Two Steps from the Blues |
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Released: January 1, 1961 Recorded: 1956-1960 Peak: -- Sales (in millions): -- Genre: blues |
Tracks:Song Title (date of single release, chart peaks) Click for codes to charts.
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Rating:4.189 out of 5.00 (average of 13 ratings)
Quotable:“One of the key albums in modern blues” – Stephen Thomas Erlewine, All Music GuideAwards:(Click on award to learn more). |
About the Album:“Without a doubt, Two Steps from the Blues is the definitive Bobby ‘Blue’ Bland album and one of the great records in electric blues and soul-blues. In fact, it’s one of the key albums in modern blues, marking a turning point when juke joint blues were seamlessly blended with gospel and Southern soul, creating a distinctly Southern sound where all of these styles blended so thoroughly it was impossible to tell where one began and one ended.” STE From 1956 to 1960, Bland had some success on the R&B charts – five of those songs are gathered here. He also recorded two albums (Blues Consolidated and Like ‘Er Red Hot) for Duke Records. WK He moved to Chicago in 1960, WK and recorded another seven songs at Universal Studio which would be compiled on this album. WK The first session, on August 3, 1960, produced Two Steps from the Blues, Cry, Cry, Cry, and the ballad I’ve Been Wrong So Long, WK on which biographer Charles Farley praised Wayne Bennett as “the most articulate blues guitarist ever.” WK At a November 12 session, the crew recorded a cover of Joe Primrose’s St. James Infirmary and “the moody” I’ve Just Got to Forget You,” WK which didn’t emerge until 1970 as the B-side of “Keep on Loving Me (You’ll See the Change).” WK That session also produced Don’t Cry No More with a faster rhythm, and the Joe Medwick-penned I Pity the Fool. WK The new songs were done at Universal Studio with “a tight, well-rehearsed, bombastic, blues band.” WK Joe Scott, producer and arranger, crafted the “wailing horn arrangements that sounded as impassioned as Bland’s full-throated, anguished vocals.” STE These songs “form the core of Bobby ‘Blue’ Bland’s legend and the foundation of soul-blues.” STE They “blur the division between Ray Charles soul and Chess blues, opening the doors for numerous soul and blues sounds, from Muscle Shoals and Stax through the modern-day soul-bluesman.” STE Mojo’s Geoff Brown said: “No song is wasted and hardly a note sounds false as Bland's blues-wearied voice, driven to anguished screams, grapples with the vicissitudes of life and love, his torment echoed and bolstered by Joe Scott’s memorable horn arrangements.” WK “Since this, like many blues albums from the late ‘50s/early ‘60s, was a collection of singles, it’s possible to find the key tracks, even the entire album, on the numerous Bobby ‘Blue’ Bland collections released over the years, but this remains an excellent, essential blues album on its own terms – one of the greatest ever released.” STE |
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First posted 5/29/2008; last updated 3/17/2024. |
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