First posted 3/18/2008; updated 10/2/2020. |
Judy at Carnegie Hall |
Tracks, Disc 1: Song Title (date of single release, chart peaks). Chart information is for the original studio recordings. Click for codes to singles charts.
Tracks, Disc 2:
Total Running Time: 122:51 |
Rating: 4.554 out of 5.00 (average of 9 ratings)
Quotable: “One of pop music’s greatest live recordings” – Jason Verlinde, Amazon.com Awards: |
About the Album: “The late ‘50s were tough on Judy Garland, but this live recording…would (rightfully) bring the legendary icon back into the spotlight.” AZ “With relentless verve, Garland takes on her entire musical catalogue with astonishing aplomb. There is little sign of the decades of self-abuse which had left her frail by the early ‘60s.” AMG The album won five Grammys, including Album of the Year, and was Garland’s bestselling record. The album confirmed “that, yes, on certain levels, she still had it. Her vocals are as strong as ever on these tunes, and Garland has fun with an audience obviously enraptured by her charms. She’s self-deprecating where necessary – on You Go to My Head she forgets the lyrics but keeps improvising. But mostly she just shines, especially on tunes she made famous, such as…Over the Rainbow. This is easily one of pop music’s greatest live recordings and a fine testament to Garland’s recorded legacy.” AZ Other than her own songs, she tackles a number of standards. In fact, eight songs from this album are featured in the DMDB book The Top 100 Songs of the Pre-Rock Era, 1890-1953. In addition to “Over the Rainbow” and For Me and My Gal, which she took to #3 in 1942, she covers three songs which Al Jolson took to #1 – You Made Me Love You (1913), Rock-a-Bye Your Baby with a Dixie Melody (1918), and Swanee (1920). She also covers songs which Marion Harris (After You’ve Gone, 1919), Cliff Edwards (I Can’t Give You Anything But Love, 1928), and Ethel Waters (Stormy Weather, 1933) took to #1. Notes: The “40th anniversary edition…is a completely fresh experience even for those intimately familiar with previous versions. By accessing tapes which have not been used on any other release…many sonic foibles which plagued the original have now been repaired. The overwhelming success of this album…makes it a prime candidate for a sonic overhaul. By reclaiming tapes that were once considered MIA, the sound is now notably more balanced. In addition, much of the fake applause has been thoughtfully removed, unveiling previously masked dramatic pacing and audience interplay between songs.” AMG “But the highlight of the entire package is the return of Alone Together from the actual Carnegie Hall performance. The song had been replaced by a studio version on the 1989 CD reissue due to missing master tapes. Since then, those tapes have been put back into commission and provide the jaw-dropping sound on this delightful set.” AMG |
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