Showing posts with label Charley Patton. Show all posts
Showing posts with label Charley Patton. Show all posts

Sunday, November 22, 2020

Dave's Music Database Hall of Fame: Album Inductees (Nov. 2020)

Originally posted 11/22/2020.

January 22, 2019 marked the 10-year anniversary of the DMDB blog. To honor that, Dave’s Music Database announced its own Hall of Fame. This month marks the eighth group of album inductees. These are the top albums of material recorded prior to 1950. Albums previously inducted which would have been on this list include Bing Crosby’s Merry Christmas, Robert Johnson’s The Complete Recordings, Al Jolson’s Songs He Made Famous, and South Pacific cast album.

See the full list of album inductees here.

Louis Armstrong The Complete Hot Five and Hot Seven Recordings (box set: 1925-28)

Inducted November 2020 as “Top Albums of Material Recorded Before 1950.”

“Jazz starts here.” BL “Between 1925 and 1929, Armstrong invented scat singing, defined swing and introduced the jazz solo.” BL “This 4-CD set represents the ‘Rosetta Stone of Jazz’,” JM featuring more than 80 songs, including “West End Blues,” a song which rates in the top 1%, and 10 more top-20 hits. The album is in the National Recording Registry. Read more.

Henry Burr Anthology: The Original King of Pop (compilation: 1903-28)

Inducted November 2020 as “Top Albums of Material Recorded Before 1950.”

Burr was “the most popular ballad singer” AR in the “acoustical, pre-[Bing] Crosby, pre-crooner era.” AMG This collection follows “Burr’s career from one of his earliest recordings, made in 1903” AZ “when disc technology was still in its primitive stages, and ends in 1928, during the early electrical recording era.” AR He was “a major influence on Al Jolson, Rudy VallĂ©e, and other pre-Crosby favorites.” AMG This set includes “In the Shade of the Old Apple Tree,” “I Wonder Who’s Kissing Her Now,” “M-O-T-H-E-R (A Word That Means the World to Me),” “Just a Baby’s Prayer at Twilight,” and “My Buddy,” which were all #1 songs that also rank in the the top 1%. Read more.

Duke Ellington The Blanton-Webster Band (box set: 1939-42)

Inducted November 2020 as “Top Albums of Material Recorded Before 1950.”

Ellington is “perhaps the single most important creative talent in American popular music history.” JW This set “contains the master takes of all 66 selections recorded by…[his band] during what many historians consider its peak period.” SY It may be “the greatest creative period by any single artist in jazz history.” MG It features more than a dozen top-10 R&B hits from the 1940s, including five consecutive #1 songs and the Grammy Hall of Fame inductee “Take the ‘A’ Train,” which is also featured in the DMDB book The Top 100 Songs of the Pre-Rock Era. The album is in the National Recording Registry. Read more.

George Gershwin, Ira Gershwin, Dubose Heyward (composers) Porgy and Bess (show: 1935)

Inducted November 2020 as “Top Albums of Material Recorded Before 1950.”

This “American folk opera” WK started as a novel and then became a play. The story focuses on “African American life…in Charleston, South Carolina, in the early 1920s.” WK It “is admired for Gershwin’s innovative synthesis of European orchestral techniques with American jazz and folk music idioms.” WK Billie Holiday’s recording of the show’s song “Summertime” is in the DMDB Hall of Fame. Read more.

Benny Goodman Carnegie Hall Jazz Concert (live: 1938)

Inducted November 2020 as “Top Albums of Material Recorded Before 1950.”

Goodman, known as “The King of Swing,” was “the first real jazz musician to capture a mass bourgeois white audience in America” AZ and the first to stage a full jazz concert at Carnegie Hall. The result is “one of the greatest concerts ever captured on record.” AMG The show featured performances of “Stompin’ at the Savoy,” “Don’t Be That Way,” and “Sing, Sing, Sing (With a Swing),” all ranked in the top 1% of songs. The latter is also in the DMDB Hall of Fame. Read more.

Glenn Miller Glenn Miller (compilation: 1939-42)

Inducted November 2020 as “Top Albums of Material Recorded Before 1950.”

This collection was released just months after Miller’s airplane went down in the English Channel. It logged sixteen weeks atop the album chart over the next three years. It includes “In the Mood,” which is featured in the DMDB book The Top 100 Songs of the Pre-Rock Era. That song, as well as “Tuxedo Junction” and “Moonlight Serenade,” also rank in the DMDB’s list of top 100 big band songs and are in the top 1% of all songs. Read more.

Billy Murray Anthology: The Denver Nightingale (compilation: 1903-40)

Inducted November 2020 as “Top Albums of Material Recorded Before 1950.”

He was “the best-selling recording artist of the first quarter of the 20th century, but his name and work had fallen into obscurity before his death in 1954.” AMG This compilation is every bit as crucial to understanding music of the 20th century as the Beatles’ One and Elvis Presley’s 30 #1 Hits. 17 of the songs on this set reached #1. That includes the classics Meet Me in St. Louis, Louis,” “In My Merry Oldsmobile,” “Yankee Doodle Boy,” “Give My Regards to Broadway,” “You're a Grand Old Flag,” and “By the Light of the Silvery Moon.” all of which are featured in the Dave’s Music Database book The Top 100 Songs of the Pre-Rock Era. Read more.

Charley Patton Founder of the Delta Blues (compilation: 1929-34)

Inducted November 2020 as “Top Albums of Material Recorded Before 1950.”

Patton “was the key figure in the transition between traditional folk and what came to be known as the Mississippi Delta blues.” FH The genre “had an enormous impact…influencing everyone from The Rolling Stones to Cassandra Wilson.” NM “The title of founder might not be exactly accurate” LG but “he was one of the first to be recorded.” NM He sang “in a rough voice that stormed with turmoil. His guitar picking was…skillfully nuanced in expression and, above all, rhythmically imperative.” FH This collection, a Blues Hall of Fame inductee, features “Pony Blues,” which is in the Grammy Hall of Fame and the National Recording Registry. Read more.

Bessie Smith The Essential (compilation: 1923-33)

Inducted November 2020 as “Top Albums of Material Recorded Before 1950.”

This collection works its way through Smith’s entire career, from her very first recording session on February 15, 1923 through her final session on November 24, 1933. DA The Empress of the Blues “could sing it all, from the lowdown moan of ‘St. Louis Blues’ and ‘Nobody Knows You When You’re Down and Out’ to her torch treatment of the jazz standard ‘After You’ve Gone.’” CK She was “one of the first true crossover aritsts.” LG Read more.

Various Artists (edited by Harry Smith) Anthology of American Folk Music (box set: 1923-32)

Inducted November 2020 as “Top Albums of Material Recorded Before 1950.”

This three-disc set was compiled by musicologist Harry Smith. It is comprised of 84 songs which reintroduce “near-forgotten popular styles of rural American music…to new listeners.” WK It could well be “the most influential document” JB of “the folk & blues revival of the ‘50s and ‘60s” WK by bringing attention to the works of the Carter Family, Blind Lemon Jefferson, Mississippi John Hurt, and others. Read more.

Tuesday, August 19, 1997

Anthology of American Folk Music released on CD

Anthology of American Folk Music

Various Artists


Released: 1952 (on vinyl)


Released: August 19, 1997 (on CD)


Recorded: 1926 to 1933


Peak: --


Sales (in millions): 0.5 US


Genre: folk/blues


Tracks:

Disc 1 (Ballads):

1. “Henry Lee” by DICK JUSTICE (1932)
2. “Fatal Flower Garden” by NELSTONE’S HAWAIIANS (1930)
3. “The House Carpenter” by CLARENCE ASHLEY (1930)
4. “Drunkard’s Special” by COLEY JONES (1929)
5. “Old Lady and the Devil” by BILL & BELLE REED (1928)
6. “The Butcher’s Boy” by BUELL KAZEE (1928)
7. “The Waggoner’s Lad” by BUELL KAZEE (1928)
8. “King Kong Kitchie Kitchie Ki-Me-O” by "CHUBBY" PARKER (1928)
9. “Old Shoes and Leggins” by UNCLE ECK DUNFORD (1929)
10. “Willie Moore” by BURNETT & RUTHERFORD (1927)
11. “A Lazy Farmer Boy” by BUSTER CARTER & PRESTON YOUNG (1930)
12. “Peg and Awl” by THE CAROLINA TAR HEELS (1929)
13. “Ommie Wise” by G.B. GRAYSON (1929)
14. “My Name Is John Johanna” by KELLY HARRELL (1927)
15. “Bandit Cole Younger” by EDWARD L. CRAIN (1930)
16. “Charles Guiteau” by KELLY HARRELL (1927)
17. “John Hardy Was A Desperate Little Man” by THE CARTER FAMILY (1930)
18. “Gonna Die With My Hammer In My Hand” by WILIAMSON BROTHERS & CURRY (1930)
19. “Stackalee” by FRANK HUTCHISON (1927)
20. “White House Blues” by CHARLIE POOLE W/ NORTH CAROLINA RAMBLERS (1926)
21. “Frankie” by MISSISSIPPI JOHN HURT (1928)
22. “When That Great Ship Went Down” by WILLIAM & VERSEY SMITH (1927)
23. “Engine 143” by THE CARTER FAMILY (1927)
24. “Kassie Jones” by FURRY LEWIS (1928)
25. “Down on Penny’s Farm” by THE BENTLY BOYS (1929)
26. “Mississippi Boweavil Blues” by CHARLEY PATTON (1929)
27. “Got the Farm Land Blues” by THE CAROLINA TAR HEELS (1932)

Disc 2 (Social Music):

1. “Sail Away Lady” by "UNCLE BUNT" STEPHENS (1926)
2. “The Wild Wagoner” by JILSON SETTERS (1928)
3. “Wake Up Jacob” by PRINCE ALBERT HUNT’S TEXAS RAMBLERS (1929)
4. “La Danseuse” by DELMA LACHNEY & BLIND UNCLE GASPARD (1929)
5. “Georgia Stomp” by ANDREW & JIM BAXTER (1929)
6. “Brilliancy Medley” by ECK ROBERTSON & FAMILY (1930)
7. “Indian War Whoop” by HOYT MINGAND HIS PEP-STEPPERS (1928)
8. “Old Country Stomp” by HENRY THOMAS (1928)
9. “Old Dog Blue” by JIM JACKSON (1928)
10. “Saut Crapaud” by COLUMBUS FRUGE (1929)
11. “Acadian One Step” by JOSEPH FALCON (1929)
12. “Home Sweet Home” by THE BREAUX FRERES (CLIFFORD BREAUX, OPHY BREAUX, AMEDEE BREAUX) (1933)
13. “Newport Blues” by CINCINNATI JUG BAND (1929)
14. “Moonshiner’s Dance Part One” by FRANK CLOUTIER & THE VICTORIA CAFE ORCHESTRA (1927)
15. “Must Be Born Again” by REV. J. M. GATES (1927)
16. “Oh Death Where Is Thy Sting” by REV. J. M. GATES (1927)
17. “Rocky Road” by ALABAMA SACRED HARP SINGERS (1928)
18. “Present Joys” by ALABAMA SACRED HARP SINGERS (1928)
19. “This Song of Love” by MIDDLE GEORGIA SINGING CONVENTION (1932)
20. “Judgement” by SISTER MARY NELSON (1927)
21. “He Got Better Things For You” by MEMPHIS SANCTIFIED SINGERS (1927)
22. “Since I Laid My Burden Down” by ELDERS MCINTORSH & ELDER EDWARDS’ SANCTIFIED SINGERS (1929)
23. “John the Baptist” by MOSES MASON (1929)
25. “John the Revelator” by BLIND WILLIE JOHNSON (1930)
26. “Little Moses” by THE CARTER FAMILY (1932)
27. “Shine on Me” by ERNEST PHIPPS & HIS HOLINESS SINGERS (1930)
28. “Fifty Miles of Elbow Room” by REV. F.W. MCGEE (1931)
29. “I’m in the Battle Field for My Lord” by REV. D.C. RICE AND HIS SANCTIFIED CONGREGATION (1929)

Disc 3 (Songs):

1. “The Coo Coo Bird” by CLARENCE ASHLEY (1929)
2. “East Virginia” by BUELL KAZEE (1929)
3. “Minglewood Blues” by CANNON’S JUG STOMPERS (1928)
4. “I Woke Up One Morning in May” by DIDIER HEBERT (1929)
5. “James Alley Blues” by RICHARD “RABBIT” BROWN (1927)
6. “Sugar Baby” by DOCK BOGGS (1928)
7. “I Wish I Was a Mole in the Ground” by BASCOM LAMAR LUNSFORD (1928)
8. “Mountaineer’s Courtship” by ERNEST STONEMAN & HATTIE STONEMAN (1926)
9. “The Spanish Merchant’s Daughter” by THE STONEMAN FAMILY (1930)
10. “Bob Lee Junior Blues” by THE MEMPHIS JUG BAND (1927)
11. “Single Girl, Married Girl” by THE CARTER FAMILY (1927)
12. “Le Vieux Soulard Et Sa Femme” by CLEOMA BREAUX & JOSEPH FALCON (1928)
13. “Rabbit Foot Blues” by BLIND LEMON JEFFERSON (1927)
14. “Expressman Blues” by SLEEPY JOHN ESTES & YANK RACHELL (1930)
15. “Poor Boy Blues” by RAMBLIN’ THOMAS (1929)
16. “Feather Bed” by CANNON’S JUG STOMPERS (1928)
17. “Country Blues” by DOCK BOGGS (1928)
18. “99 Year Blues” by JULIUS DANIELS (1927)
19. “Prison Cell Blues” by BLIND LEMON JEFFERSON (1928)
20. “See That My Grave Is Kept Clean” by BLIND LEMON JEFFERSON (1928)
21. “C’est Si Triste Sans Lui” by CLEOMA BREAUX & OPHY BREAUX with JOSEPH FALCON (1929)
22. “Way Down the Old Plank Road” by UNCLE DAVE MACON (1926)
23. “Buddy Won’t You Roll Down the Line” by UNCLE DAVE MACON (1930)
24. “Spike Driver Blues” by MISSISSIPPI JOHN HURT (1928)
25. “K.C. Moan” by THE MEMPHIS JUG BAND (1929)
26. “Train on the Island” by J.P. NESTOR (1927)
27. “The Lone Star Trail” by KEN MAYNARD (1930)
28. “Fishing Blues” by HENRY THOMAS (1928)


Total Running Time: 252:50

Rating:

4.843 out of 5.00 (average of 9 ratings)


Awards:

(Click on award to learn more).

About the Album:

Author Chris Smith called this “the most important recording of the 20th century” CS-3 noting its “enormous footprint…on popular music.” CS-3 The set was compiled by the “notoriously eccentric musicologist” JB Harry Smith. He had collected several thousand old folk and country recordings and whittled them down to “his favorite hillbilly, gospel, blues, and Cajun performances” JB for this “quasi-legal set of three double LPs” JB originally released in 1952. It covered American folk recordings from “1927, when electronic recording made possible accurate music reproduction, and 1932, when the Depression halted folk music sales.’” WK

This set reintroduced “near-forgotten popular styles of rural American music,” JB songs which, in some cases, “had languished in obscurity for 20 years.” JB Highlights included material from the Carter Family, Mississippi John Hurt, Blind Lemon Jefferson, and Uncle Dave Macon. The collection was integral to “the folk & blues revival of the ‘50s and ‘60s” WK influencing “a new group of folkies, from Pete Seeger to John Fahey to Bob Dylan.” JB Robert Hunter, lyricist with the Grateful Dead, said, “It radically informed and purified our tastes, as well as the tastes of a whole generation of folk performers.” CS-4

Smith divided the music into “three categories: Ballads, Social Music, and Songs. Smith sequenced the three volumes with a great amount of care, placing songs on the Ballads volume in historical order (not to be confused with chronological order) so as to create an LP that traces the folk tradition,” JB moving from English folk ballads through songs dealing with “the hardships of being a farmer in the 1920s.” WK The Social Music set gathered material likely performed at social gatherings or dances as well as religious and spiritual songs while Songs was just a gathering of regular songs.

The liner notes written by Smith were “almost as famous as the music.” WK He wrote short pieces about each song, accompanied by newspaper-style headlines such as “Zoologic Miscegeny Achieved Mouse Frog Nuptuals, Relatives Approve” for the song King Kong Kitchie Kitchie Ki-Me-O by Chubby Parker. “Smith also edited and directed the design of the Anthology, including an illustration by scientist/alchemist Robert Fludd on the cover…In the 1960s, Irwin Silber replaced Smith’s covers with a Ben Shahn photograph of a poor farmer.” WK


Notes:

Anthology first appeared on the Folkways label as three separate two-album collections. It was reissued by Smithsonian/Folkways after being out of print for over a decade. The new release was packaged as a six-disc box set with Smith’s original liner notes and “a separate book of new reminiscences by artists influenced by the original and a wealth of material for use in CD-ROM drives.” JB

In 1997, the CD release of the collection saw each two-album set consolidated to one disc. The track listing on this page reflects that release. “In 2000, Revenant Records released a fourth collection (compiled by Smith) that includes union songs and songs recorded as late as 1940.” WK

Resources and Related Links:


First posted 5/29/2010; last updated 3/15/2024.

Wednesday, February 1, 1984

50 years ago: Charley Patton, Father of the Delta Blues, has last recording session

Founder of the Delta Blues

Charley Patton


Released: March 1, 1969


Recorded: 6/14/1929 to 2/1/1934


Peak: --


Sales (in millions): --


Genre: blues


Tracks:

Song Title (date of recording) Click for codes to singles charts.

  1. Down the Dirt Road Blues (6/14/29)
  2. Mississippi Boweavil Blues (6/14/29)
  3. Screamin’ and Hollerin’ the Blues (6/14/29)
  4. Stone Pony Blues (1/30/34)
  5. It Won’t Be Long (6/14/29)
  6. Shake It and Break It But Don’t Let It Fall, Mama (6/14/29)
  7. Magnolia Blues (11/29)
  8. Dry Well Blues (5/28/30)
  9. High Water Everywhere, Pt. 1 (12/29)
  10. High Water Everywhere, Pt. 2 (12/29)
  11. Green River Blues (12/29)
  12. Bird Nest Bound (5/28/30)
  13. High Sheriff Blues (1/30/34)
  14. A Spoonful Blues (6/14/29)
  15. Moon Going Down (5/28/30)
  16. Pony Blues (6/14/29)
  17. Elder Green Blues (11/29)
  18. Banty Rooster Blues (6/14/29)
  19. Some of These Days (11/29)
  20. Tom Rushen Blues (6/14/29)
  21. 34 Blues (1/31/34)
  22. Going to Move to Alabama (12/29)
  23. Hammer Blues (11/29)
  24. Poor Me (2/1/34)
  25. When Your Way Gets Dark (11/29)
  26. Devil Sent the Rain Blues (11/29)

Rating:

4.275 out of 5.00 (average of 12 ratings)


Quotable: “A cornerstone of any blues collection.” – Cub Koda, All Music Guide


Awards: (Click on award to learn more).

About the Album:

“A mean, hard-hearted man, Patton’s blues inscribed all the experiences of a Mississippi man into the rough and sometimes barely audible sounds he made for Paramount. He was one of the oldest of the major bluesmen – born in 1887, he bridges the gap between the blues and songster generations – and he sounds like a gruff, irritable figure, a self-taught musician but someone who knows he’s damn good, even if he has his own manners.” MF

MF but he “was the key figure in the transition between traditional folk and what came to be known as the Mississippi Delta blues.” FH The genre has “had an enormous impact on American music, influencing everyone from The Rolling Stones to Cassandra Wilson.” NM

“Although the title of founder might not be exactly accurate,” LG since “blues didn’t start with Patton,” MF he “was one of the true greats” LG in that “he personified its expressionism.” MF Also significant in building his impact was that “he was one of the first to be recorded. He was also immensely gifted, amazingly prolific and served as a major influence for other musicians in the delta, including Robert Johnson, Howlin’ Wolf and John Lee Hooker.” NM Johnson “probably picked up his trademark descending bass run from Patton.” LG As such, Founder of the Delta Blues is “a cornerstone of any blues collection” CK and “required listening for Delta blues fans.” LG

“A flamboyant, popular performer,” FH his “background as a medicine show entertainer made him more than the typical brooding bluesman. Much of his repertoire was upbeat and just plain fun.” LG “Take, for instance, his rendition of Shake It and Break It: the gravelly voiced Patton snaps his strings and taps out the rhythm on his guitar while not missing a beat. His slide numbers like High Sheriff and When Your Way Gets Dark are beautiful melodic pieces seldom matched by his peers.” LG

“While most musicians might be quite content to sing about love or the lack thereof, Patton would sing about whatever caught his interest, from social issues to insects.” NM Patton “sang tales of hardship, freedom, topical events, and other matters in a rough voice that stormed with turmoil. His guitar picking was of a piece: skillfully nuanced in expression and, above all, rhythmically imperative.” FH He lived his songs “with an intensity which still strikes through these ancient records.” MF

This compilation “originally started life as a double-record set featuring all of Patton’s best-known titles, and soundwise was miles above all previous versions.” CK “Yazoo’s typically conscientious mastering makes the sound of primitively recorded 78s acceptable.” FH “Its compact disc incarnation here trims the tune list to 24 tracks, but includes all the seminal tracks: Pony Blues, High Water Everywhere, Screamin’ and Hollerin’ the Blues, A Spoonful Blues, …and the wistful Poor Me, which was recorded at his final session in 1934, a scant two months before he died.” CK

Resources and Related Links:


First posted 2/26/2010; last updated 1/29/2022.