Magic! hit #1 with “Rude”

Rude Magic!

Writer(s): Nasri Atweh, Adam Messinger, Mark Pellizzer, Ben Spivak, Alex Tanas (see lyrics here) Released: October 10, 2013 First Charted: April 20, 2014 Peak: 13 US, 11 BA, 13 DG, 16 RR, 13 AC, 15 A40, 17 AA, 19 MR, 11 UK, 6 CN, 2 AU, 6 DF (Click for codes to charts.) Sales (in millions): 8.0 US, 1.2 UK, 9.88 world (includes US + UK) Airplay/Streaming (in millions): -- radio, 2210.0 video, 1242.15 streaming

Awards: Click on award for more details.

About the Song: Magic! proved to have the magic touch right out of the gate with their debut single, “Rude,” from their first album, Don’t Kill the Magic. The song was a #1 hit in the U.S. and UK and hit the top 10 in Australia, Canada, Denmark, Ireland, the Netherlands, New Zealand, and Sweden. It was only the sixth song by a Canadian band to top the Hot 100, the others being “You Ain’t Seen Nothing Yet” by Bachman-Turner Overdrive, “One Week” by Barenaked Ladies, “American Woman” by the Guess Who, “how You Remind Me” by Nickelback, and “When I’m with You” by Sheriff. SF Nasri Atweh, the group’s lead singer, is also part of the songwriting and production duo The Messengers along with Adam Messinger. Among their songs are Justin Bieber’s “Never Say Never,” Chris Brown’s “Next 2 You,” and Pitbull’s “Feel This Moment.” SF Atweh described the song as “this picture in my head of a guy asking a father for his marriage blessing and getting rejected. It’s fun soulful, easy, and you know the hook right away.” SF The song originated after Nasri had an unpleasant encounter with a drunken girlfriend. He told Rolling Stone, “It was a rough night, and she was mean. The next day I was just writing, ‘Why you gotta be so rude? Don’t you know I’m human too?’” SF 4Music said of the song, “One listen and you’ll be hooked” WK while Renowned for Sound called it “lighthearted fun.” WK On the flip side, Time magazine called it the worst song of 2014, criticizing its “sanitized reggae-fusion sound.” WK Canadians seemed to like the song just fine, giving it the Juno Award for Single of the Year. Resources: DMDB Encyclopedia entry for Magic! SF Songfacts WK Wikipedia First posted 2/15/2021; last updated 7/22/2023.

Yes Heaven & Earth released

Heaven & Earth Yes

Released: July 16, 2014 Peak: 26 US, 20 UK, -- CN, -- AU Sales (in millions): -- Genre: progressive rock

Tracks: Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to singles charts. Believe Again (Davison, Howe) [8:01] (6/13/14, --) The Game (Squire, Davison, Gerard Johnson) [6:49] (6/23/14, --) Step Beyond (Howe, Davison) [5:34] (6/25/14, --) To Ascend (Davison, White) [4:40] (7/2/14, --) In a World of Our Own (Davison, Squire) [5:19] (7/16/14, --) Light of the Ages (Davison) [7:37] (7/3/14, --) It Was All We Knew (Howe) [4:11] Subway Walls (Davison, Downes) [9:02] Total Running Time: 51:29 The Players: Jon Davison (vocals) Chris Squire (bass, backing vocals) Steve Howe (guitar, backing vocals) Geoff Downes (keyboards, synths) Alan White (drums, percussion)

Rating: 2.415 out of 5.00 (average of 12 ratings)

About the Album: The 21st studio album by Yes was their first to feature Jon Davison as the lead singer, a role which had been occupied by Jon Anderson on every other studio album except 1980’s Drama and 2011’s Fly from Here. Benoit David had stepped into the role in 2011, but left after a respiratory illness caused the group to cancel shows in 2012. Davison was recommended to Squire by their mutual friend, Taylor Hawkins, the drummer of Foo Fighters. WK The Quietus called Davison “absolutely the right choice for the band.” WK Davison initially filled in on the tour, but then took a strong role in shaping the Heaven & Earth studio album by writing or co-writing 7 of the 8 cuts. He traveled to each of the band members’ homes to work on ideas with them. He credited that time with improving his relationships with the band. WK Guitarist Steve Howe, who was reluctant to record another studio album, said the resulting album had “a freshness and different stance” from previous Yes albums. WK The Financial Times said of the album: “Here come prog rock relics Yes to show the youth what proper boredom is, the kind of boredom that comes with bland guitar solos, chugging drums, lumbering time changes and otiose lyrics.” WK By contrast, The Guardian said the album had “a rich, 70s sound, and the material is solid enough, flavoured with Steve Howe’s distinctive, rippling guitar and Geoff Downes’ retro keyboard.” WK However, that review also noted, “What’s missing is the ambitious scope of their heyday, and the vitality of the younger generation of progressive rock bands.” WK The album was produced by Roy Thomas Baker, who has worked with David Bowie, The Cars, Cheap Trick, Foreigner, Journey, Queen, The Rolling Stones, The Who. AZ Among the most notable albums he has produced are Queen’s A Night at the Opera (1975), The Cars’ The Cars (1978), Journey’s Infinity (1978), Foreigner’s Head Games, and Cheap Trick’s One on One. Notes: The Japanese version of the album added an acoustic version of “To Ascend.”

Resources and Related Links: DMDB encyclopedia entry for Yes AZ Amazon WK Wikipedia Other Related DMDB Pages: First posted 7/24/2021; last updated 10/5/2021.

100 years ago: “By the Beautiful Sea” hit #1

By the Beautiful Sea Heidelberg Quintet

Writer(s): Harold R. Atteridge (words), Harry Carroll (music) (see lyrics here) First Charted: July 15, 1914 Peak: 16 US, 112 GA, 110 SM (Click for codes to charts.) Sales (in millions): 1.0 (sheet music) Airplay/Streaming (in millions): -- radio, 0.17 video, -- streaming

Awards: Click on award for more details.

About the Song: “This was a story about a happy couple, Joe and Jane who love the summer and anything that Joe suggests, Jane would always think it was best for her, so he’d get his Ford, holler all aboard and off they would go for day out by the beautiful sea…It was only in verse two that their sordid little affair came to light.” SM While extramarital affairs were nothing new, it was “surprising…that the subject was part of a poular song.” TY2 The Stanford Four introduced the song in vaudeville. DJ To publicize the song, the publisher hired a group of boys in sailor suits to perform the song at Coney Island. TY2 The song was further popularized by Muriel Window who integrated the song into the revue The Passing Show of 1914. TY2 It went on to chart three times in 1914. Prince’s Orchestra took the song to #6 and there were chart-topping version by Ada Jones & Billy Watkins as well as by the Heidelberg Quuintet. PM The latter was the first to chart and spent more weeks at #1. “By the Beautiful Sea” was the second #1 song for the Heidelberg Quintet, but their lineup was different than when they hit #1 with “Waiting on the Robert E. Lee.” Billy Murray, Steve Porter, William F. Hooley (all members of the American Quartet as well), and Will Oakland were all still members but John Bieling had been replaced by Robert Armour. “The vocals on this song were dominated by Billy Murray with all the other members joining in background harmonies only. Will Oakland’s high counter tenor voice could not be heard at all.” SM The song was also used in the films The Story of Vernon and Irene Castle (1939), Coney Island (1943), Atlantic City (1944), and Some Like It Hot (1959). DJ Judy Garland and Gene Kelly performed it in the 1942 movie For Me and My Gal. TY2 Resources: DMDB encyclopedia entry for Heidelberg Quintet DJ David Jasen (2002). A Century of American Popular Music: 2000 Best-Loved and Remembered Songs (1899-1999). Routledge: Taylor & Francis, Inc. Page 29. SM Sharon Mawer Charts (1900-1968) TY2 Don Tyler (2007). Hit Songs, 1900-1955. McFarland & Company, Inc.: Jefferson, North Carolina. Pages 67-8. PM Joel Whitburn (1986). Pop Memories 1890-1954. Record Research, Inc: Menomonee Falls, WI. Page 481. First posted 2/27/2023.

 

Today in Music (1964): The Beatles released A Hard Day's Night

A Hard Day’s Night The Beatles

A Hard Day’s Night (U.S. Soundtrack)

Released: June 26, 1964 Peak: 114 US, -- UK, 1 CN, -- AU Sales (in millions): 4.0 US, -- UK, 4.1 world (includes US and UK) Genre: pop/rock Total Running Time: 29:29

A Hard Day’s Night (UK version)

Released: July 10, 1964 Peak: -- US, 121 UK, --, 11 AU Sales (in millions): -- US, 0.75 UK, 0.75 world (includes US and UK), 28.92 EAS Genre: pop/rock Total Running Time: 30:10

Something New

Released: July 20, 1964 Peak: 2 US, -- UK, 2 CN, --AU Sales (in millions): 2.0 US, -- UK, 3.0 world (includes US and UK) Genre: pop/rock Total Running Time: 24:27

Tracks on U.S. version of A Hard Day’s Night: Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to charts. You can check out the Beatles’ complete singles discography here. A Hard Day’s Night [2:34] (7/16/64, 1 BB, 1 CB, 2 GR, 1 HR, 1 CL, 1 UK, 1 CN, 1 AU, 1 DF) Tell Me Why [2:09] (39 DF) I’ll Cry Instead [1:45] (7/20/64, B-side of “Dance,” 25 BB, 22 CB, 19 GR, 28 HR, 28 CL, 20 CN, 39 DF) I Should Have Known Better (instrumental) [2:10] I’m Happy Just to Dance with You [1:56] (7/20/64, 95 BB, 91 CB, 94 HR, 45 CL, 38 DF) And I Love Her (instrumental) [3:46] I Should Have Known Better [2:43] (7/18/64, B-side of “A Hard Day’s Night” in U.S., 53 BB, 43 CB, 84 HR, 9 CL, 1 AU, 12 DF) If I Fell [2:19] (7/20/64, B-side of “And I Love Her”, 53 BB, 64 CB, 59 HR, 8 CL, 1 AU, 17 DF) And I Love Her [2:30] (7/20/64, 12 US, 15 CN) Ringo’s Theme (This Boy) (instrumental) [3:10] Can’t Buy Me Love [2:12] (3/26/64, 1 BB, 1 CB, 1 GR, 1 HR, 1 CL, 1 UK, 3 CN, 1 AU, 1 DF) A Hard Day’s Night (instrumental) [2:06] Tracks on UK version of A Hard Day’s Night: A Hard Day’s Night [2:34] (7/16/64, 1 BB, 1 CB, 2 GR, 1 HR, 1 CL, 1 UK, 1 CN, 1 AU, 1 DF) I Should Have Known Better [2:43] (7/18/64, B-side of “A Hard Day’s Night” in U.S., 53 BB, 43 CB, 84 HR, 9 CL, 1 AU, 12 DF) If I Fell [2:19] (7/20/64, B-side of “And I Love Her”, 53 BB, 64 CB, 59 HR, 8 CL, 1 AU, 17 DF) I’m Happy Just to Dance with You [1:56] (7/20/64, 95 BB, 91 CB, 94 HR, 45 CL, 38 DF) And I Love Her [2:30] (7/20/64, 12 BB, 14 CB, 15 GR, 16 HR, 3 CL, 15 CN, 9 DF) Tell Me Why [2:09] (39 DF) Can’t Buy Me Love [2:12] (3/26/64, 1 BB, 1 CB, 1 GR, 1 HR, 1 CL, 1 UK, 3 CN, 1 AU, 1 DF) Any Time at All [2:11] (26 CL, 39 DF) I’ll Cry Instead [1:45] (7/20/64, B-side of “Dance,” 25 BB, 22 CB, 19 GR, 28 HR, 28 CL, 20 CN, 39 DF) Things We Said Today [2:35] (7/10/64, 23 CL, 36 DF) When I Get Home [2:17] (39 DF) You Can’t Do That [2:35] (3/16/64, B-side of “Can’t Buy Me Love,” 48 BB, 77 CB, 36 CL, 33 CN, 21 DF) I’ll Be Back [2:24] (21 CL, 22 DF) Tracks on Something New: I’ll Cry Instead [1:45] (7/20/64, B-side of “Dance,” 25 BB, 22 CB, 19 GR, 28 HR, 28 CL, 20 CN, 39 DF) Things We Said Today [2:35] (7/10/64, 23 CL, 36 DF) Any Time at All [2:11] (26 CL, 39 DF) When I Get Home [2:17] (39 DF) Slow Down (Larry Williams) [2:55] (6/19/64, 25 BB, 34 CB, 23 HR, 16 CL, 39 DF) * Matchbox Carl Perkins) [1:57] (6/19/64, 17 BB, 17 CB, 16 GR, 22 HR, 26 CL, 6 CN, 29 DF) * Tell Me Why [2:09] (39 DF) And I Love Her [2:30] (7/20/64, 12 BB, 14 CB, 15 GR, 16 HR, 3 CL, 15 CN, 9 DF) I’m Happy Just to Dance with You [1:56] (7/20/64, 95 BB, 91 CB, 94 HR, 45 CL, 38 DF) If I Fell [2:19] (7/20/64, B-side of “And I Love Her”, 53 BB, 64 CB, 59 HR, 8 CL, 1 AU, 17 DF) Komm, Gib Mir Deine Hand (“I Want to Hold Your Hand” in German) Lennon, McCartney, Jean Nicolas, Heinz Hellmer) [2:19] (5/21/64, 37 DF) * All songs by John Lennon and Paul McCartney unless noted otherwise. * Songs not featured on either version of A Hard Day’s Night. The Players: John Lennon (vocals, guitar) Paul McCartney (vocals, bass) George Harrison (guitar, vocals) Ringo Starr (drums, vocals)

Rating for U.S. version of A Hard Day’s Night: 3.558 out of 5.00 (average of 5 ratings) Rating for UK version of A Hard Day’s Night: 4.317 out of 5.00 (average of 21 ratings) Rating for Something New: 3.776 out of 5.00 (average of 7 ratings) Quotable: “This is the sound of Beatlemania in all of its giddy glory” – Stephen Thomas Erlewine, AllMusic.com Awards for U.S. version: Awards for UK version:

About the UK version of A Hard Day’s Night A Hard Day's Night was the third Beatles LP released in the U.K. and “the first and only album to solely feature Lennon/McCartney originals.” MU To confuse matters, though, the U.S. version of the album was the soundtrack for the movie of the same name and consequently chopped out a few songs to make way for George Martin instrumentals. Either way, ”only the first seven songs are actually in the movie and they are the strongest of the bunch.” AZ When viewed as a full work, though, the album “stands as a testament to [Lennon & McCartney’s] collaborative powers – never again did they write together so well or so easily.” AM This is “yet another high-point for John, Paul, George, and Ringo – four fab fellows who hit the highest heights imaginable.” AZ “A Hard Day's Night showed a band on the verge of breaking new creative ground, a group that still had fun making old-fashioned pop records.” RV The “syrupy pop-song covers are gone, largely replaced by memorable, tightly crafted masterpieces” JA “performed with genuine glee and excitement.” AM “All of the disparate influences on their first two albums…coalesced into a bright, joyous, original sound, filled with ringing guitars and irresistible melodies.” AM “This is the sound of Beatlemania in all of its giddy glory.” AM ”In the flurry of experimentation that dominated Sgt. Pepper, The White Album and the supreme lyrical achievements of Revolver, The Beatles’ first masterpiece frequently gets lost in the shuffle.” RV ”It's so easy to underestimate this album [and] overlook how great The Beatles were so early in their career because” IB “as the original boy band, the adoration of pre-adolescent girls made The Beatles seem a trifle bit silly.” RV “With no song running over three minutes in length, The Beatles follow a simple yet powerful rule in rock: Get in, get your message across, and get out. There's no need to pad any of these 13 songs with…extended guitar solos or spotlights on drum work. (Sorry, Ringo - no offense meant.) If anything, these short blasts of power-pop leave the listener wanting more - even today…it's still powerful.” DV “These songs are all catchy” MU and “the melodies forceful and memorable.” AM “Virtually everything could be a single.” TM The Songs Here are insights on individual songs. “A Hard Day’s Night” The title cut is a “tuneful ode of complaint, which finds John Lennon double-tracking his voice to give the effect of a duet. He’s groaning – cheerfully of course – about the trials of being an on-the-go pop idol.” TM “It’s a giddy adrenaline rush, and like everything that follows, it’s the very essence of pop.” TM The song features “George Harrison playing his Rickenbacker electric 12-string guitar on the opening chord.” H This was the Beatles’ first album to feature the distinctive sound, which “inspired countless guitarists including Roger McGuinn and David Crosby of the Byrds.” H “That dramatic guitar chord…still jumps right out at you, slaps you in the face, and jump-starts your heart.” AZ “The chiming tones of” AD the “jangly guitars and Lennon's irresistible rough vocals" IB make for “straight-ahead good-time rock and roll” MU on “the first pop song to end with a different chord than it started on.” RV “Can’t Buy Me Love” Both it and “Can't Buy Me Love, the latter “coated by Paul's golden voice,” IB “practically burst forth with the joy of music making lost on most artists.” RV Packed with “uncontainable musical exuberance,” IB it “is a stone cold classic, wonderful from beginning to end and it's only 2:14 long! Now, here's a tip all you budding songwriters - pop songs should preferably be less than three minutes long.” AD “I Should Have Known Better” ”Gushing pop giddiness…runs through I Should Have Know Better,” IB “sung by John. [Great] harmonica sound here, and the melody and vocals are both super strong. The instrumental break positively chimes and shines thanks to the guitar sound” AD and “the glorious harmonica.” H “If I Fell” The “gentle” AM and “powerfully poignant If I Fell” H is “one of the most beautiful love songs out there.” DV It “features gorgeous harmony vocals by John and Paul” AD that are “sliding barbershop-style inner-voice harmonies.” TM “I’m Happy Just to Dance with You” “Even the toss-off I’m Happy Just to Dance with You, [which was] handed over to George to provide him with a lead vocal, is graced with brilliant backup vocals.” JA “Enjoyable, but no all time world beating masterpiece.” AD “And I Love Her” “The guitars sound nice all through” AD “the sappy but sweet” MU “ballad And I Love Her, [bringing] Paul very much to the fore with the vocal.” AD “Tell Me Why” The “swinging” MU “Tell Me Why brings back memories of the earlier Beatles style as displayed on their first two records, [although this is a more] varied album than either of it's predecessors.” AD “Any Time at All” “Lennon’s scathing” MU and “brash” Any Time at All” AM is a “wonderful rocker” JA “with good John vocals.” AD “I’ll Cry Instead” “The tough folk-rock of” AM “the rockabilly-tinged I'll Cry Instead” IB makes for a “perfectly enjoyable with it's little charming guitar parts amid a shuffling rhythm.” AD It “gives a sneak peak at the bitingly good lyricist Lennon would become: ‘I've got a chip on my shoulder that's bigger than my feet/And I can't talk to people that I meet/And if I could see you now/I'd try to make you sad somehow/But I can't/So I cry instead.’” IB “You Can’t Do That” and “When I Get Home” “John’s You Can't Do That is a relentless, powerful rocker,” DBW although it and When I Get Home are “the two weakest links in the whole album chain - not necessarily bad songs, but just not of the same caliber as the rest of the material.” DV “Things We Said Today” and “I’ll Be Back” There are “two memorable ballads – Paul’s” AD “catchy” MU “Thing We Said Today and John's I'll Be Back, both with clever ascending hooks.” JA The former “sounds crystal clear and beautifully recorded.” AD About the U.S. version of A Hard Day’s Night While the UK release was a full-fledged studio album, the U.S. version – released a couple of weeks in advance of the UK version – was an actual soundtrack, including those songs actually featured in the film as well as a handful of instrumentals. The latter are completely unnecessary, rendering the U.S. album far inferior. About Something New Released just weeks after the U.S. version of A Hard Day’s Night, the material here, despite the misleading title, isn’t new. There are five songs from the U.S. soundtrack plus some of the material from the initial UK release. This album does include the new August ’64 single Matchbox / Slow Down and a German version of “I Want to Hold Your Hand,” but those are hardly improvements over the #1 singles “A Hard Day’s Night” and “Can’t Buy Me Love,” as well as “I Should Have Known Better,” which were all featured on the UK and U.S. versions of A Hard Day’s Night. In 2004, the Capitol Records Vol. 1 box set gathered the U.S. albums Meet the Beatles, The Beatles’ Second Album, Something New, and Beatles ‘65 on CD for the first time.

Resources: AM AllMusic.com review by Stephen Thomas Erlewine JA John Alroy, Wilson & Alroy’s Record Reviews AZ Amazon.com review by Jim Emerson DV Daily Vault review by Christopher Thelen AD Adrian Denning, Adrian’s Album Reviews H Half.com (now a broken link) IB Ink Blot Magazine review by Lori Latimer TM Tom Moon (2008). 1,000 Recordings to Hear Before You Die. Workman Publishing Company, Inc.: New York, NY. Page 58. RV The Review (Oct./Nov. 2001). “The 100 Greatest Albums of All Time” by Clarke Speicher MU Marco Ursi DBW David Bertrand Wilson, Wilson & Alroy’s Record Reviews Related DMDB Pages: Last updated 12/8/2024.