| Dave’s Faves:My Album Collection in 1988 |
By year’s end, this was what my collection looked like. Albums acquired in 1988 are marked with an asterisk.
Resources and Related Links:
First posted 8/31/2021. |
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| Dave’s Faves:My Album Collection in 1988 |
By year’s end, this was what my collection looked like. Albums acquired in 1988 are marked with an asterisk.
Resources and Related Links:
First posted 8/31/2021. |
| Alternative Rock:#1 Songs (1976-1988) |
In 2019, I published the book Charting the Classic Rock Hits 1962-1981 (click here to order on Amazon). The idea was to create a companion piece to the rock chart created by Billboard magazine in 1981. That chart tracked mainstream rock songs. I created a system to weigh different songs and see how they might have fared had their been rock charts dating back as far as 1962. Similarly, Billboard started a chart in 1988 to track modern rock songs and I developed a system to weigh how songs might have fared had such charts existed as much as two decades earlier. Up until late 1976, results were spotty so I’ve used the Sex Pistols’ “Anarchy in the U.K.” as my starting point to track songs that might have been #1’s on an alternative rock track through the ‘70s and ‘80s. Modern rock, also known as college rock and later as alternative rock, was a reference to rock music that was a little left of center. It grew out of garage rock in the mid-‘60s and, with the arrival of the Velvet Underground, a new off-the-beaten-path form of music was born which would come to be known as proto-punk (Velvet Underground, the Stooges, New York Dolls). The ‘70s saw the arrival of glam (David Bowie, Queen, T-Rex) and punk (Sex Pistols, The Clash, Ramones). By the early ‘80s, a more synth-driven form of music known as new wave (Talking Heads, Duran Duran) emerged. The ‘80s then saw the explosion of college rock (U2, R.E.M., Depeche Mode, The Cure, INXS). As the genre developed in the ‘80s and into the ‘90s, it became harder to distinguish “alternative” rock from “mainstream.” Originally, though, the idea was that alternative rock was built on punk and new wave and the kinds of off-kilter songs beloved by college radio stations. Nonetheless, you’ll still see a fair share of major hits on this list as some of the acts embraced by the alternative crowd would find mainstream success even in the ‘70s and ‘80s. Note: dates indicate when the song was first released or charted. Asterisks (*) indicate that the song was an album cut and the date is therefore the date of the album’s release. Two asterisks (**) indicate the song hit #1 on the Billboard modern rock chart. Check other lists based on charts, sales, and airplay here.
Related Dave’s Music Database Lists:
First posted 3/27/2025; last updated 4/5/2025. |
| PatienceGuns N’ Roses |
Writer(s): Guns N' Roses (see lyrics here) Released: April 4, 1989 First Charted: December 24, 1988 Peak: 4 US, 4 CB, 6 RR, 7 AR, 10 UK, 10 AU, 1 DF (Click for codes to singles charts.) Sales (in millions): 1.0 US, 0.2 UK Airplay/Streaming (in millions): -- radio, 319.5 video, 185.72 streaming |
Awards:Click on award for more details. |
![]() | Every Rose Has Its ThornPoison |
Writer(s): Bret Michaels, C.C. DeVille, Bobby Dall, Rikki Rockett (see lyrics here) Released: October 12, 1988 First Charted: October 28, 1988 Peak: 13BB, 14 BA, 14 CB, 14 GR, 12 RR, 11 AR, 13 UK, 2 CN, 16 AU, 5 DF (Click for codes to charts.) Sales (in millions): 0.5 US, 0.2 UK, 0.7 world (includes US + UK) Airplay/Streaming (in millions): 1.0 radio, 70.9 video, 306.55 streaming |
Awards:Click on award for more details. |
About the Song:“This is the textbook rocker-dude move. You establish yourself as the king of the party, the debaucherous demon among debaucherous demons. Then, when you’ve got people on your side, you pull out the acoustic guitar and you get sensitive.” SG “Poison were one of the definitive party bands of their era, and yet their biggest hit is ‘Every Rose Has Its Thorn.’” SG In 1986, Poison released their debut album, Look What the Cat Dragged In, “an album where the sleaze is so joyous that it’s almost wholesome.” SG Lead singer “Bret Michaels doesn’t have much of a voice, but he gets over on pure David Lee Roth-style strutting showmanship.” SG The 1988 follow-up Open Up and Say… Ahh! “isn’t quite as inspired…but it’s sleek and sharp, and almost every song sounds like a hit.” SG “The anthemically cheesed-out lead single ‘Nothin’ But A Good Time’ became the band’s biggest hit yet, peaking at #6…The follow-up ‘Fallen Angel’ just missed the top 10, peaking at #12…Poison offered no indication that they were into depth at all.” SG As such, Capitol Records was understandably reluctant to release “Every Rose Has Its Thorn,” despite a slate of hair bands finding success with power ballads. As Michaels said, “We’re not trying to be AC/DC and we’re not trying to be Bob Dylan. But I have both those artists in my record collection. Why can’t I have influences from both?” FB Regarding the origins of the song, he explained that the band were playing a club in Dallas and staying in a sleazy hotel. He and drummer Ricki Rockett were talking in the laundry room and the idea for the song came to Bret. FB He “had called his girlfriend back in LA, and a man’s voice answered the phone.” SG Surprisingly, the song “isn’t a sneering, snarling woman-done-me-wrong song. Instead, Michaels simply tries to make sense of where things went wrong and of what he could’ve done differently.” SG Resources:
First posted 2/20/2024. |