Showing posts with label Beyoncé Knowles. Show all posts
Showing posts with label Beyoncé Knowles. Show all posts

Saturday, February 17, 2007

Beyoncé spends 10th week at #1 with “Irreplaceable”

Irreplaceable

Beyoncé

Writer(s): Shaffer "Ne-Yo" Smith, Mikkel S. Eriksen, Tor Erik Hermansen, Espen Lind, Amund Bjørklund, Beyoncé Knowles (see lyrics here)


Released: October 23, 2006


First Charted: October 28, 2006


Peak: 110 US, 18 RR, 10 AC, 15 A40, 19 RB, 4 UK, 2 CN, 13 AU, 12 DF (Click for codes to singles charts.)


Sales (in millions): 3.63 US, 1.2 UK, 6.7 world (includes US + UK)


Airplay/Streaming (in millions): 0.6 radio, 384.6 video, 764.84 streaming

Awards:

Click on award for more details.

About the Song:

Ne-Yo and the Norwegian production team Stargate had already been to #1 with his song “So Sick” when they started work on “Irreplaceable.” Ne-Yo initially wrote the ballad from a male perspective, but an A&R person suggested the song would work better sung by a woman. Ne-Yo then envisioned it in the hands of Shania Twain or Faith Hill after the acoustic guitar made it sound like country music. WK However, when Beyoncé heard the demo, she asked for some changes and a drum beat was incorporated to give the song a more R&B flavor. SF

She worked with Ne-Yo on the lyrics. They said they were aiming for a song to which people of either gender could relate WK but the song ended up as a message of female empowerment as the song unfurls a tale of a woman addressing a cheating lover, informing him that he can be replaced easily. SF It may “remind many listeners of concepts central to Terry McMillan’s Waiting to Exhale which remains a cultural touchstone over 15 years after its release.” AB’00

This was the third U.S. single from Beyoncé’s B’Day album, fitting in well with its overall theme of “female strength and independence.” AB’00 Previous singles “Déjà Vu” and “Ring the Alarm” went to numbers 4 and 11 on the Billboard Hot 100 respectively, but “Irreplaceable” outpaced them both, landing atop the charts for 10 weeks. That impressive feat earned the song the title of Billboard’s song of the year; it was also the best-selling single of 2007. SF

The song also won awards from Soul Train for Best R&B/Hip-Hop Single by a Female and from Nickelodean for Kids Choice Award for Favorite Song. The song was also nominated for a Grammy for Record of the Year. Beyoncé took a Spanish language version of the song to the top 10 of the U.S. Hot Latin Songs chart. SF


Resources:


Related Links:


Last updated 11/7/2022.

Saturday, March 18, 2000

Destiny’s Child “Say My Name” hit #1

Say My Name

Destiny’s Child

Writer(s): Rodney Jerkins, Fred Jerkins III, LaShawn Daniels, Beyoncé Knowles, LeToya Luckett, Kelly Rowland, LaTavia Roberson (see lyrics here)


Released: November 7, 1999


First Charted: December 4, 1999


Peak: 13 BB, 11 BA, 3 GR, 3 RR, 13 RB, 3 UK, 9 CN, 14 AU, 23 DF (Click for codes to charts.)


Sales (in millions): 3.0 US, 1.2 UK, 4.85 world (includes US + UK)


Airplay/Streaming (in millions): 0.3 radio, 416.32 video, 818.98 streaming

Awards:

Click on award for more details.

About the Song:

“Make no mistake: ‘Say My Name’ is a Beyoncé record. There are four people on the cover of that single…but Beyoncé is the only person who sings lead…That was probably a power play on the part of Beyoncé and of her father, Destiny’s Child manager Mathew Knowles. But “Say My Name” is a perfect song.” SG It “works on all sorts of levels — as soap-operatic melodrama, as futuristic technological brain-warp, as club-jam singalong.” SG “At the time, Beyoncé was one of a few R&B singers inventing a whole new form of delivery — a complex and rhythmically sophisticated cadence that moved and breathed with the track itself.” SG

Of the four people on the cover, two were gone by the time the song hit #1. LaTavia Roberson and LeToya Luckett had been friends with Beyoncé since they were kids but resented how she and Kelly Rowland got more attention and money. When they saw the video for the song on BET, they realized they were out of the group as two other girls (Michelle Williams and Farrah Franklin) lip-synced their parts. Farrah didn’t last six months, but the group continued as a trio with Williams. Beyoncé came across like a modern-day Diana Ross, who “jettisoned the old friends who helped her get rich and famous in the first place…but all the drama within the Supremes never stopped anyone from thinking of Diana Ross as a pantheon-level pop star, and the same thing happened with Beyoncé.” SG

Rodney Jerkins, who’d produced “The Boy Is Mine” for Brandy and Monica and “If You Had My Love” for Jennifer Lopez signed on to work with Destiny’s Child on The Writing’s on the Wall, the group’s second album. Beyoncé would later say she couldn’t stand “Say My Name” because “There was just too much stuff going on in it.” SG She even said the song wasn’t going to make the cut for the album, but then he remixed it with more emphasis on the vocals, turning it into what Beyoncé then called “an amazing, timeless R&B record…It was one of the best songs we ever had, one of the best he’s ever produced.” SG

He “throws every trick in his arsenal at the track. Strings spiral through busily jaunty figures. Drum machines dance through syncopated stop-start patterns. Squelching funk guitars strut in, and then Jerkins chops them up almost to the point of abstraction. Jerkins throws so much else at the track: wind-chime swooshes, soft G-funk synth-wines, an electronic boiiiiing sound effect…But even with all those different sounds percolating away, ‘Say My Name’ deals in a simple, relatable relationship dilemma.” SG

Songwriter LaShawn Daniels had the idea for the song’s lyrics. His girlfriend was jealous if she heard anyone in the background when she called him and would demand, “Well, say my name then, and tell me that you love me.” SG It became a song in which “Beyoncé’s narrator is…consumed with that wounded, destabilized feeling,” SG “convinced that her significant other is cheating.” SG


Resources:


Related Links:


First posted 4/29/2024.