Wednesday, October 16, 1991

Today in Music (1791): Mozart's Clarinet Concerto premiered

Clarinet Concerto in A major, K. 622

Wolfgang Amadeus Mozart


Composed: 1789-1791


First Performed: October 16, 1791


Peak: --


Sales (in millions): --


Genre: classical > concerto


Parts/Movements:

  1. Allegro (in A major and in sonata form)
  2. Adagio (in D major and in ternary form)
  3. Rondo: Allegro (in A major and in rondo form)


Average Duration: 28:34

Rating:

4.712 out of 5.00 (average of 5 ratings)


Awards:

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About the Album:

Mozart’s Clarinet Concerto was written for clarinetist Anton Stadler. Work started in 1789 and the piece was completed in October 1791, less than two months before his death. BR It was “his final purely instrumental work.” WK The work was initially intended for basset horn, BR “as Anton Stadler was also a virtuoso basset horn player,” WK but was revised for clarinet. BR

“Until the mid 20th century musicologists did not know that the only version of the concerto written by Mozart’s hand had not been heard since Stadler’s lifetime…Attempts were made to reconstruct the original version, and new basset clarinets have been built for the specific purpose of performing Mozart's concerto and clarinet quintet. There can no longer be any doubt that the concerto was composed for a clarinet with an extended range.” WK Thus “the version widely known today differs from the work Mozart produced for Stadler, since the original version was written for an instrument with an extended bass compass that allowed Stadler to demonstrate his famed ability to play low notes.” BR

The concerto was premiered by Stadler On October 16, 1791, “at his benefit concert in the Prague Theatre” BR to a generally positive reception. WK “The Berlin Musikalisches Wochenblatt noted in January 1792, ‘Herr Stadeler, a clarinettist from Vienna. A man of great talent and recognised as such at court... His playing is brilliant and bears witness to his assurance.’” WK

It “is notable for its delicate interplay between soloist and orchestra, and for the lack of overly extroverted display on the part of the soloist (no cadenzas are written out in the solo part).” WK “Cast in the usual three movements, the gentle, nostalgic lyricism of much of the Clarinet Concerto has drawn such epithets as ‘valedictory’ and ‘autumnal,’ an assessment that downplays the extraordinary vigor and verve of this inspired work.” BR

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First posted 8/27/2018; last updated 10/3/2023.

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