Last updated 11/16/2020. |
Back to Mono |
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Released: November 12, 1991 Recorded: 1958 to 1969 Peak: -- US, -- UK, -- CN, -- AU Sales (in millions): 0.5 US, -- UK, 0.5 world (includes US and UK) Genre: pop |
Tracks: ACT “Song Title” (date of single release, chart peaks) Click for codes to singles charts. Tracks, Disc 1:
Tracks, Disc 2:
Tracks, Disc 3:
Tracks, Disc 4 (A Christmas Gift for You):
Total Running Time: 206:12 |
Rating: 4.529 out of 5.00 (average of 7 ratings)
Quotable: “Spector’s Wall of Sound made even the most pedestrian teen pop seem mythic.” Blender Magazine Awards: |
About the Album: “Two hits and ten pieces of junk, was how [producer Phil] Spector described the typical album, so the groups he produced released singles – honed to perfection and exclusively in mono.” TL “Monomaniacally massive, magical and mysterious,” BL “Spector thought that stereo sound gave listeners more control than producers; he really liked control.” TL “This junk-free, four-disc set released in 1991 includes Ben E. King’s Spanish Harlem, The Ronettes’ Be My Baby (Brian Wilson pulled off the road and wept with joy the first time he heard it) and the Righteous Brothers’ You’ve Lost That Loving Feeling, all pinnacles of Spector’s Wall of Sound production techniques” TL in which “a huge Wagnerian slab of instruments…made even the most pedestrian teen pop seem mythic.” BL “At the time Back to Mono was released in 1991, Phil Spector’s reputation as one of pop's great visionaries was intact, but there was no way to hear his genius. It wasn't just that there were no collections spotlighting his productions, there weren't collections of artists he produced. It wasn't until Back to Mono that there was a thorough overview of Spector's greatest work, and while it’s not without flaws, it still stands as one of the great box sets. Some may complain that there are no selections from his superstar '70s productions for John Lennon, George Harrison, Leonard Cohen, and the Ramones, but that's for the best, since their presence would have been incongruous, taking attention away from the music that forms the heart of Spector's legacy.” STE “All of that music is here, not just on the first three discs, all devoted to singles, but also on the fourth disc, his seminal 1963 holiday album, A Christmas Gift for You,” STE “the only holiday album one ever need own.” TL Not only is it “the greatest rock Christmas album, but a crystallization of his skills.” STE “It could be argued that the song selection overlooks some obscure fan favorites, such as ‘Do the Screw,’ but that’s simply nitpicking, because what’s here are all the great Spector records, which were hardly just great productions, they were great songs as well. As the set plays, it’s hard not to be stunned by the depth of the material and clarity of Spector’s vision…whether you’ve heard these songs hundreds of times or not at all – especially because they gain power when grouped together. Many producers have been credited as the true creative force behind many rock records, but usually that’s hyperbole. In Spector's case, it wasn’t, as this set gloriously proves.” STE |
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