Dave’s Faves:My Album Collection in 1988 |
By year’s end, this was what my collection looked like. Albums acquired in 1988 are marked with an asterisk.
Resources and Related Links:
First posted 8/31/2021. |
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Dave’s Faves:My Album Collection in 1988 |
By year’s end, this was what my collection looked like. Albums acquired in 1988 are marked with an asterisk.
Resources and Related Links:
First posted 8/31/2021. |
PatienceGuns N’ Roses |
Writer(s): Guns N' Roses (see lyrics here) Released: April 4, 1989 First Charted: December 24, 1988 Peak: 4 US, 4 CB, 6 RR, 7 AR, 10 UK, 10 AU, 1 DF (Click for codes to singles charts.) Sales (in millions): 1.0 US, 0.2 UK Airplay/Streaming (in millions): -- radio, 319.5 video, 185.72 streaming |
Awards:Click on award for more details. |
Every Rose Has Its ThornPoison |
Writer(s): Bret Michaels, C.C. DeVille, Bobby Dall, Rikki Rockett (see lyrics here) Released: October 12, 1988 First Charted: October 28, 1988 Peak: 13BB, 14 BA, 14 CB, 14 GR, 12 RR, 11 AR, 13 UK, 2 CN, 16 AU, 5 DF (Click for codes to charts.) Sales (in millions): 0.5 US, 0.2 UK, 0.7 world (includes US + UK) Airplay/Streaming (in millions): 1.0 radio, 70.9 video, 306.55 streaming |
Awards:Click on award for more details. |
About the Song:“This is the textbook rocker-dude move. You establish yourself as the king of the party, the debaucherous demon among debaucherous demons. Then, when you’ve got people on your side, you pull out the acoustic guitar and you get sensitive.” SG “Poison were one of the definitive party bands of their era, and yet their biggest hit is ‘Every Rose Has Its Thorn.’” SG In 1986, Poison released their debut album, Look What the Cat Dragged In, “an album where the sleaze is so joyous that it’s almost wholesome.” SG Lead singer “Bret Michaels doesn’t have much of a voice, but he gets over on pure David Lee Roth-style strutting showmanship.” SG The 1988 follow-up Open Up and Say… Ahh! “isn’t quite as inspired…but it’s sleek and sharp, and almost every song sounds like a hit.” SG “The anthemically cheesed-out lead single ‘Nothin’ But A Good Time’ became the band’s biggest hit yet, peaking at #6…The follow-up ‘Fallen Angel’ just missed the top 10, peaking at #12…Poison offered no indication that they were into depth at all.” SG As such, Capitol Records was understandably reluctant to release “Every Rose Has Its Thorn,” despite a slate of hair bands finding success with power ballads. As Michaels said, “We’re not trying to be AC/DC and we’re not trying to be Bob Dylan. But I have both those artists in my record collection. Why can’t I have influences from both?” FB Regarding the origins of the song, he explained that the band were playing a club in Dallas and staying in a sleazy hotel. He and drummer Ricki Rockett were talking in the laundry room and the idea for the song came to Bret. FB He “had called his girlfriend back in LA, and a man’s voice answered the phone.” SG Surprisingly, the song “isn’t a sneering, snarling woman-done-me-wrong song. Instead, Michaels simply tries to make sense of where things went wrong and of what he could’ve done differently.” SG Resources:
First posted 2/20/2024. |
Wabash CannonballRoy Acuff & the Smoky Mountain Boys |
Writer(s): J.A. Roff, adapted by A.P. Carter (see lyrics here) First Charted: November 24, 1938 Peak: 12 US (Click for codes to singles charts.) Sales (in millions): 2.0 US, -- UK, 10.0 world (includes US + UK) Airplay/Streaming (in millions): -- radio, 3.31 video, 1.97 streaming |
Awards:Click on award for more details. |
About the Song:This is “a genuine knight-of-the-road ballad with a touch of the Paul Bunyan flavor,” RA “perhaps the greatest of all train songs.” SS The song originated in the 1880s, In 1882, J.A. Roff wrote words and music for “The Great Rock Island Route!,” a song about a mythical train which traveled coast to coast. It became an anthem for hoboes. In Southern America in the late 19th century, the railroad offered a different form of work for those wishing to escape the farms and served up a touch of romanticism for those who wanted to live a less conventional life, riding the rails and going wherever the trains would take them. William Kindt adapted Roff’s piece in 1905 under the title “Wabash Cannonball.” There were several Wabash Railroad passenger trains dating back to the 1880s while the term “cannonball” was used to reference a fast train. When the song entered the public domain in 1928, it was reworked and claimed by A.P. Carter whose group, the Carter Family, recorded the song the next year, but didn’t release it until 1932. In the meantime an unissued version was recorded by Clark & Edans in 1928 and Tennessee singer and guitarist recorded and released the song in 1929. Roy Acuff, who was billed as “the King of Country Music,” SS recorded the song in 1936 with Dynamite Hatcher on vocals, but didn’t release it until 1938. NRR He didn’t record it with his vocal until 1947, although he performed it regularly on the Grand Ole Opry, SS where he first appeared in 1938 and was its top star by 1942. NRR His “voice was pure country and he was one of the first to carry the title ‘hillbilly’ proudly.” AC He embraced the plain and simple values of poor, rural Americans and gained an audience via his recordings, tours, and movie appearances. NRR In 1962, he was the first living artist elected into the Country Music Hall of Fame. NRR Resources:
First posted 11/24/2014; last updated 8/26/2022. |