![]() | Waiting for a Girl Like YouForeigner |
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![]() | Waiting for a Girl Like YouForeigner |
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| Henry BurrTop 100 Songs |
Traditional pop tenor singer born Harry H. McClaskey on 1/15/1882 in St. Stephen, Brunswick, Canada. He died 4/6/1941. The #1 ballad singer of recorded music’s 1890-1930 pioneer era. He was performing publicly by the age of 5. He was discovered in 1901 by the Metropolitan Opera baritone Giuseppe Campanari and moved to New York in 1902. The tenor singer used multiple pseudonyms, including Henry Burr and Irving Gillette, to record for various labels. In addition to his work as a soloist (1903-28), he recorded with the Columbia Male Quartet (1904-07), Peerless Quartet (07-28), Columbia Stellar Quartet (15-?), and the Sterling Trio (16-22). He also recorded duets with Albert Campbell. He sang on an estimated 12,000 recordings, far more than any other vocalist in history. “Till We Meet Again” and “I Wonder Who’s Kissing Her Now” are featured in the DMDB book The Top 100 Songs of the Pre-Rock Era, 1890-1953. For a complete list of this act’s DMDB honors, check out the DMDB Music Maker Encyclopedia entry. |
Awards: |
Top 100 SongsDave’s Music Database lists are determined by song’s appearances on best-of lists, appearances on compilations and live albums by the featured act, and songs’ chart success, sales, radio airplay, streaming, and awards. Songs with the following artists are noted: AC = Albert Campbell, FS = Frank Stanley. According to Joel Whitburn’s Pop Memories 1890-1954, Henry Burr hit the top of the U.S. pop charts 24 times (#1 songs noted in list).
DMDB Top 1%:
1. Till We Meet Again (w/ AC, 1919) #1
11. Meet Me Tonight in Dreamland (1910) #1 DMDB Top 5%:
13. The Trail of the Lonesome Pine (w/ AC, 1913) #1
21. There’s a Quaker Down in Quaker Town (w/ AC, 1916) #1
31. Sailing Down the Chesapeake Bay (w/ AC, 1913)
41. For Me and My Gal (w/ AC, 1917)
51. In the Valley of the Moon (w/ Helen Clark, 1914) DMDB Top 10%:
57. Baby’s Prayer Will Soon Be Answered (1919)
61. You Were Just Made to Order Me (w/ AC, 1916)
71. Flow Gently, Sweet Afton (1913)
81. Belgian Rose (w/ AC, 1918) DMDB Top 20%:
86. Sleepy Time Gal (w/ Art Landry, 1926)
91. As Long As the World Rolls On (1908) Resources and Related Links:
First posted 4/6/2012; updated 6/5/2022. |
![]() | Away in a MangerJames Ramsey Murray (music), Charles H. Gabriel (words) |
Writer(s): James Ramsey Murray (music), Charles H. Gabriel and John T. MacFarland (words) (see lyrics here) Published: January 4, 1882 First Charted: January 9, 1999 (Reba McEntire) Peak: 67 CW, 1 DF (Click for codes to charts.) Sales (in millions): -- Airplay/Streaming (in millions – all versions): -- radio, 65.28 video, 74.80 streaming |
Awards:Click on award for more details. |
About the Song:This “beloved Christmas carol” CFM was first published in the late 19th century. 1883 marked the 400th anniversary of the birth of Martin Luther, a German priest from the 16th century and it is believed that “Away in a Manger” was written for the occasion. HA The original title was “Luther’s Cradle Song” and the two-stanza tune appeared in the Boston newspaper The Congregationalist on January 4, 1882. HA Because of the history of the song and its original title, it has been mistakenly credited to Luther, but this has been debunked. The only German text found for the song is from 1934 and what appears to be an awkward translation from the English original. In addition, the style of the carol is atypical of Luther. WK The song’s first appearance in a hymnal was in 1885 when it was published in the Evangelical Lutheran Sunday School collection Little Children’s Book for Schools and Families. CFM It was set to the tune “St. Kilda” by J.E. Clark, but that version has not endured. HA Two years later, James Ramsey Murray published the song in Dainty Songs for Little Lads and Lasses. This version was set to the melody of “Mueller” GB which is believe to be composed in 1837 by Jonathan Spilman. CFM In 1892, Charles H. Gabriel published Murray’s version with a third verse in Gabriel’s Vineyard Songs. This third verse has sometimes been mistakenly attributed to John T. MacFarland. In 1895, the song was adapted by the American composer William Kirkpatrick to the melody of “Cradle Song.” GB This is the version more commonly used in the UK and Ireland. GB Resources:
First posted 12/22/2023. |