Showing posts with label I'm a Man. Show all posts
Showing posts with label I'm a Man. Show all posts

Saturday, May 7, 2005

On This Day (1955): Bo Diddley charted with “I’m a Man”

I’m a Man

Bo Diddley

Writer(s): Bo Diddley (see lyrics here)


Released: April 1955


First Charted: May 7, 1955


Peak: 6 BB, 12 RB, 3 DF (Click for codes to charts.)


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 1.8 video, 34.41 streaming

Mannish Boy

Muddy Waters

Writer(s): Bo Diddley, Mel London, Muddy Waters (see lyrics here)


Released: June 1955


First Charted: July 30, 1955


Peak: 5 RB, 51 UK, 3 DF (Click for codes to charts.)


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 38.77 video, 79.28 streaming

Awards (I’m a Man):

Click on award for more details.

Awards (Mannish Boy):

About the Song:

“The bold, brash blues declaration” BH “I’m a Man” was the first song recorded by Bo Diddley and it became the B-side of his debut single, the eponymous “Bo Diddley.” “I’m a Man” is “the essential beat personified,” DM “one more in that long line of pounding, hypnotic Bo benders, an unequivocal statement of fact.” DT It features “his manipulation and modernization of Delta blues imagery,” DM inspired by Muddy Waters’ “Hoochie Coochie Man,” WK a song written by Chess Records’ songwriter and session player Willie Dixon.

Dixon played on “Hoochie Cooche Man” and “I’m a Man.” The connections between Waters and Diddley don’t stop there, though. Lyrically, “I’m a Man” doesn’t travel “far from a couple of the country-blues standards that Waters had himself brought from Mississippi and modernized.” DM Waters “almost singlehandedly figured out how to electrify rural Mississippi Delta Blues” DM which ranks him “among the master innovators of recorded American popular music.” DM

Just months after Bo Diddley topped the R&B chart with “Bo Diddley” / “I’m a Man,” Waters put his own spin on the latter. He recorded “Mannish Boy” as an answer song to “I’m a Man.” Waters’ new title for the song was “a play on words on Bo Diddley’s younger age.” WK It was credited to Bo, Muddy, and and Mel London, a Chicago songwriter who went on to run several blues labels. The song featured Junior Wells on harmonica.

It was “a solid stop-time followup” BH to “I’m a Man” as well as his own “Hoochie Coochie Man.” Waters “picks up Bo’s basic beat, but he slows the tempo.” DM “Coming from Waters, a mature adult figure with a voice that booms like God’s, virtually the same words are far more leering and imposing. Waters isn’t kidding around; he is a man and his sexual boasts and demands aren’t fantasies, they’re real.” DM

The song was recorded as a “mostly vain attempt to peddle Muddy’s music to a white audience…Yet no matter how cold-hearted its origins, Muddy found a way to dominate the track straight through” DM and serve up something “that the rock and roll tradition should be very proud to claim.” DM Of course, Bo Diddley’s original “I’m a Man” has still left its stamp on rock music as well. Two Rock and Roll Hall of Fame inductees have recorded “I’m a Man” – the Yardbirds and The Who.


Resources:


Related Links:


First posted 9/7/2023.

Saturday, September 18, 1982

George Thorogood “Bad to the Bone” charted

Bad to the Bone

George Thorogood & the Destroyers

Writer(s): George Thorogood (see lyrics here)


First Charted: September 18, 1982


Peak: 27 AR, 2 DF (Click for codes to singles charts.)


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 82.1 video, 157.34 streaming

Awards:

Click on award for more details.

About the Song:

“George Thorogood and the Destroyers have a penchant for rockin’ covers of all kinds of blues songs, but the band is probably best known for a song George wrote himself: ‘Bad to the Bone.’ It didn’t get much attention when it was released on the 1982 album of the same name, but MTV liked it and put the video for the track into heavy rotation. The clip features a live performance by the Destroyers along with scenes of a cigar-chomping Thorogood shooting pool with Bo Diddley,” UCR one of Thorogood’s heroes.

Thorogood had covered Diddley’s “Who Do You Love?” and “the guitar riff and vocal rhythms in ‘Bad to the Bone’ sound like they were inspired by the iconic bluesman's classic song, ‘I’m a Man.’” UCR “Both songs are full of swagger, with the singers exuding lots of testerone.” SF Thorogood’s song “has a much heavier guitar sound, which replaces the harmonica in Diddley’s recording.” SF

The song is used in the movie Terminator 2: Judgment Day for the scene when Arnold Schwarzengger exits a bar in biker gear. It has also been used in The Parent Trap, Major Payne, Christine, and Problem Child. The song has also been used by TV series including Married…With Children, Miami Vice, Top Gear, South Park, Nurse Jackie, My Name Is Earl, and 3rd Rock from the Sun.

“It’s also played at sporting events all over the country, and several professional wrestlers have adopted it as their theme song. While this isn’t exactly as bad-ass, the song was also introduced to a much younger generation when Alvin and the Chipmunks covered it for an episode of their television series.” UCR


Resources:


First posted 7/22/2022.