Jimi Hendrix’s The Cry of Love released posthumously

The Cry of Love Jimi Hendrix

Recorded: 3/13/68 to 8/24/70 Released: March 5, 1971 Peak: 8 US, 2 UK, 3 CN, -- AU, 12 DF Click for codes to charts. Sales (in millions): 1.0 US Genre: classic rock

Tracks: Click on a song title for more details. Freedom [3:25] Drifting [3:48] Ezy Ryder [4:10] Night Bird Flying [3:50] My Friend [4:38] Straight Ahead [4:42] Astro Man [3:32] Angel [4:25] In from the Storm [3:41] Belly Button Window [3:37] Total Running Time: 39:48 The Players: Jimi Hendrix (vocals, guitar, etc.) Billy Cox (bass) Mitch Mitchell (drums)

First Rays of the New Rising Sun Jimi Hendrix

Recorded: 3/13/68 to 8/24/70 Released: April 22, 1997 Peak: 49 US, 37 UK, -- CN, -- AU, 13 DF Click for codes to charts. Sales (in millions): -- US, -- UK, -- world (includes US + UK), 6.04 EAS Genre: classic rock

Tracks: Click on a song title for more details. Freedom Izabella Night Bird Flying Angel Room Full of Mirrors Dolly Dagger Ezy Ryder Drifting Beginnings Stepping Stone My Friend Straight Ahead Hey Baby (New Rising Sun) Earth Blues Astro Man In from the Storm Belly Button Window Total Running Time: 69:27 Other Songs from This Era Recorded 6/26/70 to 8/24/70: Pali Gap Come Down Hard on Me The Players: Jimi Hendrix (vocals, guitar, etc.) Billy Cox (bass) Mitch Mitchell (drums)

Rating (The Cry of Love): 3.887 out of 5.00 (average of 8 ratings) Rating (First Rays of the New Rising Sun): 4.183 out of 5.00 (average of 8 ratings) Awards (The Cry of Love/First Rays of the New Rising Sun): (Click on award to learn more).

The First Posthumous Hendrix Album “Posthumous reconstructions of unfinished works are inherently dangerous, principally because even the most capable scholar or producer can only make, at best, an educated guess as to how the work in question would have been completed.” AM2 “Hendrix had gone so long between albums, seemingly adrift stylistically at various times, that there’s no telling exactly what direction he was finally going to end up working toward.” AM2 The Cry of Love Cry of Love “was the first of the posthumous releases in the Jimi Hendrix catalog and probably the best as it collected most of the studio tracks that were either completed or very near completion before Hendrix died.” AM1 “Eddie Kramer and Mitch Mitchell sat down to organize his library of half-finished tapes and arrange them into an album. Mitch played a whole lot of things again and added new stuff where something was missing. The state of the songs ranged from Night Bird Flyingand Freedom, which was almost finished, to Angel and Drifting, that was missing serious amounts of work. After five months, the record was ready for release.” AK The Cry of Love was a “flawed, single disc” AM2 featuring material that was “tampered with, mostly in the form of posthumous overdubbed embellishments supervised by producer Alan Douglas.” AM2 First Rays of the New Rising Sun “After years of legal wrangling,” CD Hendrix’s family “wrested control of Hendrix’s estate from the vile Alan Douglas.” WA They “made a genuine effort to reconstruct Hendrix’s final project,” WA an intended double-album sequel to Electric Ladyland which was tentatively to be called First Rays of the New Rising Sun. It was initially intended as a double-album sequel to Electric Ladyland. It included “all of Cry of Love, plus seven tracks that had been the high points of the two cash-in albums that followed (1971’s Rainbow Bridge and 1972's War Heroes).” JA “Even though all of these tracks had been released on assorted LPs a quarter-century earlier, the disc does bring together classics like the blazingly psychedelic Room Full of Mirrors and the thundering Dolly Dagger, and it also features only the original performances and mixes [as opposed to the Alan Douglas versions with added session musicians]…The solid track listing and respectful presentation make the collection nearly as essential as Hendrix's three classic studio albums.” WA Of course, the nature of a posthumous release is such that no one can know for sure exactly what Hendrix might have released, including the title and which songs appeared on it “or what embellishments he would have added to any of them in the course of completing them, or even if he might not have totally reconsidered such matters as tempo and approach to any of them.” AM2 However, First Rays offers “the best representation of where the songs were at the point that he died.” AM2 It was “presented in drastically improved sound” AM1 and “lovingly produced by Hendrix’s studio collaborators” GD with the overdubbing “stripped off and the multi-track masters retrieved and restored.” AM2 It is “fully competitive, in terms of merits and surprises, with his trio of completed studio albums.” AM2 It “is a beautiful, poignant testimonial, a fitting coda to the career of a man who was clearly the finest electric guitarist to be produced by the Sixties, bar none.” RS “Hendrix remains the center of a musical universe whose light was snuffed out far too soon.” CD Transition to More Serious Musician? The album “allows us to see the many sides of this innovative artist.” CD This is an “earthier successor to Electric Ladyland's psychedelic excursions.” AM2 “Hendrix appeared to be in transition between flamboyant showman and serious musician personas at the time (meaning his work, had he lived, might have been twice as meritorious and half as fun), and that makes many of these tracks all the more interesting.” AZ “Hendrix's voice is not only powerful and expressive throughout, but a more melodic instrument than it seemed on his earlier releases.” AM2 “Partly this is because Hendrix and engineer Eddie Kramer never finished embellishing the songs or completed the final mixes. But whatever the reasons, the change is refreshing.” AM2 “These tracks work as individual compositions.” RC There are “songs here… [that] show him finally” AM2 “embracing R&B and funk elements in his singing, playing, and overall sound.” AM2 The Songs Below is a breakdown of songs recorded by Hendrix from 6/26/70 to 8/24/70. This includes all songs from The Cry of Love except “ My Friend,” which was recorded 3/3/68 so is included on the page for Electric Ladyland.

Earth Blues Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 12/19/69, 1/20/70, 6/26/70 at Record Plant & Electric Lady in New York City Released: 2/18/2013 (single), Rainbow Bridge (soundtrack, 1971), First Rays of the New Rising Sun (1997) Peak: 21 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 0.97 streaming About the Song: Earth Blues features a guest appearance from the Ronettes. CD

Stepping Stone Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 11/14/69 and 6/26/70 (overdubs) at the Record Plant in New York City Released: War Heroes (1972), First Rays of the New Rising Sun (1997) Peak: 46 CL, 21 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 0.66 streaming About the Song: Stepping Stone showcases Hendrix’s “runaway flights of fancy.” CD

Drifting Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 6/29/70 Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997) Peak: 24 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 6.37 streaming About the Song: “A beautiful guitar figure opens [Drifting, soft and formless, and waits as the rest of the instruments slowly slide in, seemingly revolving one around the other.” RS The song demonstrates how “Hendrix had the uncanny knack of molding his music perfectly to his lyrics.” RS “Hendrix' vocal is right up front, almost studied, filled with lovely images of ‘Driftin’/On a sea of forgotten teardrops/On a lifeboat ...’ and floating off from there. It's a ghostly cut, one of the most moving pieces Hendrix ever created, and it says much for the breadth and scope of his talent.” RS

Hey Baby (New Rising Sun) (aka “Gypsy Boy (New Rising Sun)”) Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 7/1/70 at Electric Lady Studios in New York City Released: Rainbow Bridge (soundtrack, 1971), Midnight Lightning (1975), First Rays of the New Rising Sun (1997) Peak: -- Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 7.51 streaming About the Song: A

Pali Gap Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 7/1/70 at Electric Lady Studios in New York City Released: Rainbow Bridge (soundtrack, 1971) Peak: -- Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 8.39 streaming About the Song: A

Beginning (aka “Beginnings”) Jimi Hendrix

Writer(s): Mitch Mitchell Recorded: 6/16/70 and/or 7/1/70 at Electric Lady Studios in New York City Released: War Heroes (1972), Midnight Lightning (1975), First Rays of the New Rising Sun (1997) Peak: -- Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 0.47 streaming About the Song: The instrumental Beginnings sports “a fantastic riffing exercise.” GS

Come Down Hard on Me Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 7/15/70 at Electric Lady Studios in New York City Released: Loose Ends (1974), Crash Landing (1975) Peak: -- Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 0.25 streaming About the Song: A

Angel Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 7/23/70, 8/20/70 Released: 3/8/71 (B side of “Freedom”), The Cry of Love (1971), First Rays of the New Rising Sun (1997) Peak: 12 CL, 4 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 21.34 streaming About the Song: “Night Bird Flying” and Angel are both “offhand rhapsodies,” RC but on the latter “blazing, confessional ballad,” GS “Jimi's tortured soul steps on the surface and he lets go with a blazing, confessional ballad…that rivals 'Little Wing' as his most emotional piece of writing.” GS “If whoever put together [this album] had a flair for the melodramatic, ‘Angel’ might have been placed at the end of the record, its deathlike images of salvation and resurrection providing the final touch to a memorial album. But programmed as it is…it stands on its own merits, a beautiful piece of work.” RS

Freedom Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 8/20/70 Released: 3/8/71 (single), The Cry of Love (1971), First Rays of the New Rising Sun (1997) B Side: “Angel” Peak: 59 BB, 76 CB, 62 HR, 20 CL, 16 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 20.42 streaming About the Song: “Freedom, all flashes and exuberance, …pointedly sets the tone for the record.” RS It is “a scorching blues tune with precise and thought out, Creamy licks that we're not grown to expect” GS of Hendrix. It is “one of Hendrix' best, full of straining tensions and masterful releases, ripping along at a pace that is not to be believed, picking up speed as it goes. Hendrix always knew how to kick a band, and he is at his peak here. Mitch Mitchell follows him along perfectly and shows a few of the reasons why he was always Hendrix' greatest foundation.” RS

Straight Ahead Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 8/20/70 Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997) Peak: -- Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 1.46 streaming About the Song: On Straight Ahead, “Hendrix plays a nice wah-wah guitar, but the song is dragged down by some fairly obvious Socially Significant lyrics and a lethargic reading.” RS

Dolly Dagger Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 6/25/70, 7/14/70, 7/19/70, 8/14/70, 8/20/70 at Electric Lady Studios in New York City Released: 10/23/71 (single), Rainbow Bridge (soundtrack, 1971), First Rays of the New Rising Sun (1997) B Side: “The Star Spangled Banner” Peak: 74 BB, 94 CB, 94 HR, 8 CL, 18 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 8.23 streaming About the Song: There’s also "the thundering Dolly Dagger.” JA

Room Full of Mirrors Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 11/17/69, June ’70, July ’70, 8/20/70 at Record Plant and Electric Lady Studios in New York City Released: Rainbow Bridge (soundtrack, 1971), First Rays of the New Rising Sun (1997) Peak: 27 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 3.41 streaming About the Song: “The blazingly psychedelic Room Full of Mirrors” JA exhibits Hendrix’s ability to craft “overcharged rock/funk explosions.” CD “The unique guitar tone…turns it into a head-spinning psychedelic experience.” GS

Ezy Ryder Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 8/22/70 Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997) Peak: 27 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 5.74 streaming About the Song: “Ezy Ryder is a rocker, plain and simple, and Hendrix and Co. light into it with a fury. The guitar leads are short and to the point, and there isn't a wasted moment. The cut fades at the end and then returns with a sudden lick, almost as an afterthought – a nice touch.” RS This is also one of the songs where “famous friends dot the sonic landscape (Steve Winwood and Chris Wood).” CD

Night Bird Flying Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 8/22/70 Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997) Peak: 27 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 5.11 streaming About the Song: "Night Bird Flying starts sluggishly, as if most of the musicians weren't quite sure what to do with it, but picks up a little as Hendrix begins to jam with his own guitar work on another track.” RS

Astro Man Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 8/22/70 Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997) Peak: 27 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 1.27 streaming About the Song: Along with “Ezy Ryder,” Astro Man stands as an example of one of Hendrix’s “primal riffsongs.” RC “This one has the most incomplete feel, with nobody really sure of where the song is heading. Yet building from [its] science fiction chords…it easily overcomes any of its deficiencies, loose limbed and rocking at every turn.” RS It also "captures a light moment for the artist, as he opens the guitar workout with a quote from the Mighty Mouse theme song…beneath the guitar.” AM2

Belly Button Window Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 8/22/70 Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997) Peak: -- Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 1.41 streaming About the Song: Like “My Friend,” Belly Button Window, is another of Hendrix’s “inspired goofs.” RC It is also “one of his most successful traditional bluesy outings,” AM2 “a kind of slow and mellow blues which Hendrix performs accompanied only by his guitar, a sly smile on his face, a few light whistles as the fade comes in.” RS

In from the Storm Jimi Hendrix

Writer(s): Jimi Hendrix Recorded: 8/24/70 Released: The Cry of Love (1971), First Rays of the New Rising Sun (1997) Peak: 27 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 1.52 streaming About the Song: The “frantic In from the Storm, [shows] Hendrix shining at his most furious, changing the structure of the song three or four times until things finally run out of steam.” RS

Resources/References: AM1 AllMusic.com review of The Cry of Love by Sean Westergaard AM2 AllMusic.com review by Bruce Eder & Cub Koda JA warr.org review by John Alroy AZ Amazon.com review by Steven Solder CD CD Universe RC Robert Christgau review of The Cry of Love GD Gary Graff & Daniel Durchholz. (1999). Music Hound: Rock – The Essential Album Guide. Visible Ink Press: Farmington Hills, MI. RS Rolling Stone (4/1/1971). Review of The Cry of Love by Lenny Kaye. GS George Starostin DBW warr.org review by David B. Wilson Related DMDB Pages: First posted 9/6/2006; last updated 7/28/2026.

   

Marillion This Strange Engine released

This Strange Engine Marillion

Released: April 21, 1997 Peak: -- US, 27 UK, -- CN, -- AU Sales (in millions): -- Genre: neo-progressive rock

Tracks: Song Title [time] (date of single release) Click for codes to singles charts. Man of a Thousand Faces [7:31] (5/16/97, --) One Fine Day [5:31] 80 Days [5:00] (9/29/97, --) Estonia [7:56] Memory of Water [3:01] An Accidental Man [6:10] Hope for the Future [5:10] This Strange Engine [15:41*] * Includes about 10 minutes of silence and then a laugh. Lyrics by Steve Hogarth and John Helmer; music by Marillion (Hogarth/ Kelly/ Mosley/ Rothery/ Trewavas). Total Running Time: 56:06 The Players: Steve Hogarth (vocals, percussion) Steve Rothery (guitar) Pete Trewavas (bass) Mark Kelly (keyboards) Ian Mosley (drums)

Rating: 3.210 out of 5.00 (average of 21 ratings) Awards: (Click on award to learn more).

About the Album: “If any self-respecting Marillion fans could have looked into a crystal ball back in the mid-'80s (at the the band's pinnacle) to see where the band's path was headed, most would likely have been shocked and amazed to see how it all turned out. If the Fish-led incarnation steered the band down an often dramatic path of intricate, ambitious material, Marillion's new boy, Steve Hogarth, slowly beat it out of them – but not necessarily in a bad way.” JF “Marillion…toes the line between various genres, from top 40 to progressive rock…While this is a disadvantage from a marketing perspective, it does help if you're looking for music that is out of the ordinary. After 15 years, the band is still going strong, while keeping their sound fresh and innovative.” RS “This Strange Engine features the Mach II Marillion lineup in all its commercial glory.” JF On “their most accessible, well-rounded and plainly enjoyable work since 1991's Holidays in Eden,” LS the band “balances the band's strengths with their propensity to seek new directions.” JT It “combines everything that one associates with Marillion (complex arrangements and deep lyrics), with a few twists and turns here and there (primarily in the form of acoustic guitars). Vocalist Steve Hogarth fits in very well with the subtle guitar work of Steve Rothery and the ambient keyboard of Mark Kelly” RS as well as “Ian Mosley's tight drum sounds.” JF “Hogarth helms the new, nimbler Marillion with an iron hand, and if occasionally they're still vulnerable to the charge of overindulgence, the deft pop melodies and substantial musicianship demonstrate that everyone recognises where the edge is these days.” RB “Man of a Thousand Faces has a convincing momentum.” RB “The accoustic, intimate atmosphere…reminds [one] a little of Crowded House, when they're playing live.” EL That song and “the uber-commercial 80 Days” JF “are tailor made for radio, with their crisp verses and thundering choruses engaging the listener.” JT “'80 Days' and 'Man of a Thousand Faces' show traces of the backbone that has been noticably lacking these last few years.” LS The latter, with its “easy' sound [and] friendly flow,” EL “features perhaps one of the finest Hogarth-led choruses in recent history” JF and is “one of the most insightful homages to the wear and tear of touring.” JT Two more slices of “primo power pop” RB come in the form of “the quasi-Journey strains of One Fine Day” JF and Accidental Man. The former sports a “wonderful bluesy guitar sound that is…a bit like Eric Clapton's "Wonderful Tonight.’” EL Estonia is the most powerful song on the album. Its theme makes it a prime candidate to play at a memorial service, which recognizes the seriousness and sadness of the song while also acknowledging that this song has an overwhelming capacity for touching the universal soul. From the understated Memory of Water come the lines ‘I wonder if my rope's still hanging from the tree/By the standing pool where you where you drank me/And filled me full of thirsty love/And the memory of water.’” JT “Melancholy, sadness, in a quite simple way (soundwise)...beautiful. This one can't do much wrong because of the vioins.” EL “Hope for the Future jangles through its mad key changes in pleasing Crowded House fashion.” RB This has a “‘come and sit around the fire’-sound…very nice and cosy.” EL As “the album's sole proggy track,” JF the title song “builds into the kind of swirling prog-rock that hasn't been heard in these parts for years.” LS “Replete with Pink Floyd-style sax solos,” JF it “is a slice of the songwriter's childhood, a magical juxtaposition of wonder and lower middle class struggle. It is clearly a progressive piece, a throwback to Marillion's days with Fish, but it also reminds us how they are still capable of outdoing themselves, and entertaining whoever is lucky enough to be listening.” JT “The guitar work in the title track and ‘Man of a Thousand Faces’ alone make this release worth getting.” RS Notes: Second versions of "Estonia" and "80 Days" appear on some CDs.

Resources and Related Links: DMDB encyclopedia entry for Marillion RB Rob Beattie, Music Boulevard. Review from Q magazine. JT Joe del Tufo, Music Boulevard. Review from Good Times magazine. EL Elke, Music Boulevard. JF John Franck, All Music Guide RS Ram Samudrala, Music Boulevard. LS Liam Sheils, Music Boulevard. Review from Kerrang! magazine. Other Related DMDB Pages: First posted 3/14/2008; last updated 3/6/2022.

Marillion’s “Estonia” featured on This Strange Engine

Estonia Marillion

Writer(s): Steve Hogarth (lyrics), Marillion (music) (see lyrics here) Released: April 21, 1997 (album cut) Peak: 1 DF Sales (in millions): -- Airplay/Streaming (in millions): -- radio, 0.52 video, -- streaming

Awards: Click on award for more details.

About the Song: What song would you want played at your funeral? My closest friends would guess I’d want something by Marillion, my favorite band – and they’d be right. If pressed to guess which song, however, they’d likely be stumped. The only Marillion tune most would know is “Kayleigh,” the band’s minor album-rock hit from 1985 about regret over a messy breakup. Yes, it’s my favorite song, but it wouldn’t make a lot of sense at a memorial. No, I’d go with a song inspired by the deadliest shipwreck in peace times since the Titanic. ES It happened in 1994. 852 people were killed when the cruise ferry Estonia sank in the Baltic Sea. ES The only British survivor of the disaster was Paul Barney, SE a documentary film maker. On a flight from Tallin, Estonia, he recounted his story to an interested passenger. He explained how he dozed off on a bench in a restaurant and then fell off it when the ship was leaning at 45 degrees. Barney climbed out a window, got a hold of a life jacket, and escaped the sinking ship. MN That intrigued audience of one was none other than Steve Hogarth, the lead singer of Marillion. He’d been with the band since the departure of their original singer in 1988. The shoes weren’t easy to fill. With Fish, the former frontman, Marillion became one of the premiere neo-prog acts of the ‘80s, reaching #1 in the UK with their 1985 album Misplaced Childhood. However, the band’s loyal fan base stayed with the group and, in 1997, they recorded their fifth album, This Strange Engine, with Hogarth at the helm, surpassing the total of four albums they’d recorded with Fish. Hogarth’s conversation with Paul Barney inspired him to write “Estonia.” However, instead of recounting the disaster, he wrote a song more about the loss of loved ones in general. MN The song also muses about the futility of trying to find answers, saying “you might as well talk to the stones and the trees and the sea.” However, Hogarth also proposes the more uplifting message that “No one leaves you when you live in their heart and mind / And no one dies, they just move to the other side.” Resources: DMDB Encyclopedia entry for Marillion MN Marillionations.blogspot.com ES Wikipedia page on the MS Estonia SE Wikipedia page on This Strange Engine Related Links: First posted 10/19/2020; last updated 10/31/2022.

Blur released “Song 2”

Song 2 Blur

Writer(s): Damon Albarn, Graham Coxon, Alex James, Dave Rowntree (see lyrics here) Released: April 7, 1997 First Charted: April 12, 1997 Peak: 55 US, 25 AR, 6 MR, 2 UK, 4 AU, 3 DF (Click for codes to charts.) Sales (in millions): 1.2 UK Airplay/Streaming (in millions): -- radio, 191.3 video, 722.32 streaming

Awards: Click on award for more details.

About the Song: Blur was an English rock band formed in 1988 by singer Damon Albarn, guitarist Graham Coxon, bassist Alex James, and drummer Dave Rowntree. The band became a major player in the Britpop movement of the 1990s. Blur, and Britpop in general, didn’t gain much attention in the United States. “Song 2” is the “blaring anthem” from Blur that “sounds least like the rest of its Brit-pop catalogue.” CBC It started out as a joke WK thrown together “one murky, hungover day in the studio.” CBC Albarn recorded a slower, acoustic demo with the distinctive “woo-hoo” chorus in whistle form. Coxon suggested they amp up the speed and the volume, accompanied by a deliberately amateurish guitar sound. WK Alban recorded a guide vocal with nonsense, stream-of-consciousness lyrics. According to producer Stephen Street, the words were “pure babbling” but at his suggestion the lyrics were left alone, considered perfect as they were. SF Between the cryptic lyrics and loud guitars, this was considered a song written as a parody of grunge. SF It has also been said that Blur were mocking radio-friendly songs and the record industry in general. WK As the second song on the album, it was given the placeholder name of “Song 2,” but it ended up sticking. WK It was the second single released from the band’s fifth, self-titled album. It ran two minutes and two seconds with two verses and two choruses. It peaked at #2 on the UK charts and was ranked #2 on NME magazine’s year-end list of 1997’s singles. WK It has become a popular sports anthem for soccer and hockey. Resources: CBC CBC.ca (3/27/2019). “Woo hoo! 20 things you may not know about Blur’s ‘Song 2’” by Justin Chandler SF Songfacts WK Wikipedia Related Links: First posted 10/13/2021; last updated 8/25/2023.