- US, 0.2 UK


Airplay/Streaming (in millions): -- radio, 264.42 video, 396.46 streaming

Awards:

Click on award for more details.

About the Song:

ZZ Top was formed in 1969 in Houston, Texas. The blues-style rock band consisted of singer/guitarist Billy Gibbons, singer/bassist Dusty Hill, and drummer Frank Beard. “The trio had the attention of their peers right from the start;” UCR Jimi Hendrix referred to Gibbons as “America’s best young guitarist.” UCR They were also “developing a reputation as a powerful live band.” UCR

However, they did not find commercial success right away. Their 1971 debut failed to chart and the follow-up, 1972’s Rio Grande Mud, stalled at #104 on the Billboard album chart. Their fortunes changed with 1973’s Tres Hombres, which reached #8 and went gold, largely because of the success of the group’s “La Grange.” The song just missed the top-40 on the Billboard Hot 100, but became an album-rock staple and the group’s “ubiquitous musical calling card.” UCR

The song is “a loving lyrical tribute to Texas’s favorite little whorehouse,” UCR a brothel later known as the Chicken Ranch and celebrated in the Broadway play and film The Best Little Whorehouse in Texas. WK “It’s a testament to both the song’s immediate appeal and enduring quality that despite all this airplay and multi-media placement, it’s still a thrill every time Gibbons launches into his deep growl for that famous intro: ‘Rumour spreadin’ a-’round in that Texas town / ‘Bout that shack outside La Grange ...’” UCR In a bit of irony, the intent to immortalize Miss Edna’s boarding house got it shut down. DT

The song’s groove is based on John Lee Hooker’s “Boogie Chillen.” WK “That fuzz sound in the lead and in the front and back end of the composition is just pure tube distortion.’” UCR Cash Box called the song “a hard driving delight certain to satisfy those fans of heavy blues.” WK


Resources:


Related Links:


First posted 8/3/2022; last updated 4/1/2023.

Thursday, July 26, 1973

July 26, 1973: ZZ Top released Tres Hombres

First posted April 28, 2008. Last updated September 9, 2018.

Tres Hombres

ZZ Top

Released: July 26, 1973


Sales (in millions):
US: 5.0
UK: --
IFPI: --
World (estimated): 5.0


Peak:
US: 8
UK: --
Canada: --
Australia: --

Quotable: ZZ Top “never got it better than they did here” – Stephen Thomas Erlewine, All Music Guide


Genre: classic rock/blues rock


Album Tracks:

  1. Waitin’ for the Bus
  2. Jesus Just Left Chicago
  3. Beer Drinkers and Hell Raisers
  4. Master of Sparks
  5. Hot, Blue and Righteous
  6. Move Me on Down the Line
  7. Precious and Grace
  8. La Grange (3/30/74, #41 US)
  9. Sheik
  10. Have You Heard?

Singles/Hit Songs:

Click here for the chart codes for singles/hit songs.

Review:

For their third album, ZZ Top brought in Terry Manning as engineer and were rewarded with their commercial breakthrough when the album landed in the top ten of the Billboard album chart. “It couldn’t have happened to a better record. ZZ Top finally got their low-down, cheerfully sleazy blooze-n-boogie right on this, their third album. As their sound gelled, producer Bill Ham discovered how to record the trio so simply that they sound indestructible, and the group brought the best set of songs they’d ever have to the table.” STE

In his Rolling Stone review of Tres Hombres, Spanish for “three men,” Steve Apple said they were “one of the most inventive of the three-piece rockers” WK with “the dynamic rhythms that only the finest of the three-piece bands can cook up.” WK However, he also said they were “only one of several competent Southern rocking bands” with “an advantage over most white rockers” because they “sound black” WK and he wondered when “audiences will get tired of hearing the same ... ‘Poot yawl hans together' patter.’” WK

All Music Guide’s somewhat agreed with that assessment, saying there’s seemingly “nothing really special about the record, since it’s just a driving blues-rock album from a Texas bar band, but that’s what’s special about it. It has a filthy groove and an infectious feel, thanks to Billy Gibbons’ growling guitars and the steady propulsion of Dusty Hill and Frank Beard’s rhythm section. They get the blend of bluesy shuffles, gut-bucket rocking, and off-beat humor just right.” STE

Pitchfork’s Andy Beta called it “a masterful melding of complementary styles, cramming Southern rock and blues boogie through the band’s own idiosyncratic filter.’” WK In 2013, Andrew Dansby said in the Houston Chronicle that the album was “full of characters and doings so steeped in caricature – yet presented straight-faced – as to invite skepticism. The album is stuffed with color and flavor.” WK

“ZZ Top’s very identity comes from this earthy sound and songs as utterly infectious as Waitin’ for the Bus, Jesus Just Left Chicago, Move Me on Down the Line, and the John Lee Hooker boogie La Grange. In a sense, they kept trying to remake this record from this point on – what is Eliminator if not Tres Hombres with sequencers and synthesizers? – but they never got it better than they did here.” STE


Review Source(s):

Awards:


Related DMDB Link(s):