Showing posts with label Bang Bang. Show all posts
Showing posts with label Bang Bang. Show all posts

Monday, April 27, 1987

David Bowie Never Let Me Down album released

Never Let Me Down

David Bowie


Released: April 27, 1987


Peak: 34 US, 6 UK, 6 CN, 19 AU


Sales (in millions): 0.5 US, 0.1 UK, 2.5 world (includes US and UK)


Genre: classic rock


Tracks:

Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Day-In Day-Out [5:36] (4/4/87, 21 US, 3 AR, 3 CO, 17 UK, 33 AU)
  2. Time Will Crawl [4:18] (5/2/87, 7 AR, 10 CO, 33 UK)
  3. Beat of Your Drum [5:03]
  4. Never Let Me Down (Alomar/Bowie) [4:05] (8/8/87, 27 US, 15 AR, 4 CO, 34 UK, 63 AU)
  5. Zeroes [5:44]
  6. Glass Spider [5:30]
  7. Shining Star (Makin’ My Love) [5:04]
  8. New York’s in Love [4:31]
  9. ’87 and Cry [4:18]
  10. Too Dizzy (Bowie/Kizilcay) [4:30]
  11. Bang Bang (Pop) [4:28] (5/23/87, 38 AR, 31 CO)

Songs written by David Bowie unless indicated otherwise.


Total Running Time: 49:12


The Players:

  • David Bowie (vocals)
  • Carlos Alomar (guitar)
  • Carmine Rojas (bass)
  • Erdal Kızılçay (keyboards, drums, bass, trumpet, violins, backing vocals)
  • Peter Frampton (guitar, sitar)
  • Philippe Saisse (piano)
  • Stan Harrison (alto saxophone)
  • Steve Elson (baritone saxphone)
  • Lenny Pickett (tenor saxophone)
  • Earl Gardner (flugelhorn)
  • Laurie Frink (trumpet)
  • Errol “Crusher” Bennett (percussion)
  • Sid McGinnis (guitar on “Day-In Day-Out,” “Time Will Crawl,” and “Bang Bang”)
  • Mickey Rourke (rap on “Shining Star”)
  • Robin Clark, Lani Groves, Diva Gray, Gordon Grody (backing vocals)

Rating:

2.444 out of 5.00 (average of 25 ratings)

About the Album:

David Bowie stayed busy after 1984’s Tonight with soundtrack work, recording music for Absolute Beginners, The Falcon and the Snowman, When the Wind Blows, and Labrynth, in which he starred. His cover of “Dancing in the Street” with Mick Jagger was also a top-10 hit.

Once he was back in the studio, Bowie focused on what he considered a return to rock and roll music WK after two albums of more dance-oriented mainstream pop. To that end, he assembled a small rock group like he’d had early in his career that included guitarist Peter Frampton. Bowie himself said it was an effort to “reestablish what I used to do, which was a guitar-oriented album.” WK

He also played instruments again after focusing exclusively on vocals on the previous two albums. The result was “a jumbled mix of loud guitar rockers and art rock experiments like the failed Glass Spider,” AMG a mythological story Bowie based on a documentary he saw about black widows lay the skeletons of their prey on their webs. WK

Bowie wrote the opening song and first single, Day-In Day-Out, about his concerns about how the homeless were treated in the United States. Time Will Crawl was inspired by the Chernobyl disaster and Bowie said the vocals were inspired by Neil Young. The title track was about Coco Schwab, Bowie’s long-time personal assistant. He attributed his vocal performance to John Lennon. It has been called “one of his most underrated songs.” AMG

Bowie called Beat of Your Drum a Lolita song because it was a “reflection on young girls” being viewed as sexual entities. WK Rolling Stone called Zeroes “the most heartening and successful track on the album.” WK

Bowie described Shining Star (Makin’ My Love) as a song about people “trying to get together in the race of…disasters and catastrophes…never knowing if they’re going to survive it.” WK He sang it in a high voice, which he compared to Smokey Robinson, because it was what the song needed. WK

New York’s in Love was “a sarcastic song about the vanity of big cities.” WK ’87 and Cry was about then-UK Prim Minister Margaret Thatcher and the “distinction between the authoritarian government and the citizens.” WK

Too Dizzy was written as an homage to the 1950s. Bowie called the song a “throwaway” and deleted it from reissues of the album. The final song on the album was a cover of Iggy Pop’s Bang Bang. Bowie said, “Iggy’s done so many good songs that people never get to hear…I think it’s one of his best songs.” WK

The subsequent Glass Spider tour was “the biggest, most theatrical and elaborate tour he had undertaken in his career,” WK but, like the album, it “was commercially successful but critically panned.” WK Bowie himself was critical of the album, even expressing a desire to remake it. After his death, a remixed version of the album was released on the Loving the Alien box set.

“While it’s not as consistent as Tonight, it’s far more interesting.” AMG Spin said it was “an inspired and brilliantly crafted work” WK while Rolling Stone called it “the noisiest, sloppiest Bowie album ever.” WK Creem’s Roy Tarkin said it represented a creative low point for Bowie WK while Billboard stated it was “arguably the year’s most underrated release.” WK


Notes: B-sides “Julie” and “Girls”, along with the title track from the soundtrack of When the Wind Blows, were added to the Virgin Records CD reissue. In 2018, a remixed version of the album was released on the Loving the Alien box set.

Resources and Related Links:

First posted 2/20/2008; last updated 8/2/2021.

 

Monday, February 13, 1978

Squeeze released their debut

Squeeze

Squeeze


Released: February 13, 1978


Peak: --


Sales (in millions): --


Genre: new wave


Tracks:

Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Sex Master [2:21]
  2. Bang Bang [2:04] (5/78, 49 UK, 42 CL, 19 CO)
  3. Strong In Reason [4:14]
  4. Wild Sewerage Tickles Brazil (Instrumental) (Squeeze) [3:49]
  5. Out of Control [4:44]
  6. Take Me I'm Yours [3:46] (2/3/78, 19 UK, 37 CL, 14 CO)
  7. The Call [5:17]
  8. Model [2:59]
  9. Remember What [2:51]
  10. First Thing Wrong [3:43]
  11. Hesitation (Rool Britannia) [3:45]
  12. Get Smart [2:06]
All songs written by Difford & Tilbrook unless noted otherwise.


Total Running Time: 41:43


The Players:

  • Chris Difford (vocals, rhythm guitar)
  • Glenn Tilbrook (vocals, lead guitar)
  • Jools Holland (keyboards)
  • Harry Kakoulli (bass)
  • Gilson Lavis (drums)

Rating:

2.441 out of 5.00 (average of 18 ratings)

About the Album:

Squeeze’s debut was released in the U.S. as U.K. Squeeze to avoid confusion with another band. When that band went defunct, Squeeze dropped the U.K. from their name for their sophomore album. Whatever you call the first album, it “is quite unlike anything that would follow and nearly seems like the work of another band.” AMG The album “had no shortage of youthful exuberance.The careful pop craftsmanship, a hallmark of their subsequent work, was not yet in place. Instead the album offers high-octane arrangements and production approaches.” HE

”The disc shows their true colors as traditional rockers, even if it's impossible to hear any connection with the contemporary punk movement. They already have their harmony arrangements figured out, but the rhythm section kicks hard, and Tilbrook lays on the most unrestrained guitar solos you'll hear anywhere in their catalog.” JA

”Much of the reason for this comes from producer John Cale's somewhat warped vision of the band. Cale threw out all of the songs the band came to the studio with and demanded that they write new ones on the spot (he also proposed calling the album Gay Guys, and undoubtedly had something to do with the hot pink bodybuilder cover and the shirtless photo of the band on the back).” AMG

The rough and ragged songs that resulted from the studio writing range from raw, inspired rockers like” AMG Sex Master and Get Smart, which “have some genuine boogie woogie energy,” JA and “Difford’s competent ballad spotlight Strong in Reason,” JA “to the utterly bizarre, near-funk instrumental Wild Sewerage Tickles Brazil, which features wild shrieks throughout.” AMG

”Tbere’s some random jamming on The Call and a lot of the tunes…are lyrically gimmicky (Model; Difford's rap on Hesitation (Rool Brittania)).” JA “Out of Control and Remember What are respectable Elvis Costello-style head-bangers, and Bang Bang has a demented chorus and an interesting, foot-stomping beat.” JA

One definite highlight is the “band-produced…Take Me I'm Yours,” HE a “fondly remembered” AMG “minor British hit” HE “driven by a really annoying, robotic synth line that would have been worthy of the Cars.” JA

“There’s…not a lot of variety, outside of ‘Take Me’ and one loud electric blues (First Thing Wrong), but at least it’s energetic.” JA In addition, “the fine songwriting of Glenn Tilbrook and Chris Difford was already in place (indeed, they had been writing together throughout their teenage years).” HE

”Though not as refined as they would soon become, this album did serve to announce their arrival.” HE “The album in general remains an oddity of the Squeeze catalog.” AMG


Notes: The 1997 UK re-release added bonus tracks “Deep Cuts” and “Heartbreak.”

Resources and Related Links:


Other Related DMDB Pages:


First posted 3/6/2008; last updated 2/6/2022.