Saturday, March 11, 1972

Neil Young’s Harvest hits #1 in the U.S. and U.K.


Neil Young

Released: February 14, 1972

Peak: 12 US, 11 UK, 12 CN, 11 AU, 1 DF

Sales (in millions): 4.3 US, 0.9 UK, 16.1 world (includes US and UK)

Genre: folk rock


Song Title [time] (date of single release, chart peaks) Click for codes to charts.

  1. Out on the Weekend [4:35]
  2. Harvest [3:03]
  3. A Man Needs a Maid [4:00]
  4. Heart of Gold [3:05] (2/5/72, #1 US, #10 UK, #8 AC, sales: 1.0 m)
  5. Are You Ready for the Country? [3:21]
  6. Old Man [3:22] (4/29/72, #31 US)
  7. There’s a World [3:00]
  8. Alabama [4:02]
  9. The Needle and the Damage Done [2:00] (7/17/93, #75 UK)
  10. Words (Between the Lines of Age) [6:42]

All songs written by Neil Young.

Total Running Time: 37:10

The Players:

  • Neil Young (vocals, guitar, piano, harmonica)
  • Ben Keith (pedal steel guitar)
  • Jack Nitzsche (arrangements on “A Man Needs a Maid” and “There’s a World,” lap steel guitar on “Are You Ready for the Country?,” piano on “Alabama” and “Words”)
  • Tim Drummond (bass)
  • Kenny Buttrey (drums)
  • Teddy Irwin (second acoustic guitar on “Heart of Gold”)
  • John Harris (piano on “Harvest”)
  • James McMahon (piano on “Old Man”)
  • James Taylor (banjo and backing vocals on “Heart of Gold” and “Old Man”)
  • Linda Ronstadt (backing vocals on “Heart of Gold” and Old Man”)
  • David Crosby (backing vocals on “Are You Ready for the Country?” and “Alabama”)
  • Stephen Stills (backing vocals on “Alabama” and “Words”)
  • Graham Nash (backing vocals on “Are You Ready for the Country?” and “Words”)
  • London Symphony Orchestra, conducted by David Meecham (on “A Man Needs a Maid” and “There’s a World”)


4.255 out of 5.00 (average of 29 ratings)


(Click on award to learn more).

About the Album:

Young’s previous two solo efforts, “Everybody Knows This Is Nowhere and After the Gold Rush, mined gritty rock anthems and folky love songs to perfection.” SY He followed that with Harvest, which featured “the solitary troubadour…at his most elegiac.” ZS With a crew of session players he recorded in a “country-folk vein” SY in Nashville but also “employ[ed] a number of jarringly different styles” AMG including “an acoustic track [and] a couple of electric guitar-drenched rock performances.” AMG “But the album does have an overall mood and an overall lyric content, and they conflict with each other: the mood is melancholic, but the songs mostly describe the longing for and fulfillment of new love.” AMG

Ultimately the overall “sound was Americana…stripped down and rebuilt with every jagged edge exposed.” RS500 That means “much of it is country-tinged” AMG such as on Are You Ready for the Country, when “Young detoured briefly to the Nashville mainstream.” AZ

“Young’s concerns are perhaps most explicit on the controversial” AMG and “string-drenched domesticity” SY of A Man Needs a Maid. The song, recorded with the London Symphony Orchestra, as was There’s a World, “contrasts the fears of committing to a relationship with simply living alone and hiring help.” AMG

“His usual dissonant touches, like the otherworldly guitar in Out on the Weekend, are less spooky in this new context.” AZ Songs like “the hypnotic rocker” AZ Words (Between the Lines of Age), with “a little distorted guitar along the way,” AD “predict Tonight’s the Night, Young’s haunted 1975 classic.” AZ

“The singer’s acquired-taste voice comes across smooth and beautiful” AZ in songs like the aforementioned “Out on the Weekend” and “rolling laments like Old ManSY which “are unusually melodic and accessible.” AMG Nowhere is this more apparent than Heart of Gold, “by far Young’s most commercial-sounding song,” AZ complete with “steel guitars and Linda Ronstadt’s backup vocals.” AZ The latter “helped set the stage for the Seventies soft-rock explosion.” RS500

“Much of the album was written whilst Neil was in love, a new blooming love affair.” AD As such, “Neil sounds yearning and the lyrics are very evocative” AD on the title cut. “The steel guitar, the piano – the backing track is perfectly done, beautifully felt – a real classic song, no question.” AD

“The harrowing portrait of a friend’s descent into heroin addiction” AMG on “the deceptively gentle” AZ The Needle and the Damage Done is “one of the most poignant songs about drug addiction ever recorded.” ZS It is a “haunting” and “honest plea” which was recorded live. AD This and the love songs “remain among Young’s most affecting and memorable songs.” AMG

In reference to the album’s “simple arrangements, simple songs” AD some “critics accused him of dumbing down at the time.” JI Although Harvest “lacked the through-the-night-until-the-morning-after crush of its predecessors” SY it “can now be seen as simply another facet of Young’s musical personality, representing the acoustic, pastoral idyll that usually preceded another barrage of electric howl.” JI In any event, it was Young’s “most popular album” AMG and sealed his “voice-of-a-generation fate.” SY

Resources and Related Links:

  • DMDB encyclopedia entry for Neil Young
  • AMG All Music Guide review by William Ruhlmann
  • AZ review by Steve Knopper
  • AD Adrian Denning
  • JI Jim Irvin (editor). (2000). The Mojo Collection: The Greatest Albums of All Time. Mojo Books: Edinburgh, Scotland.
  • RS500 Rolling Stone 500 Greatest Albums of All Time
  • SY Stylus Magazine’s Top 101-200 Favourite Albums Ever by Stylus staff (3/22/04).
  • TB Thunder Bay (2005). Albums: The Stories Behind 50 Years of Great Recordings. Thunder Bay Press; San Diego, CA. Page 133.
  • ZS Zagat Survey (2003). Music Guide: 1,000 Top Albums of All Time. Coordinator: Pat Blashill. Music Editor: Holly George-Warren. Editors: Betsy Andrews and Randi Gollin. Zagat Survey, LLC: New York, NY. Page 246.

Other Related DMDB Pages:

First posted 11/11/2012; last updated 7/17/2023.

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