Monday, May 28, 2012

Frank Sinatra charted with In the Wee Small Hours: May 28, 1955

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“For a decade, Sinatra pushed to make a cohesive LP at a time when no one in the record business was thinking beyond singles. Finally, his break-up with Ava Gardner provided the perfect catalyst” TL for “the first collection of songs Sinatra recorded specifically for an LP.” RS It is also one of “one of Sinatra’s most jazz-oriented performances” AMG and “one of the finest jazz albums of all time.” CAD It “sustains a midnight mood of loneliness and lost love – it’s a prototypical concept album;” RS it is “considered by many to be the first concept album.” CAD

“Recorded in just a few days,” TL this collection makes for an “authoritative take on masculine loneliness.” TL “If you want to cry, here’s one to do it with.” ZS The reviewer at Cool Album of the Day even suggested playing “this album in its entirety while leaning against a lamp post preferably with a cigarette dangling out of the side of your mouth…Once you are finished put out your cigarette, down one more shot of whiskey, and leave the wee small hours of the morning behind you….and go to sleep.” CAD

The “feeling of not being able to sleep, tossing and turning, thinking about his lover sets the mood for the entire album.” CAD Ol’ Blue Eyes “wears his heart on his forlorn sleeve” CAD as he works “through a series of standards that are lonely and desolate.” AMG “Like all Sinatra songs, they’re not just beautifully sung but interpreted into drama.” TL thanks to “ravishing and heartfelt vocal phrasings” CAD from “the man with the world’s greatest diction.” ZS

Sinatra took on a deliberate “musical recipe of less-is-more” TB with “somewhat muted guitar work and the lush almost in the background string arrangements.” CAD The songs were crafted “around a spare rhythm section featuring a rhythm guitar, celesta, and Bill Miller’s piano, with gently aching strings added every once and a while.” AMG The “carefully selected melancholy standards that come across with even more sublime poignancy with the expertly crafted arrangements by Nelson Riddle and his orchestra.” CAD

“Sinatra recordings were the yardstick by which all other vocalists would be judged when it came to dealing with the American Popular Songbook.” TB “Both Tom Waits and Marvin Gaye have cited the album as one of their favorites with Waits using the album art on the cover of his own album The Heart of Saturday Night.” CAD

In the Wee Small Hours of the Morning


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