Tuesday, April 22, 1997

Jimi Hendrix’s The Cry of Love released posthumously

The Cry of Love

Jimi Hendrix


Recorded: 3/13/68 to 8/24/70


Released: March 5, 1971


Peak: 8 US, 2 UK, 3 CN, -- AU, 12 DF Click for codes to charts.


Sales (in millions): 1.0 US


Genre: classic rock


Tracks:

Click on a song title for more details.
  1. Freedom [3:25]
  2. Drifting [3:48]
  3. Ezy Ryder [4:10]
  4. Night Bird Flying [3:50]
  5. My Friend [4:38]
  6. Straight Ahead [4:42]
  7. Astro Man [3:32]
  8. Angel [4:25]
  9. In from the Storm [3:41]
  10. Belly Button Window [3:37]

Total Running Time: 39:48


The Players:

  • Jimi Hendrix (vocals, guitar, etc.)
  • Billy Cox (bass)
  • Mitch Mitchell (drums)

First Rays of the New Rising Sun

Jimi Hendrix


Recorded: 3/13/68 to 8/24/70


Released: April 22, 1997


Peak: 49 US, 37 UK, -- CN, -- AU, 13 DF Click for codes to charts.


Sales (in millions): -- US, -- UK, -- world (includes US + UK), 6.04 EAS


Genre: classic rock


Tracks:

Click on a song title for more details.
  1. Freedom
  2. Izabella
  3. Night Bird Flying
  4. Angel
  5. Room Full of Mirrors
  6. Dolly Dagger
  7. Ezy Ryder
  8. Drifting
  9. Beginnings
  10. Stepping Stone
  11. My Friend
  12. Straight Ahead
  13. Hey Baby (New Rising Sun)
  14. Earth Blues
  15. Astro Man
  16. In from the Storm
  17. Belly Button Window

Total Running Time: 69:27


Other Songs from This Era Recorded 6/26/70 to 8/24/70:


The Players:

  • Jimi Hendrix (vocals, guitar, etc.)
  • Billy Cox (bass)
  • Mitch Mitchell (drums)

Rating (The Cry of Love):

3.887 out of 5.00 (average of 8 ratings)

Rating (First Rays of the New Rising Sun):

4.183 out of 5.00 (average of 8 ratings)


Awards (The Cry of Love/First Rays of the New Rising Sun):

(Click on award to learn more).

The First Posthumous Hendrix Album

“Posthumous reconstructions of unfinished works are inherently dangerous, principally because even the most capable scholar or producer can only make, at best, an educated guess as to how the work in question would have been completed.” AM2 “Hendrix had gone so long between albums, seemingly adrift stylistically at various times, that there’s no telling exactly what direction he was finally going to end up working toward.” AM2

The Cry of Love

Cry of Love “was the first of the posthumous releases in the Jimi Hendrix catalog and probably the best as it collected most of the studio tracks that were either completed or very near completion before Hendrix died.” AM1

“Eddie Kramer and Mitch Mitchell sat down to organize his library of half-finished tapes and arrange them into an album. Mitch played a whole lot of things again and added new stuff where something was missing. The state of the songs ranged from Night Bird Flyingand Freedom, which was almost finished, to Angel and Drifting, that was missing serious amounts of work. After five months, the record was ready for release.” AK

The Cry of Love was a “flawed, single disc” AM2 featuring material that was “tampered with, mostly in the form of posthumous overdubbed embellishments supervised by producer Alan Douglas.” AM2

First Rays of the New Rising Sun

“After years of legal wrangling,” CD Hendrix’s family “wrested control of Hendrix’s estate from the vile Alan Douglas.” WA They “made a genuine effort to reconstruct Hendrix’s final project,” WA an intended double-album sequel to Electric Ladyland which was tentatively to be called First Rays of the New Rising Sun. It was initially intended as a double-album sequel to Electric Ladyland. It included “all of Cry of Love, plus seven tracks that had been the high points of the two cash-in albums that followed (1971’s Rainbow Bridge and 1972's War Heroes).” JA “Even though all of these tracks had been released on assorted LPs a quarter-century earlier, the disc does bring together classics like the blazingly psychedelic Room Full of Mirrors and the thundering Dolly Dagger, and it also features only the original performances and mixes [as opposed to the Alan Douglas versions with added session musicians]…The solid track listing and respectful presentation make the collection nearly as essential as Hendrix's three classic studio albums.” WA

Of course, the nature of a posthumous release is such that no one can know for sure exactly what Hendrix might have released, including the title and which songs appeared on it “or what embellishments he would have added to any of them in the course of completing them, or even if he might not have totally reconsidered such matters as tempo and approach to any of them.” AM2

However, First Rays offers “the best representation of where the songs were at the point that he died.” AM2 It was “presented in drastically improved sound” AM1 and “lovingly produced by Hendrix’s studio collaborators” GD with the overdubbing “stripped off and the multi-track masters retrieved and restored.” AM2

It is “fully competitive, in terms of merits and surprises, with his trio of completed studio albums.” AM2 It “is a beautiful, poignant testimonial, a fitting coda to the career of a man who was clearly the finest electric guitarist to be produced by the Sixties, bar none.” RS “Hendrix remains the center of a musical universe whose light was snuffed out far too soon.” CD

Transition to More Serious Musician?

The album “allows us to see the many sides of this innovative artist.” CD This is an “earthier successor to Electric Ladyland's psychedelic excursions.” AM2 “Hendrix appeared to be in transition between flamboyant showman and serious musician personas at the time (meaning his work, had he lived, might have been twice as meritorious and half as fun), and that makes many of these tracks all the more interesting.” AZ “Hendrix's voice is not only powerful and expressive throughout, but a more melodic instrument than it seemed on his earlier releases.” AM2 “Partly this is because Hendrix and engineer Eddie Kramer never finished embellishing the songs or completed the final mixes. But whatever the reasons, the change is refreshing.” AM2

“These tracks work as individual compositions.” RC There are “songs here… [that] show him finally” AM2 “embracing R&B and funk elements in his singing, playing, and overall sound.” AM2

The Songs

Below is a breakdown of songs recorded by Hendrix from 6/26/70 to 8/24/70. This includes all songs from The Cry of Love except “
  • My Friend,” which was recorded 3/3/68 so is included on the page for Electric Ladyland.
  • Earth Blues

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 12/19/69, 1/20/70, 6/26/70 at Record Plant & Electric Lady in New York City


    Released: 2/18/2013 (single), Rainbow Bridge (soundtrack, 1971), First Rays of the New Rising Sun (1997)


    Peak: 21 DF Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 0.97 streaming


    About the Song:

    Earth Blues features a guest appearance from the Ronettes. CD

    Stepping Stone

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 11/14/69 and 6/26/70 (overdubs) at the Record Plant in New York City


    Released: War Heroes (1972), First Rays of the New Rising Sun (1997)


    Peak: 46 CL, 21 DF Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 0.66 streaming


    About the Song:

    Stepping Stone showcases Hendrix’s “runaway flights of fancy.” CD

    Drifting

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 6/29/70


    Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997)


    Peak: 24 DF Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 6.37 streaming


    About the Song:

    “A beautiful guitar figure opens [Drifting, soft and formless, and waits as the rest of the instruments slowly slide in, seemingly revolving one around the other.” RS The song demonstrates how “Hendrix had the uncanny knack of molding his music perfectly to his lyrics.” RS “Hendrix' vocal is right up front, almost studied, filled with lovely images of ‘Driftin’/On a sea of forgotten teardrops/On a lifeboat ...’ and floating off from there. It's a ghostly cut, one of the most moving pieces Hendrix ever created, and it says much for the breadth and scope of his talent.” RS

    Hey Baby (New Rising Sun) (aka “Gypsy Boy (New Rising Sun)”)

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 7/1/70 at Electric Lady Studios in New York City


    Released: Rainbow Bridge (soundtrack, 1971), Midnight Lightning (1975), First Rays of the New Rising Sun (1997)


    Peak: -- Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 7.51 streaming


    About the Song:

    A

    Pali Gap

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 7/1/70 at Electric Lady Studios in New York City


    Released: Rainbow Bridge (soundtrack, 1971)


    Peak: -- Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 8.39 streaming


    About the Song:

    A

    Beginning (aka “Beginnings”)

    Jimi Hendrix

    Writer(s): Mitch Mitchell


    Recorded: 6/16/70 and/or 7/1/70 at Electric Lady Studios in New York City


    Released: War Heroes (1972), Midnight Lightning (1975), First Rays of the New Rising Sun (1997)


    Peak: -- Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 0.47 streaming


    About the Song:

    The instrumental Beginnings sports “a fantastic riffing exercise.” GS

    Come Down Hard on Me

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 7/15/70 at Electric Lady Studios in New York City


    Released: Loose Ends (1974), Crash Landing (1975)


    Peak: -- Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 0.25 streaming


    About the Song:

    A

    Angel

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 7/23/70, 8/20/70


    Released: 3/8/71 (B side of “Freedom”), The Cry of Love (1971), First Rays of the New Rising Sun (1997)


    Peak: 12 CL, 4 DF Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 21.34 streaming


    About the Song:

    “Night Bird Flying” and Angel are both “offhand rhapsodies,” RC but on the latter “blazing, confessional ballad,” GS “Jimi's tortured soul steps on the surface and he lets go with a blazing, confessional ballad…that rivals 'Little Wing' as his most emotional piece of writing.” GS “If whoever put together [this album] had a flair for the melodramatic, ‘Angel’ might have been placed at the end of the record, its deathlike images of salvation and resurrection providing the final touch to a memorial album. But programmed as it is…it stands on its own merits, a beautiful piece of work.” RS

    Freedom

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 8/20/70


    Released: 3/8/71 (single), The Cry of Love (1971), First Rays of the New Rising Sun (1997)


    B Side: “Angel”


    Peak: 59 BB, 76 CB, 62 HR, 20 CL, 16 DF Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 20.42 streaming


    About the Song:

    Freedom, all flashes and exuberance, …pointedly sets the tone for the record.” RS It is “a scorching blues tune with precise and thought out, Creamy licks that we're not grown to expect” GS of Hendrix. It is “one of Hendrix' best, full of straining tensions and masterful releases, ripping along at a pace that is not to be believed, picking up speed as it goes. Hendrix always knew how to kick a band, and he is at his peak here. Mitch Mitchell follows him along perfectly and shows a few of the reasons why he was always Hendrix' greatest foundation.” RS

    Straight Ahead

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 8/20/70


    Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997)


    Peak: -- Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 1.46 streaming


    About the Song:

    On Straight Ahead, “Hendrix plays a nice wah-wah guitar, but the song is dragged down by some fairly obvious Socially Significant lyrics and a lethargic reading.” RS

    Dolly Dagger

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 6/25/70, 7/14/70, 7/19/70, 8/14/70, 8/20/70 at Electric Lady Studios in New York City


    Released: 10/23/71 (single), Rainbow Bridge (soundtrack, 1971), First Rays of the New Rising Sun (1997)


    B Side: “The Star Spangled Banner”


    Peak: 74 BB, 94 CB, 94 HR, 8 CL, 18 DF Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 8.23 streaming


    About the Song:

    There’s also "the thundering Dolly Dagger.” JA

    Room Full of Mirrors

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 11/17/69, June ’70, July ’70, 8/20/70 at Record Plant and Electric Lady Studios in New York City


    Released: Rainbow Bridge (soundtrack, 1971), First Rays of the New Rising Sun (1997)


    Peak: 27 DF Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 3.41 streaming


    About the Song:

    “The blazingly psychedelic Room Full of MirrorsJA exhibits Hendrix’s ability to craft “overcharged rock/funk explosions.” CD “The unique guitar tone…turns it into a head-spinning psychedelic experience.” GS

    Ezy Ryder

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 8/22/70


    Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997)


    Peak: 27 DF Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 5.74 streaming


    About the Song:

    Ezy Ryder is a rocker, plain and simple, and Hendrix and Co. light into it with a fury. The guitar leads are short and to the point, and there isn't a wasted moment. The cut fades at the end and then returns with a sudden lick, almost as an afterthought – a nice touch.” RS This is also one of the songs where “famous friends dot the sonic landscape (Steve Winwood and Chris Wood).” CD

    Night Bird Flying

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 8/22/70


    Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997)


    Peak: 27 DF Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 5.11 streaming


    About the Song:

    "Night Bird Flying starts sluggishly, as if most of the musicians weren't quite sure what to do with it, but picks up a little as Hendrix begins to jam with his own guitar work on another track.” RS

    Astro Man

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 8/22/70


    Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997)


    Peak: 27 DF Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 1.27 streaming


    About the Song:

    Along with “Ezy Ryder,” Astro Man stands as an example of one of Hendrix’s “primal riffsongs.” RC “This one has the most incomplete feel, with nobody really sure of where the song is heading. Yet building from [its] science fiction chords…it easily overcomes any of its deficiencies, loose limbed and rocking at every turn.” RS It also "captures a light moment for the artist, as he opens the guitar workout with a quote from the Mighty Mouse theme song…beneath the guitar.” AM2

    Belly Button Window

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 8/22/70


    Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997)


    Peak: -- Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 1.41 streaming


    About the Song:

    Like “My Friend,” Belly Button Window, is another of Hendrix’s “inspired goofs.” RC It is also “one of his most successful traditional bluesy outings,” AM2 “a kind of slow and mellow blues which Hendrix performs accompanied only by his guitar, a sly smile on his face, a few light whistles as the fade comes in.” RS

    In from the Storm

    Jimi Hendrix

    Writer(s): Jimi Hendrix


    Recorded: 8/24/70


    Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997)


    Peak: 27 DF Click for codes to charts.


    Sales (in millions): --


    Airplay/Streaming (in millions): -- radio, -- video, 1.52 streaming


    About the Song:

    The “frantic In from the Storm, [shows] Hendrix shining at his most furious, changing the structure of the song three or four times until things finally run out of steam.” RS

    Resources/References:


    Related DMDB Pages:


    First posted 9/6/2006; last updated 7/28/2026.

       

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