Phil Collins hit #1 with “Against All Odds”

Against All Odds (Take a Look at Me Now) Phil Collins

Writer(s): Phil Collins (see lyrics here) First Charted: February 25, 1984 Peak: 13 US, 13 CB, 14 GR, 14 RR, 2 AC, 11 AR, 2 UK, 14 CN, 3 AU, 2 DF (Click for codes to charts.) Sales (in millions): 1.0 US, 0.6 UK Airplay/Streaming (in millions): -- radio, 123.81 video, 358.64 streaming

Awards: Click on award for more details.

About the Song: “Against All Odds” was Collins’ first of seven songs to top the Billboard Hot 100 and his first of six songs to hit that chart which he wrote specifically for a film soundtrack. WK It also hit #1 in Canada, Ireland, and Norway. WK Interestingly, it peaked at #2 in the UK, but two different cover versions made it to the pinnacle. In September 2000, Mariah Carey and Westlife took it to the top and in January 2005 Steve Brookstein, the first winner of The X Factor, landed his version at #1. WK The song, featured in the 1984 movie of the same name, was a power ballad about seeking reconciliation with an ex-lover even though it is “against all odds.” Collins was on tour with Genesis when the film’s director, Taylor Hackford, flew to Chicago to meet him and show him a rough cut of the film to get him to appear on the soundtrack. Collins watched it on videotape in his hotel room and said yes. WK Hackford also directed the video clip for the song, which was the #1 MTV video for several weeks. Gary LeMel, senior vice president of music for Columbia Pictures, thought the video added at least $5 million to the movie’s box office. Hackford has said the song, which was featured in the closing credits of the movie, directly contributed to the increase of box office sales. WK Hackford did have one complaint. Collins seemed intent on singing “against the odds” instead of “all.” Collins said, “It just tripped off the tongue easier.” SF Collins adapted a song originally called “How Can You Just Sit There?” from sessions for his debut album, Face Value (1981). It was inspired by his divorce from his first wife. He said that it transformed him into a lyricist as well as a musician. WK His efforts received nominations for Song of the Year both from the Academy Awards and Golden Globes. Resources: DMDB encyclopedia entry for Phil Collins FB Fred Bronson (2007). The Billboard Book of Number One Hits (4th edition). Billboard Books: New York, NY. Page 586. BC Brad Carl (2015). 50 Songs from the 70s and 80s That Still Hold Up. Pages 34-35. SF Songfacts WK Wikipedia Related Links: First posted 11/15/2019; last updated 8/7/2023.

Joe Cocker & Jennifer Warnes’ “Up Where We Belong” hit #1

Up Where We Belong Joe Cocker & Jennifer Warnes

Writer(s): Will Jennings, Jack Nitzsche, Buffy Saint Marie (see lyrics here) Released: July 22, 1982 First Charted: August 21, 1982 Peak: 13 US, 13 CB, 13 RR, 3 AC, 7 UK, 12 CN, 12 AU (Click for codes to singles charts.) Sales (in millions): 2.0 US, 0.25 UK, 2.34 world (includes US + UK) Airplay/Streaming (in millions): 3.0 radio, 52.0 video, 199.59 streaming

Awards: Click on award for more details.

About the Song: For his movie An Officer and a Gentleman, director Taylor Hackford decided he wanted an original song to close the film. It would be happy ending in which Richard Gere, dressed in his Navy uniform, comes to the factory where Debra Winger works and literally sweeps her off her feet and marches out as her co-workers cheer. Lyricist Will Jennings, who’d worked with Steve Winwood, was called in on a Friday to screen the movie. He wrote “Up Where We Belong” based on a couple of themes from the score by Jack Nitzsche and Buffy Sainte-Marie. By Monday morning, the demo was on Hackford’s desk. FB A friend of Hackford managed Jennifer Warnes, who’d previously sung the Oscar-winning song “It Goes Like It Goes” from 1979’s Norma Rae. She was moved by Joe Cocker’s performance at the Grammys in February 1982 and thought the song would be a perfect duet with him. WK Hackford liked the idea because Cocker’s voice would match the personality of Gere’s rough character in the film while Warnes could represent the sweeter Winger character. WK At Cocker’s request, the plan was for him to record his vocals separately from Warnes. When it came time to record, Cocker was terrified because he’d worked on the song all afternoon in his hotel but couldn’t get the words down. He got through it after writing up the lyrics on big blocks of wood. Then his version was spliced together with Warnes’ vocals. However, Cocker was the persuaded to sing the song in the studio with Warnes after being convinced that their “aural chemistry would work.” WK They got it down in one or two takes. WK When the song was presented to Michael Eisner and Don Simpson, the executives at Paramount Studios, they hated it, saying it would never be a hit. Another executive said “Warnes has never had a hit song [which wasn’t true – “Right Time of the Night” hit #6 in 1977] and Joe Cocker’s a has-been.” WK The execs turned to some better known artists to watch the film, one of which said, “Hey, I can write something, but it’s not going to work as well as the song you’ve got.” WK Eisner and Simpson finally relented and the song which they thought would never be a hit was released as a single and went to #1 on the Billboard Hot 100. All Music Guide’s Matthew Greenwald called it “a modern-day pop standard.” WK Resources: DMDB encyclopedia entry for Joe Cocker DMDB encyclopedia entry for Jennifer Warnes FB Fred Bronson (2003). The Billboard Book of Number One Hits (5th edition). Billboard Books: New York, NY. Page 562. SF Songfacts WK Wikipedia First posted 3/29/2022.