Showing posts with label Make You Feel My Love. Show all posts
Showing posts with label Make You Feel My Love. Show all posts

Monday, January 28, 2008

Adele released 19

19

Adele


Released: January 28, 2008


Peak: 10 US, 11 UK, 4 CN, 3 AU


Sales (in millions): 3.0 US, 2.45 UK, 9.61 world (includes US and UK)


Genre: pop/blue-eyed soul


Tracks: (Click for codes to singles charts.)

  1. Daydreamer
  2. Best for Last
  3. Chasing Pavements (1/14/08, #21 US, #2 UK, #23 AC, sales: 3.34 m)
  4. Cold Shoulder (4/21/08, #18 UK)
  5. Crazy for You
  6. Melt My Heart to Stone
  7. First Love
  8. Right As Rain
  9. Make You Feel My Love (10/27/08, #4 UK)
  10. My Same
  11. Tired
  12. Hometown Glory (2/5/08, #19 UK)

Rating:

3.482 out of 5.00 (average of 17 ratings)


Quotable: “A fleshed-out stunning portrayal of a young woman with a talent beyond her years who deserves immense credit for a unique style that never fails. A beyond stellar debut in both quality and originality.” – Matthew Chisling, All Music Guide


Awards: (Click on award to learn more).

About the Album:

With her debut album, singer/songwriter Adele was quickly lumped in with British blue-eyed soul counterparts such as Amy Winehouse. She made an immediate splash when the album debuted at #1 on the UK charts. It was nominated for the 2008 Mercury Prize for Best Album and lead to four Grammy nominations, including wins for Best New Artist and Best Female Pop Vocal Performance for Chasing Pavements. That song also received nominations for Record of the Year and Song of the Year.

Detractors generally assessed her as not on the same level as her contemporaries. NME (New Musical Express) magazine said, “it’s clear that the Amy associations are little more than empty mediaspeak without any real weight. Despite the early indicators, there’s precious little on the album that prevents it from collapsing under the weight of its own expectation.” WK Uncut said, “19 reeks of some A&R trendhound making it his/her biz to sign The New Amy and not resting till s/he’s found the right chick.” WK Entertainment Weekly said “Adele’s songs aren’t as sharp as Duffy’s.” WK

However, even the detractors conceded that “Adele can certainly sing” (Uncut). WK and that “her singing throughout is a thing to behold” (Entertainment Weekly). WK Clearly in the fan camp, All Music Guide’s Matthew Chisling said, “Adele doesn’t shout for attention, and doesn’t rely on anyone but herself to prove she’s worth it.” MC She “is simply too magical to compare her to anyone. Bluesy like it’s no one’s business yet voluptuously funky in a contemporary way, Adele rocks out 19 with a unique voice and gritty sound that dazzle endlessly. Synthesizing blues, jazz, folk, soul, and even electric pop, Adele mystifies through her mature songwriting skills and jaw-dropping arrangements.” MC

Echoing similar sentiments, People magazine said, “with a knockout voice that’s rich and supple, robust and sultry, it’s hard to believe that this singer-songwriter is barely out of her teens.” WK The Guardian, which gave the album five stars, said, “The way she stretched the vowels, her wonderful soulful phrasing, the sheer unadulterated pleasure of her voice, stood out all the more; little doubt that she’s a rare singer.” WK BBC Music’s said, “she’s included something for everyone without ever pandering to a particular trend. Her melodies exude warmth, her singing is occasionally stunning…she has tracks that make Lily Allen and Kate Nash sound every bit as ordinary as they are.” WK In Billboard magazine, Chuck Taylor went so far as to say that “Adele truly has potential to become among the most respected and inspiring international artists of her generation.” WK

“In July 2008 Adele informed noted UK soul writer Pete Lewis…that the reason for naming her debut album 19 was to reflect her age while she was writing it: ‘I just kinda remember becoming a bit of a woman during that time. And I think that is definitely documented in the songs.’” WK

To be “such a terrific songwriter” MC at such a young age means “the Brit has so much room to expand her artistic dimensions into a full-fledged artist…it’s no wonder most critics see her as the top new talent of 2008.” MC “Nearly all the tracks seem to have been nurtured to glory over months as labors of love.” MC Daydreamer “engulfs the listener with a gorgeous feeling of awe and wonderment. On Melt My Heart to Stone and the bona fide hit ‘Chasing Pavements,’ Adele allows herself to soar over the strings and power her way through these incredible songs. The upbeat Right as Rain is just wonderful, with clear Ashford & Simpson influences speckled all over it in an upbeat set.” MC “The jazzy Best for Last is as retro as the tunes get on the album, yet it still manages to steer away from being boring or old-fashioned.” MC

One of the album’s highlights is her version of Bob Dylan’s Make You Feel My Love, a song which Dylan first recorded on his 1997 Time Out of Mind. It had previously been recorded by Garth Brooks (a #1 country hit), Billy Joel (a top 10 adult contemporary hit), Trisha Yearwood, Bryan Ferry, Timothy B. Schmidt, and Joan Osborne. Adele recorded the song at the suggestion of Jonathan Dickins, her manager. He loved the song. WK Hers is the first charted version in the U.K.

“The song Hometown Glory has been featured in the British and American television shows Skins, Grey’s Anatomy, One Tree Hill, Hollyoaks, Secret Diary of a Call Girl, and most recently danced by Katee Shean and eventual winner, Joshua Allen on So You Think You Can Dance.” WK The song was also a nominee for Best Female Pop Vocal Performance.

“The only awkwardness throughout all of 19 is the overly poppy galactic Tired, which sounds as though it might have fallen off a Lily Allen track list, something that doesn’t suit Adele as a musician.” MC

In the overall assessment, “this debut isn’t an empty promise of a great career; 19 is a fleshed-out stunning portrayal of a young woman with a talent beyond her years who deserves immense credit for a unique style that never fails. A beyond stellar debut in both quality and originality.” MC

In February 2011, Adele accomplished a feat on the U.K. charts not seen since the Beatles’ heyday in 1964. With her new album, 21, perched atop the charts, 19 re-entered the top 5. At the same time, the singles chart gave up two of its top 5 spots to the first two singles in support of the new album. This made Adele the first artist since the Beatles to have two top 5 songs and two top 5 albums on the British charts.


Notes: The Taiwanese edition of the album added three bonus cuts: That’s It I Quit I’m Movin' On (B-side of “Chasing Pavements”), Now and Then (B-side of “Cold Shoulder”) and Painting Pictures (B-side of “Make You Feel My Love”). In Indonesia, a special edition added a video for “Chasing Pavements.” WK

Resources and Related Links:


Other Related DMDB Pages:


First posted 2/22/2011; updated 11/17/2021.

Tuesday, September 30, 1997

Bob Dylan Time Out of Mind released

Time Out of Mind

Bob Dylan

Released: September 30, 1997


Peak: -- US, 10 UK, 27 CN, 24 AU, 15 DF


Sales (in millions): 1.0 US, 0.1 UK, 2.5 world (includes US + UK)


Genre: folk rock


Tracks:

Song Title (date of single release, chart peaks) Click for codes to charts.

  1. Love Sick (7/11/98, 64 UK)
  2. Dirt Road Blues
  3. Standing in the Doorway
  4. Million Miles
  5. Tryin’ to Get to Heaven
  6. ‘Til I Fell in Love with You
  7. Not Dark Yet (23 DF)
  8. Cold Irons Bound
  9. Make You Feel My Love (12 DF)
  10. Can’t Wait
  11. Highlands


Total Running Time: 72:50

Rating:

4.101 out of 5.00 (average of 28 ratings)


Awards:

(Click on award to learn more).

About the Album:

“After spending much of the '90s touring and simply not writing songs, Bob Dylan returned in 1997 with Time Out of Mind, his first collection of new material in seven years. Where Under the Red Sky, his last collection of original compositions, had a casual, tossed-off feel, Time Out of Mind is carefully considered, from the densely detailed songs to the dark, atmospheric production.” AMG

“Sonically, the album is reminiscent of Oh Mercy, the last album Dylan recorded with producer Daniel Lanois, but Time Out of Mind has a grittier foundation – by and large, the songs are bitter and resigned, and Dylan gives them appropriately anguished performances. Lanois bathes them in hazy, ominous sounds, which may suit the spirit of the lyrics, but are often in opposition to Dylan’s performances.” AMG

“Consequently, the album loses a little of its emotional impact, yet the songs themselves are uniformly powerful, adding up to Dylan’s best overall collection in years.” AMG

“Lead track, Not Dark Yet appealed to sentimentalists because it felt like Dylan was revealing a truth (‘Sometimes my burden is more than I can bear/ It’s not dark yet but it’s gettin’ there’) and bearing down for arts’ sake, too.” TL

“Forget truth – Dylan always has – and focus on the sly, world weary atmospherics of Dirt Road Blues and Highlands, Dylan’s funniest song since the 60s. (‘She got a pretty face and long white shiny legs/ She says ‘what’ll it be/ I say ‘I don’t know, you got any soft-boiled eggs’).” TL

This is “a better, more affecting record than Oh Mercy, not only because the songs have a stronger emotional pull, but because Lanois hasn’t sanded away all the grit. As a result, the songs retain their power, leaving Time Out of Mind as one of the rare latter-day Dylan albums that meets his high standards.” TL

Interestingly, for Dylan’s first top ten album on U.S. soil in twenty years, and with a Grammy for Album of the Year to boot, “it was cover versions of To Make You Feel My Love by Garth Brooks and Billy Joel that generated the bulk of the cash Dylan made from Time Out of Mind.” TL

Resources and Related Links:


Other Related DMDB Pages:


First posted 3/7/2011; last updated 5/16/2024.