Thursday, October 25, 1990

Duke Ellington Blanton-Webster Band box set released

Last updated 11/20/2020.

The Blanton-Webster Band

Duke Ellington


Released: October 25, 1990


Recorded: 1939-1942


Peak: -- US, -- UK, -- CN, -- AU


Sales (in millions): -- US, -- UK, -- world (includes US and UK)


Genre: jazz


Tracks:

Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to singles charts.

Disc 1:

  1. You, You Darlin’ (5/11/40, 28 US
  2. Jack the Bear
  3. Ko-Ko (6/1/40, 25 US
  4. Morning Glory
  5. So Far, So Good
  6. Congo Brava
  7. Concerto for Cootie (aka “Do Nothin’ Till You Hear from Me”) (1/8/44, 10 US, #1 RB)
  8. Me and You
  9. Cottontail
  10. Never No Lament (aka “Don’t Get Around Much Anymore”) * (5/1/43, 8 US, #1 RB)
  11. Dusk
  12. Bojangles (A Portrait of Bill Robinson) (8/14/43, 19 US)
  13. A Portrait of Bert Williams
  14. Blue Goose
  15. Harlem Air Shaft
  16. At a Dixie Roadside Diner (9/21/40, 27 US)
  17. All Too Soon
  18. Rumpus in Richmond
  19. My Greatest Mistake
  20. Sepia Panorama (11/2/40, 24 US)
  21. There Shall Be No Night
  22. In a Mellotone

Disc 2:

  1. Five O’Clock Whistle
  2. Warm Valley
  3. The Flaming Sword
  4. Across the Track Blues
  5. Chloe (Song of the Swamp)
  6. I Never Felt This Way Before
  7. The Sidewalks of New York
  8. Flamingo (6/14/41, 11 US)
  9. The Girl in My Dreams Tries to Look Like You
  10. Take the ‘A’ Train (7/26/41, 11 US)
  11. Jumpin’ Punkins
  12. John Hardy’s Wife
  13. Blue Serge
  14. After All
  15. Bakiff
  16. Are You Sticking?
  17. Just A-Settin’ and A-Rockin’
  18. The Giddybug Gallop
  19. Chocolate Shake
  20. I Got It Band and That Ain’t Good (10/11/41, 13 US)
  21. Clementine
  22. The Brown-Skin Gal in the Calico Gown

Disc 3:

  1. Jump for Joy
  2. Moon Over Cuba
  3. Five O’Clock Drag
  4. Rocks in My Bed
  5. Bli-Blip
  6. Chelsea Bridge
  7. Raincheck
  8. What Good Would It Do?
  9. I Don’t Know What Kind of Blues I Got
  10. Perdido (5/22/43, 21 US)
  11. The ‘C’ Jam Blues
  12. Moon Mist
  13. What Am I Here For?
  14. I Don’t Mind (12/23/44, 9 RB)
  15. Someone (6/10/44, 7 RB)
  16. My Little Brown Book (6/3/44, 4 RB)
  17. Main Stem (3/4/44, 23 US, #1 RB)
  18. Johnny Come Lately
  19. Hayfoot, Strawfoot (11/21/42, 10 RB)
  20. Sentimental Lady (9/4/43, 19 US, #1 RB)
  21. A Slip of the Lip Can Sink a Ship (8/28/43, 19 US, #1 RB)
  22. Sherman Shuffle


Total Running Time: 204:07

Rating:

4.761 out of 5.00 (average of 8 ratings)


Quotable: “Perhaps…the greatest creative period by any single artist in jazz history.” – Marc Greilsamer, Amazon.com


Awards:

About the Album:

All Music Guide calls Duke Ellington “the most important composer in the history of jazz.” WR Joel Whitburn goes even farther, saying Ellington is “perhaps the single most important creative talent in American popular music history.” JW He scored 70 hits, including three #1 songs, on the pop charts from 1927 to 1953. Ellington also racked up a dozen top 10 R&B hits in the 1940s, including five consective #1 songs, all of which are featured here (Never No Lament, A Slip of the Lip (Can Sink a Ship), Sentimental Lady, Concerto for Cootie, and Main Stem). Also included is the Grammy Hall of Fame song Take the ‘A’ Train, which became Ellington’s theme song.

“This music is essential for all jazz collections.” SY “This attractive three-CD set” SY “not only represent[s] Ellington’s artistic apex, but perhaps reflect the greatest creative period by any single artist in jazz history.” MG “Several factors combine make these recordings great, not least the 78rpm format which restricted playing time to around three minutes. A lot happens in a very short time span. Often there are several themes in one arrangement and remarkably, in view of the limited time, there are transitional and developmental passages as well.” SN

This collection “contains the master takes of all 66 selections recorded by Duke Ellington’s Orchestra during what many historians consider its peak period. Left out are the many alternate takes, last released by European labels, and the Duke Ellington-Jimmy Blanton duets, which are available on a different CD.” SY

“Ellington had already made a lasting impression on jazz by 1940, but adding writer/arranger Billy Strayhorn, young bassist Jimmy Blanton, and tenor great Ben Webster brought the band to extraordinary new heights.” MG “The arrangements and originals of Ellington and Billy Strayhorn are full of surprises, and even the lesser-known pieces are generally gems.” SY Meanwhile, Blanton, who died of tuberculosis at age 23, changed the role of the double bass in jazz by moving it from the background to the forefront of the rhythm section. “Then there’s the unique tonal quality of Ellington’s orchestra, setting it apart from any ensemble in jazz.” SN

Rounding out the band are Johnny Hodges (alto), Cootie Williams and Wallace Jones (trumpets), Rex Stewart and Ray Nance (cornets), Juan Tizol (valve trombone), Barney Bigard (clarinet), Tricky Sam Nanton and Lawrence Brown (trombones), Harry Carney (baritone/alto sax), Otto Hardwick (alto sax), Fred Guy (guitar), Sonny Greer (drums), and Ivie Anderson and Herb Jeffries (vocals).

“The set list reveals masterpiece after masterpiece.” MG “These recordings are neither landmarks of jazz improvisation or the Big Band dance music popular at the time they were recorded. Simply because neither categories seem adequate to embrace one of the finest bodies of music created this century.” SN

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