Friday, August 10, 1979

Michael Jackson’s Off the Wall released

Off the Wall

Michael Jackson

Released: August 10, 1979

Peak: 3 US, 116 RB, 5 UK, 4 CN, 12 AU

Sales (in millions): 8.0 US, 1.97 UK, 20.0 world (includes US and UK)

Genre: R&B/pop


Song Title (date of single release, chart peaks) Click for codes to charts.

  1. Don’t Stop ‘Til You Get Enough (7/10/79, 1 US, 1 RB, 3 UK, 3 CN, 1 AU, 4x platinum)
  2. Rock with You (11/3/79, 1 US, 1 RB, 21 AC, 7 UK, 3 CN, 4 AU, 2x platinum)
  3. Working Day and Night
  4. Get on the Floor
  5. Off the Wall (2/2/80, 10 US, 5 RB, 7 UK, 11 CN, 94 AU, platinum)
  6. Girlfriend (7/16/80, 41 UK)
  7. She’s Out of My Life (4/18/80, 10 US, 43 RB, 4 AC, 3 UK, 15 CN, 17 AU, gold)
  8. I Can’t Help It
  9. It’s the Falling in Love
  10. Burn This Disco Out

Total Running Time: 42:28


4.367 out of 5.00 (average of 22 ratings)


(Click on award to learn more).

About the Album:

“Michael, all grown up. He looks great on the sleeve, at ease with himself despite the formal wear.” BL "Jackson had recorded solo prior to the release of Off the Wall in 1979, but this was his breakthrough, the album that established him as an artist of astonishing talent and a bright star in his own right. This was a visionary album,” STE offering “the first suggestion that disco need not be tacky.” BL It “found a way to break disco wide open into a new world where the beat was undeniable, but not the primary focus – it was part of a colorful tapestry of lush ballads and strings, smooth soul and pop, soft rock, and alluring funk.” STE

“Its roots hearken back to the Jacksons’ huge mid-'70s hit ‘Dancing Machine,’ but this is an enormously fresh record, one that remains vibrant and giddily exciting years after its release. This is certainly due to Jackson’s emergence as a blindingly gifted vocalist, equally skilled with overwrought ballads as She’s Out of My Life as driving dancefloor shakers as Working Day and Night and Get on the Floor, where his asides are as gripping as his delivery on the verses. It’s also due to the brilliant songwriting, an intoxicating blend of strong melodies, rhythmic hooks, and indelible construction.” STE

“Most of all, its success is due to the sound constructed by Jackson and producer Quincy Jones, a dazzling array of disco beats, funk guitars, clean mainstream pop, and unashamed (and therefore affecting) schmaltz that is utterly thrilling in its utter joy.” STE “These immaculately produced, pre-Thriller tracks are now too familiar to shock” BL with songs like Don’t Stop ‘Til You Get Enough and Rock with You having entered the canon of pop classics, “but in 1979, they were revolutionary. Perfection, however, is timeless.” BL “This is highly professional, highly crafted music, and its details are evident, but the overall effect is nothing but pure pleasure. Jackson and Jones expanded this approach on the blockbuster Thriller, often with equally stunning results, but they never bettered it.” STE

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First posted 3/21/2008; last updated 2/28/2024.

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