Showing posts with label I'm Alive. Show all posts
Showing posts with label I'm Alive. Show all posts

Tuesday, June 14, 2022

Michael Franti: Top 40 Songs

Michael Franti

Top 40 Songs

Singer born 4/21/1966 in Oakland, California. His music blends reggae, hip-hop, funk, soul, jazz, folk, and rock. He has also been an outspoken advocate for peace and social justice issues. He was born to a white mother and black father and given up for adoption because his mom feared her racist family wouldn’t accept him. He was adopted by Finnish American couple Carole Wisti and Charles Franti. Before launching his solo career (with his backing band Spearhead) in 1994, Franti was with the Beatnigs (1986-90) and Disposable Heroes of Hiphoprisy (1991-93).

For a complete list of this act’s DMDB honors, check out the DMDB Music Maker Encyclopedia entry.

Click here to see other acts’ best-of lists.


Spotify Podcast:

Check out the Dave’s Music Database podcast The Best of Michael Franti, 1994-2022 based on this list. Debut: June 14, 2022, at 7pm CST. Tune in every Tuesday at 7pm for a new episode based on the lists at Dave’s Music Database.


Top 40 Songs


Dave’s Music Database lists are determined by song’s appearances on best-of lists, appearances on compilations and live albums by the featured act, and songs’ chart success, sales, radio airplay, streaming, and awards. Songs which hit #1 on various charts are noted. (Click for codes to singles charts.)

DMDB Top 10%:

1. The Sound of Sunshine (2010)
2. Say Hey (I Love You) (2008)

DMDB Top 20%:

3. Everyone Deserves Music (2003)
4. Once a Day (with Sonna Rele, 2015)
5. Hey Hey Hey (No Matter How Life Is Today) (2010)
6. Life Is Better with You (2013)
7. I’m Alive (Life Sounds Like) (2013)
8. I Got You (2020)

Beyond the DMDB Top 20%:

9. Sometimes (2001)
10. Nobody Cries Alone (2018)

11. The Flower (with Victoria Canal, 2019)
12. Good Day for a Good Day (2021)
13. 11:59 (2013)
14. This World Is So Fucked Up But I Ain’t Ever Givin’ Up on It (2019)
15. Rock the Nation (2001)
16. Ganja Babe (1997)
17. I’ll Be Waiting (2010)
18. Brighter Day (2022)
19. The Only Thing Missing Was You (2019)
20. People in tha Middle (1994)

21. Stay Human (All the Freaky People) (2001)
22. Good to Be Alive Today (2016)
23. Good Shit Happens (2020)
24. Bomb the World (2003)
25. Light Up Ya Lighter (2006)
26. You’re Number One (2019)
27. Work Hard and Be Nice to People (2020)
28. I’m on Your Side (2020)
29. Hey World (Don’t Give Up) (2008)
30. I Got Love for Ya (2016)

31. Oh My God (2001)
32. I Know I’m Not Alone (2006)
33. Soulshine (2001)
34. Hello Bonjour (2006)
35. Just to Say I Love You (2018)
36. Yes I Will (2003)
37. We Don’t Stop (2003)
38. Hole in the Bucket (1994)
39. Little Things (2019)
40. Love Invincible (2003)


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First posted 6/8/2022; last updated 6/14/2022.

Friday, September 14, 2007

The Hooters reunited for Time Stand Still

Time Stand Still

Hooters


Released: September 14, 2007


Peak: --


Sales (in millions): --


Genre: rock


Tracks:

Song Title (Writers) [time]

  1. I’m Alive [4:08] (single, --)
  2. Time Stand Still [3:52] (single, --)
  3. The Boys of Summer (Don Henley, Mike Campbell) [4:58]
  4. Until I Find You Again [4:08]
  5. Until You Dare [4:47]
  6. Morning Buzz [3:38]
  7. Where the Wind May Blow [3:42]
  8. Catch of the Day [3:03]
  9. Ordinary Lives (Hyman, Bazilian, Lilley) [5:04]
  10. Free Again [6:54]
  11. White Jeans [4:08]

Songs written by Rob Hyman and Eric Bazilian unless noted otherwise.


Total Running Time: 48:35


The Players:

  • Eric Bazilian (vocals, guitar, mandolin, harmonica, saxophone)
  • Rob Hyman (vocals, keyboards, accordion, melodica)
  • John Lilley (guitar, mandolin, dobro, keyboards, backing vocals)
  • Fran Smith Jr. (bass, backing vocals)
  • David Uosikkinen (drums, percussion)

Rating:

3.564 out of 5.00 (average of 8 ratings)


Awards: (Click on award to learn more).

About the Album:

The Hooters got their start in Philadelphia in the early ‘80s. They “mixed a wide range of musical styles from pop, ska, folk and new wave” ACF through five studio albums, before going on hiatus. Rob Hyman and Eric Bazilian, the pair of singer/songwriters at the core of the group, continued to write and play for other musicians including Mick Jagger, Bon Jovi, Journey, Ricky Martin, LeAnn Rimes, the Scorpions, and Patty Smyth. They even helmed a few projects of their own, Hyman spearheaded 1998’s Largo project with a slew of guest musicians. Bazilian released a couple of solo albums and wrote Joan Osborne’s 1996 Grammy Record of the Year nominee “One of Us.”

14 years later, they return with Time Stand Still. “For a moment, it sounds like time has done just that as the opening track, I’m Alive, jolts listeners back to the group’s heyday in 1985 when they had a multi-platinum album, top 40 hits like ‘And We Danced’…and the world at their feet.” MG

Part of the reason for the seamless transition from then until now is the consistent lineup. Eric Bazilian, Rob Hyman, and David Uosikkinen were original members of the band. John Lilley joined in 1983 and Fran Smith Jr. in 1987. As Hyman says, “we took a long break and finally over various years and for various reasons, it became obvious that it’s time to make another record.” We had 10 or 12 years of stuff we were playing live, ideas we had accumulated – demos here and there.” ACF As Bazilian says, “‘When Rob and I got together in June of ‘06 to take stock of songs we had done separately and together, it was pretty obvious whatever creative blocks the two of us had we had gotten over…We have our – I wouldn’t even call them battles, we have our struggles. But it’s so clear now we have the same goal, the same vision.’” MG

Hyman commented on what it’s like to take so much time between albums. “It almost feels like another debut, after that much time away from really writing…You have all these years to make your debut album. So you have all this music stored up, then all of sudden you have to crank them out faster.” ACF

The reunion was sparked by a handful of tours in the new millennium and the VH1 Save the Music Foundation show in New York City. Groups from the ‘80s were asked to perform their own material and a song from the ‘80s they wished they’d written. As Hyman says, “Eric and I loved the invitation and we started scratching our heads trying to find a song we both liked and that we could do justice to…We landed on [Don Henley’s 1984] Boys of Summer…and we did a duo version at this gig. It was fantastic and over the years we started playing it live in the show. So when we went into the studio, enough people had been bugging us to record it and see what happened. And finding a different take on the song, a sadness, as a ballad worked for us.” ACF

It turned into an “excellent acoustic cover” ACF that was “more haunting than Henley could have ever conceived.” ACF As Hyman says, “It also get in with the themes of the record. Time Stand Still is…about being a band for 25 years and being alive literally and time standing still. And ‘Boys of Summer’ had a whole nostalgic feel to it.” ACF

That song and “their original Ordinary Lives showcases the softer side” ACF of the Hooters. Hyman describes it as “a simple song about books, music and experiences that feel your life, how art affects you and friendship affects you. Things that take you out of your ordinary world. There’s that line ‘extraordinary moments, ordinary lives.’ That one came together quickly, the good ones always seem to happen that way. Eric and I were playing acoustic guitars at his house one day, we were like ‘hey let’s record that.’ And the band enjoyed cutting it. That was really a live take. I don’t remember if it was a first take, it might have been. It felt so natural and easy in a way.” ACF

“Most of the album is in full-on rock mode” ACF marked by “uplifting, positive songs and excellent musicianship that showcases their skills as a tight unit.” ACF “Unlike some artists who think staying relevant means running from what makes you unique, the Hooters weren’t afraid to make use of what they do best. Within reason. ‘There are times when we’ll do something and say, ‘That sounds too much like us. It sounds like us in 1986,’ laughs Bazilian. ‘It has to sound like us, but not sound like something we've done already.’” MG

The Hooters previewed some of the songs during live shows in 2005 and 2006. WK One cut, Until You Dare, first surfaced on Eric Bazilian’s 2000 solo album The Optimist.

“Even though time has passed, their music has stood the test of time and this release…solidifies them as a band that hasn’t lost touch both musically and spiritually to what made The Hooters one of the most interesting and hard-to-peg acts of the last 20 years.” ACF

Resources and Related Links:


Other Related DMDB Pages:

Last updated 8/9/2021.

Friday, June 27, 1980

Xanadu soundtrack released

Xanadu

Olivia Newton-John/
Electric Light Orchestra


Released: June 27, 1980


Peak: 4 US, 2 UK, 4 CN, 16 AU


Sales (in millions): 2.0 US, -- UK, 3.07 world (includes US and UK)


Genre: pop


Tracks:

Song Title (Performer) (date of single release, chart peaks) Click for codes to singles charts.

  1. Magic (Olivia Newton-John) (5/23/80, 1 US, 1 AC, 32 UK, 1 CN, 4 AU, gold single)
  2. Suddenly (Olivia Newton-John with Cliff Richard) (10/24/80, 20 US, 4 AC, 15 UK, 6 CN, 37 AU)
  3. Dancin’ (Olivia Newton-John with the Tubes)
  4. Suspended in Time (Olivia Newton-John)
  5. Whenever You’re Away from Me(Olivia Newton-John with Gene Kelly)
  6. I’m Alive (Electric Light Orchestra) (5/24/80, 16 US, 20 UK, 10 CN, 27 AU, gold single)
  7. The Fall (Electric Light Orchestra)
  8. Don’t Walk Away (Electric Light Orchestra) (11/22/80, 21 UK)
  9. All Over the World (Electric Light Orchestra) (8/2/80, 13 US, 11 UK, 16 CN, 78 AU)
  10. Xanadu (Olivia Newton-John and Electric Light Orchestra) (6/6/80, 8 US, 2 AC, 1 UK, 6 CN, 2 AU)


Total Running Time: 41:34

Rating:

3.529 out of 5.00 (average of 10 ratings)


Quotable: --


Awards: (Click on award to learn more).

About the Album:

I turned 13 in 1980. That meant, among other things, that my musical tastes were just beginning to form and that my hormones were just beginning to stir. Even in my early adolescence, I was able to see that a roller-skating fantasy movie starring Olivia Newton-John was a laughable idea. After the monstrous success of Grease, it was a no-brainer to put ONJ in another music-fuelled movie, but this was not the right choice.

Regardless of how bad the movie was, I was head-over-heels infatuated with ONJ. I also was just becoming enamored with pop radio and becoming one of the record-buying public. As a child of the ‘80s, I started out with eight-tracks before moving to cassettes and eventually CDs, but the soundtrack to Xanadu held a special place in my personal music history as my first cassette purchase.

Musically, the soundtrack sounded like an idea as bad as the movie. Half were songs by Olivia Newton-John and half by Electric Light Orchestra. What act of lunacy drove anyone to think it was a good idea to pair an Australian country-turned-pop singer with a prog-rock-oriented British rock band? Critical reviews aside, the record-buying public anointed the project with its approval. Five singles from the album reached the top 20 in the U.S., including the #1 song Magic. Six songs hit the top 40 in the UK, including the #1 title song, which paired ONJ and ELO.

In addition to that collaboration, Olivia duets with “British luminary Cliff Richard” AMG on Suddenly, a song which “seems better than most love themes.” AMG Whenever You’re Away from Me puts her together with Gene Kelly, who gave his final film performance in this movie, capping an outstanding career with a career lowlight. The oddest mix, however, is “the doomed swing/rock hybrid Dancin’,” AMG which the “appearance of the Tubes almost saves…but the two styles should never meet.” AMG

In addition to the title cut, ELO served up three more charting singles with I’m Alive, All Over the World, and Don’t Walk Away. The latter song and “The Fall stand as two of Jeff Lynne’s finest.” AMG

This was definitely a work tied to a specific era and it doesn’t hold any long-term value beyond nostalgia. However, if you were 13-years-old and in love with pop radio and Olivia Newton-John, this is a work which, however laughable, will always hold a special place.

Resources and Related Links:

First posted 10/14/2020; last updated 6/7/2021.