Showing posts with label Annie Get Your Gun. Show all posts
Showing posts with label Annie Get Your Gun. Show all posts

Friday, May 11, 2012

Irving Berlin was born: May 11, 1888

image from musicradar.com

He was born Israel Isidore Baline in Tyumen, Russia on May 11, 1888. He became a renowned composer and lyricist in America. George Gershwin called him “the greatest songwriter who ever lived.” Jerome Kern said, “Irving Berlin has no place in American music – he is American music.” A 2001 Time magazine article estimated Berlin has written around 1250 songs. 25 have reached #1 on the pop charts.

He wrote 17 complete scores for Broadway musicals and revues including Call Me Madam and Annie Get Your Gun. The latter is one of the top 1000 albums of all time, was rated best album of the year by the DMDB, and is in the Grammy Hall of Fame.

Berlin’s first notable hit was in 1911 with Alexander’s Ragtime Band. While covered many times, it was Arthur Collins and Byron Harlan’s version which garnered the most praise. It ranks in the DMDB’s top 1000 songs of all time and NPR ranked it one of the most Important American musical works of the 20th century.

Alexander’s Ragtime Band

“Ragtime” was also named to the Grammy Hall of Fame, as were “Puttin’ on the Ritz” (Earl Burtnett & His Los Angeles Biltmore Hotel Orchestra with Harry Richman, 1930), “Cheek to Cheek” (Fred Astaire & Ginger Rogers with Leo Reisman’s Orchestra, 1935), “Marie” (Tommy Dorsey, 1937), “God Bless America” (Kate Smith, 1939), and “White Christmas” (Bing Crosby with the Ken Darby Singers, 1942).

Cheek to Cheek

All Told, Berlin landed 15 songs in the DMDB’s top 1000 songs of all time. In addition to the above titles are “When I Lost You” (Henry Burr, 1913), “Oh, How I Hate to Get Up in the Morning” (Arthur Fields, 1918), “A Pretty Girl Is Like a Melody” (John Steel, 1919), “What’ll I Do?” (Paul Whiteman, 1924), and “All Alone” (Al Jolson, 1925). Also rating in the elite 1000 list are “Blue Skies” (Ben Selvin, 1927), “How Deep Is the Ocean?” (Guy Lombardo with Carmen Lombardo, 1932), “Easter Parade” (Leo Reisman with Clifton Webb, 1933), and “I’ve Got My Love to Keep Me Warm” (Les Brown, 1948).

“Ragtime,” “All Alone,” and “White Christmas” all earned distinction as DMDB Songs of the Year. “Ragtime,” “Christmas,” and “Cheek to Cheek” rank amongst the the biggest #1 pop songs in U.S. chart history. “Puttin’ on the Ritz,” “Cheek,” and “Christmas” are all in the American Film Institute’s list 100 Years…100 Songs">. “God Bless America” and “Christmas” are also in the National Recording Registry.

God Bless America

Of course, no song is bigger than Berlin’s “White Christmas” as recorded by Bing Crosby. It doesn’t just rank as one of the top 100 best-selling songs in the world, but tops that list. Its 56 million in worldwide sales put it nearly 20 million ahead of its closest competition, Elton John’s “Candle in the Wind 1997.” The song went to #1 for 11 weeks in 1942 and then recharted eleven times over the next dozen years, even picking up three more weeks atop the charts. All told, it looged over 100 weeks on the pop charts over 20 Christmas seasons. Berlin , who was often insecure about his work, referred to the song not just as the best one he’d ever written, but the best anyone had ever written. LW Dave’s Music Database concurs, ranking it the #1 song of all time.

White Christmas


Awards:



Resources and Related Links:

Thursday, May 16, 1996

May 16, 1946: Annie Get Your Gun opened on Broadway

Annie Get Your Gun

Irving Berlin (music & lyrics)

Cast Album


Stage Debut: May 16, 1946


Released: July 8, 1946


Peak: 2 US


Sales (in millions): --


Genre: show tunes


Soundtrack


Charted: June 10, 1950


Peak: 18 US


Sales (in millions): --


Genre: show tunes



Songs on Cast Album:

Song Title (Performers)

  1. Doin’ What Comes Natur’lly (ETHEL MERMAN) *
  2. The Girl That I Marry (RAY MIDDLETON) *
  3. You Can’t Get a Man with a Gun (ETHEL MERMAN) *
  4. There’s No Business Like Show Business (WILLIAM O’NEAL) *
  5. They Say It’s Wonderful (ETHEL MERMAN) *
  6. Moonshine Lullaby (ETHEL MERMAN) * c
  7. My Defenses Are Down (RAY MIDDLETON) *
  8. I’m an Indian, Too (ETHEL MERMAN) *
  9. I Got Lost in His Arms (ETHEL MERMAN) * c
  10. Who Do You Love, I Hope (ROBERT LENN) * c
  11. I Got the Sun in the Morning (ETHEL MERMAN) *
  12. Anything You Can Do (ETHEL MERMAN) *
  13. Overture (ETHEL MERMAN)
  14. Colonel Buffalo Bill (LESLIE FYSON)
  15. I’m a Bad, Bad Man (NEILSON TAYLOR)
  16. An Old-Fashioned Wedding (ETHEL MERMAN)

Above track listing based on 2000 Decca reissue. Songs with an asterisk (*) are on original 1946 cast album.

c Songs unique to cast album.


Songs on Soundtrack:

Song Title (Performers)

  1. Main Title (THE MGM STUDIO ORCHESTRA) s
  2. Colonel Buffalo Bill (KEENAN WYNN) s
  3. Doin’ What Comes Natur’lly (BETTY HUTTON/ CHILDREN’S CHORUS) *
  4. The Girl That I Marry (HOWARD KEEL) *
  5. You Can’t Get a Man with a Gun (BETTY HUTTON) *
  6. There’s No Business Like Show Business (HOWARD KEEL) *
  7. They Say It’s Wonderful (HOWARD KEEL) *
  8. They Say It’s Wonderful (Reprise) (BETTY HUTTON) s
  9. There’s No Business Like Show Business (Reprise) (BETTY HUTTON) s
  10. My Defenses Are Down (HOWARD KEEL/ MALE CHORUS) *
  11. I’m an Indian, Too (BETTY HUTTON/ MALE CHORUS)
  12. European Montage (THE MGM STUDIO ORCHESTRA) s
  13. Let’s Go West Again (BETTY HUTTON/ MALE CHORUS) s
  14. The Girl That I Marry (Reprise) (BETTY HUTTON) *
  15. I Got the Sun in the Morning (BETTY HUTTON/ CHORUS) *
  16. Together Again (THE MGM ORCHESTRA) s
  17. Anything You Can Do (HOWARD KEEL) *
  18. Finale/End Title (BETTY HUTTON) s

Above track listing based on 2000 Rhino reissue. Songs with an asterisk (*) are on original 1950 soundtrack.

s Songs unique to soundtrack.


Singles/Hit Songs:

As was common in the pre-rock era, songs from musicals were often recorded by artists not associated with the musical and released as singles. Here are some of the most notable hit singles resulting from the show:

  • ”Doin’ What Comes Natur’lly” – Freddy Martin (#2, 1946), Dinah Shore (#3, 1946), Jimmy Dorsey (#8, 1946)
  • ”They Say It’s Wonderful” – Frank Sinatra (#2, 1946), Perry Como (#4, 1946), Andy Russell (#10, 1946), Bing Crosby (#12, 1946), Ethel Merman (#20, 1946)
  • ”I Got the Sun in the Morning” – Les Brown (#10, 1946), Artie Shaw (#17, 1946)
  • ”The Girl That I Marry” – Frank Sinatra (#11, 1946), Eddy Howard (#23, 1947)
  • ”Who Do You Love, I Hope” – Elliot Lawrence (#9, 1946)
  • ”There’s No Business Like Show Business” – Bing Crosby with the Andrews Sisters & Dick Haymes (#25, 1947)

Rating:

4.497 out of 5.00 (average of 12 ratings for cast album and soundtrack combined)


Awards (Cast Album and Soundtrack): (Click on award to learn more).

About the Show:

“Irving Berlin came from the old school of Broadway songwriters who did not write songs specifically for characters and plot points, but rather as independent numbers in shows that were more revues than book musicals per se.” WR-C However, when Jerome Kern died suddenly, Berlin was able to adapt and develop Dorothy and Herbert Fields’ Annie Oakley musical “in the spirit of integrated musicals that producers Richard Rodgers and Oscar Hammerstein II had established with Oklahoma! only three years before.” WR-C

“Berlin’s songs for Annie Get Your Gun were all about character and plot, from the bawdy Doin’ What Comes Natur’lly, in which Annie affirms the value of a common-sense barnyard education, to the witty Anything You Can Do, which illuminates her final confrontation and reconciliation with love interest Frank Butler. Ordinarily, that should have meant that the songs were less easy to extract for the hit parade, but in fact Berlin’s score produced more chart hits through cover versions than any Broadway score before or since.” WR-C

“Oklahoma! had also established the popularity of original cast albums, and only ten days after the…Broadway opening, star Ethel Merman was in a recording studio with other members of the stage production to record 12 songs from the show…For reasons not yet explained, second leads Betty Ann Nyman and Kenny Bowers were not present, and for the recording of their duet Who Do You Love, I Hope?, they were replaced by Robert Lenn and Kathleen Carnes.” WR-C

“Merman and her co-star Ray Middleton were Broadway veterans of the pre-microphone era, experts at projecting their voices from the footlights to the rear balcony, and their stage styles carried over to the recording.” WR-C

“Merman, of course, possessed a clarion voice that was never better represented than in songs like ‘Doin’ What Comes Natur’lly’ and I Got the Sun in the Morning, while Middleton’s sonorous baritone informed The Girl That I Marry and My Defenses Are Down. And when the two got together on They Say It’s Wonderful and especially ‘Anything You Can Do,’ the belting reached near-bellow status.” WR-C

“But that isn’t to say the songs, crafted for the performers, didn’t support their interpretations. Berlin wrote simply and directly, his jokes broad, his emotions direct, and the singers hit his meanings as surely as they did his notes. The result was exactly what a cast album should be, an accurate representation of the music of a show. And since this show was a landmark in Broadway history, that made the cast album an important contribution to musical history as well as an aural delight.” WR-C

Four years after the musical, Annie Get Your Gun was turned into a movie. A third of the songs were dropped, but ten remained, including ‘Doin’ What Comes Natur’lly,’ There’s No Business Like Show Business, and ‘Anything You Can Do.’ WR-S

MGM initially planned for Judy Garland, its biggest musical star, to step into Ethel Merman’s shoes. However, “her erratic behavior caused her to be suspended from the studio and the production to be shut down until Hutton was borrowed from Paramount.” WR-S “Betty Hutton brought her usual energy and effervescence to her portrayal, and Howard Keel, in his first major movie role, gave her strong support. The result was one of the biggest box-office hits of 1950.” WR-S


Notes: The 2000 Decca reissue of the cast album added four new songs. “‘Colonel Buffalo Bill’ and ‘I'm a Bad, Bad Man,’ were not recorded back in 1946, nor was an overture.” WR-C addition, “for the 20th anniversary revival in 1966, Berlin wrote a new song, ‘An Old-Fashioned Wedding’.” WR-C These four songs appear to be from “a 1973 British studio cast recording featuring Merman.” WR-C

The 2000 Rhino reissue of the soundtrack rounded out the original paltry 8 songs to a total of 31 songs, including the original recordings by Judy Garland before she was replaced by Betty Hutton.

Resources and Related Links:


Other Related DMDB Pages:


First posted 8/11/2008; last updated 12/21/2021.