Showing posts with label Starland Vocal Band. Show all posts
Showing posts with label Starland Vocal Band. Show all posts

Sunday, February 12, 2012

Why the Grammys Are Hard to Take Seriously








Well, the Grammys are tonight. In past years, I’ve made my predictions for Album of the Year, but not much else. Of course, Adele is so widely expected to sweep tonight that it makes predictions somewhat, well, predictable. Even my “Steve Theory” (initially presented in a January 2010 blog post called And the Grammy Goes to…Steve?) supports her 21 as the winner. Okay, I haven’t actually asked Steve which album would win, but I know his tastes and this is the one he’d pick.

Since the only real story tonight will be if Adele doesn’t win Album of the Year, Song of the Year, and Record of the Year, there isn’t much else of note to report. With the death of Whitney Houston just yesterday, the most moving moment at the Grammys is likely to be a tribute on her behalf. We’ll see what happens.

Is anyone NOT picking Adele to go home with a lot more than two of these tonight?



Instead, this seems like a good time to vent. For those who regularly follow this blog, this entry won’t be too surprising. As some of you may know, Dave’s Music Database is a consolidation of all kinds of data such as sales figures, chart data, airplay, awards, and appearances on best-of lists to determine the best songs, albums, and acts of all time. This mix of looking at commercial success and critical acclaim for artists and their works over time produces pretty sturdy results, if I do say so myself.

The Grammys, however, don’t often prove to much of an indication of what will stand the test of time. As evidenced through several previous DMDB blog posts, the Grammys have a habit of bad picks for the big four: Best New Artist, Album of the Year, Song of the Year, and Record of the Year (check those links here or under the “Related DMDB Blog Entries” heading below). While there are certainly deserving winners each year, there are so many worthy candidates who either don’t win or don’t even get nominated as to make the Grammys laughable.

The Grammys never saw fit to award Led Zeppelin with any of its prizes.



Oh, I’ll still watch. I’m eager to see Bruce Springsteen perform. The Beach Boys are supposed to play alongside some of today’s hip new acts. I hope someone offers a moving speech in tribute to Whitney Houston. There will hopefully be some surprises. I also think if the big four awards go the way they should, this might prove to be the rare year when the Grammys get it right. Still, it doesn’t make up for how many grievous errors music’s king of the hill has made. While Starland Vocal Band and Milli Vanilli can boast to having Grammy gold sitting atop their fireplace mantels (albeit the latter only held on to it briefly), a slew of notable acts can make no such claim. Just check out this post from Spinner.com from a year ago at Grammy time, in which they note the following acts who’ve never won a Grammy for ANYTHING, much less one of the big four awards: The Beach Boys, Chuck Berry, The Doors, The Grateful Dead, Jimi Hendrix, Buddy Holly, Janis Joplin, The Kinks, Led Zeppelin, Lynyrd Skynyrd, Bob Marley, Queen, Diana Ross, Tupac Shakur, The Supremes, The Who, and Neil Young. Sigh.

The Grammys decided Milli Vanilli was more worthy of Grammy gold than any of those fly-by-night acts listed above.





Related DMDB Blog Entries and Other Resources:

Saturday, April 3, 1971

John Denver “Take Me Home, Country Roads” charted

Take Me Home, Country Roads

John Denver

Writer(s): Bill Danoff, Taffy Nivert, John Denver (see lyrics here)


First Charted: April 3, 1971


Peak: 2 US, 11 CB, 3 GR, 12 HR, 3 AC, 50 CW, 3 CN, 24 AU, 1 DF (Click for codes to charts.)


Sales (in millions): 1.6 US, 0.6 UK


Airplay/Streaming (in millions): -- radio, 505.15 video, 647.61 streaming

Awards:

Click on award for more details.

About the Song:

John Denver was born Henry John Deutschendorf Jr. on December 31, 1943 in Roswell, New Mexico. The singer/songwriter and guitarist got started as a folk artist in the 1960s before becoming a successful country crossover artist in the 1970s. His fifth album, 1971’s Poems, Prayers & Promises, was his big breakthrough, going platinum and reaching the top 20 on the U.S. Billboard album chart and #6 on the country chart. It produced two of his most beloved songs – “Sunshine on My Shoulders” and “Take Me Home, Country Roads.” The latter was his “finest” SS and his first chart entry, going all the way to #2 on the Billboard Hot 100.

The song’s initial inspiration came from Bill Danoff and Taff Nivert, a husband and wife duo known as Fat City who would later form the Starland Vocal Band. They were driving along Clopper Road in Montgomery County, Maryland to a family gathering. Danoff was playing his guitar while Nivert drove. He said, “I just started thinking, country roads, I started thinking of me growing up in western New England and going on all these small roads.” WK

Danoff and Nivert crossed paths with John Denver when they were both on the bill at the Cellar Door in Washington, D.C. They played “Take Me Home, Country Roads,” which they were hoping to sell to Johnny Cash, for Denver and he told them he wanted the song. The three of them then finished the song together and performed it the next night to a five-minute standing ovation. WK

The song references West Virginia although none of the three had ever been there. SF Denver “sounds so sincere” SJ “it’s hard to believe…[he] wasn’t born and raised” SJ there. As for the songwriters, they were inspired by postcards of West Viriginia. SJ At one point, the lyric says “the radio reminds me of my home far away,” which alludes to the show Saturday Night Jamboree which broadcast out of Wheeling, West Viriginia. In 2014, the song became one of West Virginia’s four official state anthems. WK The song’s opening line, “almost heaven,” became a tourism slogan for the state. WK


Resources:


Related Links:


First posted 11/5/2022; last updated 4/17/2023.