Showing posts with label Born This Way. Show all posts
Showing posts with label Born This Way. Show all posts

Saturday, June 11, 2011

Lady Gaga hit #1 in U.S. with Born This Way album

Born This Way

Lady Gaga


Released: May 23, 2011


Charted: June 18, 2011


Peak: 12 US, 13 UK, 11 CN, 12 AU


Sales (in millions): 4.0 US, 1.05 UK, 8.0 world (includes US and UK)


Genre: dance pop


Tracks:

Song Title (date of single release, chart peaks) Click for codes to singles charts.

  1. Marry the Night (6/11/11, 29 US, 14 RR, 27 A40, 16 UK, 11 CN, 88 AU)
  2. Born This Way (2/11/11, 1 US, 1 RR, 22 AC, 7 A40, 3 UK, 1 CN, 1 AU)
  3. Government Hooker
  4. Judas (4/15/11, 10 US, 15 RR, 40 A40, 8 UK, 8 CN, 6 AU)
  5. Americano
  6. Hair (5/28/11, 12 US, 13 UK, 11 CN, 20 AU)
  7. Scheiße
  8. Bloody Mary
  9. Bad Kids
  10. Highway Unicorn (Road to Love)
  11. Heavy Metal Lover
  12. Electric Chapel
  13. You and I (6/4/11, 6 US, 7 RR, 15 AC, 6 A40, 23 UK, 10 CN, 14 AU)
  14. The Edge of Glory (5/9/11, 3 US, 3 RR, 7 AC, 3 A40, 6 UK, 3 CN, 2 AU)


Total Running Time: 61:07

Rating:

3.805 out of 5.00 (average of 34 ratings)


Awards: (Click on award to learn more).

About the Album:

With Born This Way, Lady Gaga nabbed her third consecutive Grammy nomination for Album of the Year, following The Fame in 2010 and The Fame Monster in 2011. The album was hotly anticipated and with more than a million sold in its first chart week in the U.S., it had the largest first-week sales for an album in five years. WK Internationally, it debuted in the top five in every major market.

Born This Way “is a work of blessed bombast, all arena-size sonics and Springsteenian romanticism, complete with a Clarence Clemons sax solo.” RS’20 “’Over-the-top’ isn’t an insult in Gaga’s world; it’s a statement of purpose.” RS’20 That showed in some of the album reviews. NME’s Dan Martin said “Gaga doesn’t know when to hold back – and it’s a damn good thing.” WK Sal Cinquemani of Slant magazine called it “an exercise in extraordinary excess.” WK Spin said that “excess is Gaga’s riskiest musical gamble, but it’s also her greatest weapon.” WK

Of course, all the reviews weren’t positive. All Music Guide’s Stephen Thomas Erlewine said, “Lady Gaga has channeled her grand ambitions into her message, and not her music. Gaga has taken it upon herself to filter out whatever personal details remain in her songs so she can write anthems for her Little Monsters, that ragtag group of queers, misfits, outcasts, and rough kids who she calls her own.” AMG Her “ambition to marry rock & roll rebellion with her disco beats turns Born This Way into [Madonna’s] Like a Prayer by way of [Meat Loaf’s] Bat Out of Hell.” AMG Los Angeles Times’ Randall Roberts called it “unsubtle aesthetically” WK while The Washington Post’s Chris Richards said “it sounds like reheated leftovers from some ‘80s movie soundtrack.” WK The Independent said that “the broader she spreads her net musically, the less distinctive her art becomes.” WK

However, the album was commonly commended for its variety of musical styles. While her earlier work consisted primarily of electropop, house music, and dance pop, Born This Way incorporated elements of opera, heavy metal, rock, Europop, new wave, and disco. WK Bloody Mary featured a male vocal choir while” AMG the “thumping, half-in-Spanish” RS’20

Government Hooker is “a synth-pop jam that includes a come-on on to John F. Kennedy.” RS’20Americano is a mariachi song using guitar and violin. Bad Kids sported electric guitar and a “metal-disco fusion” AMG while saxophone is featured in Hair and The Edge of Glory. WK

The song Marry the Night, which “glistens with a neon pulse,” AMG “contains church bells, a thumping four on the floor house beat, [and] a funk rock-influenced breakdown.” WK You and I is a country-rock-flavored ballad which samples Queen’s “We Will Rock You” and even features Queen guitarist Brian May. WK Influences for the album included Madonna, Whitney Houston, Bruce Springsteen, Queen, Kiss, Pat Benatar, and Iron Maiden. WK

Thematically, the album voiced strong messages about sexuality and feminism. It also referenced individualism, equality, and freedom. There are also references to notable figures from Christianity, most obviously in the song Judas. That song turns her earlier hit “Alejandro” “into towering gothic disco.” AMG

The title song became the fastest-selling single in iTunes history WK and topped the charts in nineteen countries. WK It served up a message about how everyone is equal and should follow his or her dream and has “a giddiness to its self-importance.” AMG The “Eurobeat-based” WK “glam-slam title track became an LGBTQ anthem.” RS’20 It bore similarities to Madonna’s “Express Yourself” and has also been compared to German electronic band Kraftwerk. WK

In the end, the album solidifies Gaga’s “standing as something of a pop visionary, although Gaga is a little bit too eager to embrace her role as messiah, letting her skills as a songwriter slide ever so slightly. Gaga’s true gift is her considerable dexterity at delivering the basics. Unlike so many of her peers, she does not cut and paste her tracks digitally, she constructs from the chords up, then accessorizes at will. She doesn’t abandon this sensibility on Born This Way, but she does take it for granted, never pushing her compositions or productions into unpredictable territory.” AMG “This is an album that’s meant to be more: it’s intended to be a soundtrack to a way of life, but it winds up playing as a collection of songs.” AMG

Resources and Related Links:


Other Related DMDB Pages:


First posted 12/3/2011; last updated 4/27/2022.

Saturday, February 26, 2011

Lady Gaga debuted at #1 with “Born This Way”

Born This Way

Lady Gaga

Writer(s): Lady Gaga, Fernando Garibay, Jeppe Laursen, DJ White Shadow (see lyrics here)


Released: February 11, 2011


First Charted: February 13, 2011


Peak: 16 US, 11 BA, 14 DG, 11 RR, 22 AC, 7 A40, 3 UK, 17 CN, 11 AU, 6 DF (Click for codes to charts.)


Sales (in millions): 6.0 US, 0.94 UK, 10.45 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 380.65 video, 516.95 streaming

Awards:

Click on award for more details.

About the Song:

“Born This Way” was the lead single from Lady Gaga’s second studio album of the same name. It debuted at #1 on the Billboard Hot 100 and reached the top in more than 25 countries. It set a Guinness World Record for fastest-selling single on iTunes with more than a million copies solid in its first five days. WK It also set a record for its first week airplay audience of 78.5 million. SF

Gaga called it “her freedom song,” explaining to Billboard that it harkened “back to the early ‘90s, when Madonna, En Vogue, Whitney Houston, and TLC were making very empowering music and the gay community.” WK The lyrics “talk about empowerment, while the chorus talks about making no apologies and accepting one as themselves.” WK

The Guardian’s Michael Cragg said “Born This Way” an “almost disco anthem” and that the music’s “campiness” made the lyrics sound less serious than they were. WK Artist Direct’s Rick Florino called it “an immediate pop classic.” WK Forbes’ Meghan Casserly referred to as “the next girl power song.” WK Digital Spy’s Nick Levine said it as a “life-affirming equality anthem, a straight-up club pumper and a flat-out fantastic pop song.” WK

The song did garner some criticism in the Asian and Hispanic communities for using terms deemed offensive and deragotary. SF Spin’s Kevin O’Donnell pointed out lyrical similarities to Michael Jackson’s “Black or White” and criticized her, saying “imagine what she’d come up with if she’d spent more than ten minutes writing.” WK

It was also pointed out that it had “similar chords, same uplifting, girl-power theme…[and] same tempo” WK as Madonna’s “Express Yourself.” Gaga defended her song, saying “the only similarities are the chord progression. It’s the same one that’s been in disco music for the last 50 years.” SF The Daily Telegraph’s Neil McCormick said the reworking was “a bit too much Madonna for someone who is trying to establish her own identity as, er, new Madonna.” WK


Resources:


Related Links:


First posted 4/2/2021; last updated 7/24/2023.

Wednesday, February 23, 2011

Billboard: The DMDB Ranking of the Hot 100 Chart Toppers

Billboard magazine has just hit a major milestone – Lady Gaga’s “Born This Way” becomes the 1,000th song to top the Hot 100 in the chart’s 52-year history. (See full story here). In celebration of the event, Dave’s Music Database has assembled its own list. How do those 1000 songs stack up in the DMDB rankings when other elements are factored in, such as sales, radio airplay, awards, success on other charts, and placement on best-of lists by multiple publications? Well, the results are below. By the way, this offers a glimpse into the DMDB book Top 100 Songs of the Rock Era, 1954-1999 (available here). 58 of the songs on this list appear in that book. By the way, if you’re interested in seeing a straight ranking of the #1 songs based solely on weeks at #1, check out the DMDB list “The Biggest #1 Pop Songs in U.S. Chart History.”

  1. The Beatles…Hey Jude (1968)
  2. The Rolling Stones…(I Can’t Get No) Satisfaction (1965)
  3. The Police…Every Breath You Take (1983)
  4. Marvin Gaye…I Heard It Through the Grapevine (1968)
  5. Whitney Houston…I Will Always Love You (1992)
  6. Simon & Garfunkel…Bridge Over Troubled Water (1970)
  7. Eagles…Hotel California (1977)
  8. The Beach Boys…Good Vibrations (1966)
  9. Otis Redding…(Sittin’ on) The Dock of the Bay (1968)
  10. Aretha Franklin…Respect (1967)

  11. The Beatles…Yesterday (1965)
  12. Michael Jackson…Billie Jean (1983)
  13. The Beatles…I Want to Hold Your Hand (1963)
  14. Elton John…Candle in the Wind 1997 (1997)
  15. Roy Orbison…Oh, Pretty Woman (1965)
  16. Don McLean…American Pie (1971)
  17. The Righteous Brothers…You’ve Lost That Lovin’ Feelin’ (1964)
  18. The Beatles…Let It Be (1970)
  19. The Animals…The House of the Rising Sun (1964)
  20. Bobby Darin…Mack the Knife (1959)

  21. Celine Dion…My Heart Will Go On (1997)
  22. The Doors…Light My Fire (1967)
  23. Percy Sledge…When a Man Loves a Woman (1966)
  24. Bryan Adams…(Everything I Do) I Do It for You (1991)
  25. Bee Gees…Stayin’ Alive (1977)
  26. The Temptations…My Girl (1965)
  27. Guns N’ Roses…Sweet Child O’ Mine (1988)
  28. Prince…When Doves Cry (1984)
  29. Stevie Wonder…Superstition (1972)
  30. U.S.A. for Africa…We Are the World (1985)

  31. Joan Jett & the Blackhearts…I Love Rock and Roll (1981)
  32. Rod Stewart…Maggie May (1971)
  33. Chubby Checker…The Twist (1960)
  34. Four Tops…Reach Out (I’ll Be There) (1966)
  35. Sinead O’Connor…Nothing Compares 2 U (1990)
  36. Roberta Flack…Killing Me Softly with His Song (1973)
  37. Abba…Dancing Queen (1976)
  38. The Rolling Stones…Honky Tonk Women (1969)
  39. Ray Charles…I Can’t Stop Loving You (1962)
  40. U2…With Or Without You (1987)

  41. Michael Jackson…Beat It (1983)
  42. Al Green…Let’s Stay Together (1971)
  43. Simon & Garfunkel…Mrs. Robinson (1968)
  44. OutKast…Hey Ya! (2003)
  45. Pink Floyd…Another Brick in the Wall Part II (1979)
  46. Gloria Gaynor…I Will Survive (1978)
  47. Lionel Richie & Diana Ross…Endless Love (1981)
  48. Elvis Presley…Suspicious Minds (1969)
  49. The Beatles…She Loves You (1963)
  50. Mariah Carey…We Belong Together (2005)

  51. Kim Carnes…Bette Davis Eyes (1981)
  52. Del Shannon…Runaway (1961)
  53. Ray Charles…Georgia on My Mind (1960)
  54. Elvis Presley…It’s Now Or Never (1960)
  55. The Everly Brothers…All I Have to Do Is Dream (1958)
  56. The Monkees…I’m a Believer (1966)
  57. The Fifth Dimension…Aquarius/Let the Sunshine In (1969)
  58. The Human League…Don’t You Want Me? (1981)
  59. Barbra Streisand…The Way We Were (1973)
  60. George Harrison…My Sweet Lord (1970)

  61. The Archies…Sugar Sugar (1969)
  62. Simon & Garfunkel…The Sound of Silence (1965)
  63. Roberta Flack…The First Time Ever I Saw Your Face (1972)
  64. Los Del Rio…Macarena (Bayside Boys Mix) (1995)
  65. Rihanna with Jay-Z…Umbrella (2007)
  66. The Byrds…Mr. Tambourine Man (1965)
  67. The Jackson 5…I Want You Back (1969)
  68. Boyz II Men…I’ll Make Love to You (1994)
  69. Debby Boone…You Light Up My Life (1977)
  70. Usher with Lil’ Jon & Ludacris…Yeah! (2004)

  71. George Michael…Careless Whisper (1984)
  72. Boyz II Men…End of the Road (1992)
  73. Cher…Believe (1998)
  74. Beyonce with Jay-Z…Crazy in Love (2003)
  75. Frank Sinatra…Strangers in the Night (1966)
  76. Chic…Le Freak (1978)
  77. Tina Turner…What’s Love Got to Do with It (1984)
  78. The Rolling Stones…Brown Sugar (1971)
  79. Santana with Rob Thomas…Smooth (1999)
  80. Coolio with L.V….Gangsta’s Paradise (1995)

  81. Puff Daddy with Faith Evans & 112…I’ll Be Missing You (1997)
  82. Mariah Carey with Boyz II Men…One Sweet Day (1995)
  83. Blondie…Heart of Glass (1979)
  84. Irene Cara…Flashdance…What a Feelin’ (1983)
  85. Madonna…Like a Prayer (1989)
  86. Dionne & Friends…That’s What Friends Are For (1985)
  87. Isaac Hayes…Theme from ‘Shaft’ (1971)
  88. The Beatles…Penny Lane (1967)
  89. Three Dog Night…Joy to the World (1971)
  90. Survivor…Eye of the Tiger (1982)

  91. Toni Braxton…Un-Break My Heart (1996)
  92. Bee Gees…How Deep Is Your Love (1977)
  93. Eminem…Lose Yourself (2002)
  94. Kenny Rogers…Lady (1980)
  95. The Shirelles…Will You Love Me Tomorrow (1960)
  96. The Beatles…Help! (1965)
  97. Bee Gees…Night Fever (1978)
  98. Gladys Knight & the Pips…Midnight Train to Georgia (1973)
  99. Tony Orlando & Dawn…Tie a Yellow Ribbon ‘Round the Ole Oak Tree (1973)
  100. The Platters…Smoke Gets in Your Eyes (1958)

Resources and Related Links: