The Who reunite for first album in 13 years

Who The Who

Released: December 6, 2019 Peak: 2 US, 2 UK, 2 CN, 64 AU Sales (in millions): -- Genre: classic rock veterans

Tracks: Song Title [time] (date of single release) All This Music Must Fade [3:20] (10/3/19, --) Ball and Chain [4:29] (9/13/19, --) I Don’t Wanna Get Wise [3:54] (11/22/19, --) Detour [3:46] Beads on a String [3:40] Hero Ground Zero [4:52] Street Song [4:47] I’ll Be Back [5:01] Break the News [4:30] Rockin’ in Rage [4:04] She Rocked My World [3:22] Total Running Time: 45:45 The Primary Players: Roger Daltrey (vocals) Pete Townshend (guitar, vocals, bass, drum, keyboards, etc.) Pino Palladino (bass) Zak Starkey (drums, percussion) Simon Townshend (percussion)

Rating: 3.829 out of 5.00 (average of 15 ratings) Quotable: “It’s a throwback record for the most part, with nods all over the place to their classic work.” – Michael Galluci, Ultimate Classic Rock

About the Album: After 1982’s It’s Hard, it looked like the end for the Who. Their follow-up live album, Who’s Last certainly suggested that. However, they reunited for various tours over the years, giving fans hope that they might record together again. Sadly, original bassist John Entwistle passed away on the eve of the band’s 2002 tour and it looked even less likely that another Who album would ever emerge. However, singer Roger Daltrey and guitarist Pete Townshend came together again for the album Endless Wire in 2006 – a mere 24 years after their previous studio effort. After yet another long layoff – this time 13 years – the Who are back with their 12th studio album, simply titled Who. Like the previous effort, this album finds Daltrey and Townshend at the helm, but with bassist Pino Palladino, drummer Zak Starkey, and Pete’s brother Simon all returning as additional personnel. The lead single, Ball and Chain, was a reworked version of “Guantanamo,” a song Pete initially released on his 2015 compilation Truancy: The Very Best of Pete Townshend. All This Music Must Fade and I Don’t Wanna Get Wise were also released as singles. Rolling Stone’s Kory Grow says “Townshend and Daltrey…can still summon their inner Who-ness in their mid 70s.” WK Ultimate Classic Rock’s Michael Galluci echoed a similar statement, saying “It’s a throwback record for the most part, with nods all over the place to their classic work.” WK The Guardian’s Alexis Petridis says the album tackles themes such as the struggles that come with being an older rock musician. Songs like “I Don’t Wanna Get Wise” express the idea of “a rock career as one of inevitable decline.” WK New Musical Express’ Mark Beaumont says the song “reads like a 75-year-old Daltrey talking to the drunk and tardy 20-year-old who sang ‘My Generation.’” WK Variety magazine’s Chris Willman cited the opening line of “All This Music Must Fade,” “I don’t care, I know you’re gonna hate this song” as “hints of mirth amid the crotchetiness.” WK Notes: A 2019 deluxe edition added the tracks “This Gun Will Misfire,” “Got Nothing to Prove,” and “Danny and My Ponies.” The Japanese edition included thos and a demo of “Sand” recorded by Pete in 1966. In 2020, yet another bonus track was added – a remix of “Beads on One String.” An additional CD of a live performance at Kingston was also added.

Resources and Related Links: DMDB encyclopedia entry for The Who WK Wikipedia Other Related DMDB Pages: First posted 8/12/2021.

D’Angelo released Black Messiah

Black Messiah D’Angelo

Released: December 15, 2014 Peak: 5 US, 14 RB, 47 UK, 17 CN, 50 AU Sales (in millions): -- Genre: R&B

Tracks: Song Title (date of single release, chart peaks) Click for codes to singles charts. Ain’t That Easy 1000 Deaths The Charade Sugah Daddy Really Love (12/15/14, 43 RB) Back to the Future (Part I) Till It’s Done (Tutu) Prayer Betray My Heart (6/9/15, --) The Door Back to the Future (Part II) Another Life Total Running Time: 55:54

Rating: 4.430 out of 5.00 (average of 28 ratings) Awards: (Click on award to learn more).

About the Album: With 1995’s Brown Sugar and 2000’s Voodoo, D’Angelo made “two classics that twisted gospel, soul, funk, and hip-hop with aloof but deep-feeling swagger.” AMG Then he disappeared for fourteen years. That built up “impossible levels of anticipation for…Black Messiah, [but] was worth the wait.” RS’20 “D’Angelo retains the rhythmic core that helped him create Voodoo, namely Questlove, bassist Pino Palladino, and trumpeter Roy Hargrove, and adds many players to the mix, including guitarist Jesse Johnson and drummers James Gadson and Chris Dave. Q-Tip contributed to the writing of two songs, but a greater impact is made by Kendra Foster, who co-wrote the same pair, as well as six additional numbers, and can often be heard in the background.” AMG The album “invites comparisons to the purposefully sloppy funk of Sly & the Family Stone’s There’s a Riot Goin’ On.” AMG D’Angelo brings “a new political rage to deep-soul grooves” RS’20 to “the dreamy churn” AMG of “The Charade, responding to the Black Lives Matter movement: ‘All we wanted was a chance to talk / Instead we only got outlined in chalk.’” RS’20 There are also “societal ruminations within the fiery judder of 1000 Deaths” AMG and “the falsetto blues of Till It’s Done, fueled as much by current planetary ills and race relations as the same ones that prompted the works of D’Angelo’s heroes, strike the deepest.” AMG “Among the material that concerns spirituality, devotion, lost love, and lust, D’Angelo and company swing, float, and jab to nonstop grimace-inducing effect. On the surface, Sugah Daddy seems like an unassuming exercise in fusing black music innovations that span decades, and then, through close listening, the content of D’Angelo’s impish gibberish becomes clear. At the other end, there’s Another Life, a wailing, tugging ballad for the ages that sounds like a lost Chicago-Philly hybrid, sitar and all, with a mix that emphasizes the drums.” AMG “Black Messiah clashes with mainstream R&B trends as much as Voodoo did in 2000. Unsurprisingly, the artist’s label picked this album’s tamest, most traditional segment – the acoustic ballad Really Love – as the first song serviced to commercial radio. It’s the one closest to ‘Untitled (How Does It Feel),’ the Voodoo cut that, due to its revealing video, made D’Angelo feel as if his image was getting across more than his music.” AMG “In the following song, the strutting Back to the Future (Part I), D’Angelo gets wistful about a lost love and directly references that chapter: ‘So if you’re wondering about the shape I’m in / I hope it ain’t my abdomen that you’re referring to.’ The mere existence of his third album evinces that, creatively, he’s doing all right.” AMG

Resources and Related Links: DMDB encyclopedia entry for D’Angelo AMG All Music Guide review by Andy Kellman RS’20 Rolling Stone (9/22/2020). “The 500 Greatest Albums of All Time” WK Wikipedia First posted 4/25/2022.