Take the ‘A’ Train
Writer(s): Billy Strayhorn (see lyrics here)
First Charted: July 26, 1941
Peak: 11 US (Click for codes to singles charts.)
Sales (in millions): -- US, -- UK, -- world (includes US + UK)
Airplay/Streaming (in millions): -- radio, 12.6 video, -- streaming
Awards: (Click on award for more details).
About the Song:
Today it is hard to imagine one’s GPS inspiring a hit song. However, seventy years ago it was Duke Ellington’s directions to Billy Strayhorn which led to one of the all-time best-loved jazz standards. Strayhorn was a hopeful pianist and composer working in Pittsburgh as a soda jerk and drugstore delivery boy in 1938. NPR Ellington agreed to meet the hopeful talent. Strayhorn’s rearrangement of the Duke’s song “Sophisticated Lady” sufficiently impressed Ellington to invite Strayhorn to New York. TC Ellington gave directions to his house in New York, starting with “take the ‘A’ train”, a reference to the subway which ran from eastern Brooklyn into Harlem and northern Manhattan. WK Along the way, Strayhorn turned the directions into a song. TC He mimicked the style in which Fletcher Henderson wrote for horns. According to Ellington’s son Mercer, the song almost never became a classic because Strayhorn threw it away because of its similarity to Henderson’s arrangements. WK
The song became Ellington’s signature tune when the American Society of Composers and Publishers (ASCAP) raised licensing fees in 1940 and many of its members could no longer play their compositions live on the radio, as was then common practice. Ellington needed a replacement for “Sepia Panorama”. Ellington’s son and Strayhorn were registered at BMI, a competitor of ASCAP, and “Take the ‘A’ Train” became the new song of choice. WK
Strayhorn said he wrote lyrics, but the first use of lyrics for any Ellington versions surfaced in 1944 when a seventeen-year-old Joya Sherrill made up the words at her home in Detroit while listening to the song on the radio. Ellington hired her as a singer and adopted her lyrics. However, trumpeter Ray Nance performed the song the most often with Duke, enhancing the words with his scat singing and serving up the trumpet solo on the first recording of the song. WK
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First posted 7/26/2011; last updated 4/18/2021.