Sunday, August 23, 2015

Max Martin: Top 40 Songs

image from tv.aftonbladet.se

More than any other individual, Max Martin may be responsible for the sound of pop music in the 21st century. As a producer and songwriter, he made a name for himself in the late ‘90s as the man behind hits by Britney Spears, Backstreet Boys, and N Sync. He went on to helm songs by Kelly Clarkson, Katy Perry, Pink, and Taylor Swift. He has co-written 21 #1 songs (noted below) on the Billboard Hot 100, putting him third behind Paul McCartney (32) and John Lennon (26). He’s been behind 54 top-ten hits, putting him ahead of Madonna, Elvis Presley, and The Beatles. He has produced 19 #1 hits, putting him second only to George Martin (23).

So, in celebration of Martin’s accomplisments, here are his top songs of all time according to Dave’s Music Database:

  1. Britney Spears…Baby One More Time (1998) #1
  2. Katy Perry…Roar (2013) #1
  3. Katy Perry with Juicy J…Dark Horse (2013) #1
  4. Taylor Swift…Shake It Off (2014) #1
  5. Katy Perry…I Kissed a Girl (2008) #1
  6. Taylor Swift…Blank Space (2014) #1
  7. Katy Perry with Snoop Dogg…California Gurls (2010) #1
  8. Taylor Swift…We Are Never Ever Getting Back Together (2012) #1
  9. Kelly Clarkson…Since U Been Gone (2004)
  10. Katy Perry…Hot N Cold (2008)

  11. Maroon 5…One More Night (2012) #1
  12. Backstreet Boys…I Want It That Way (1999)
  13. Taio Cruz…Dymamite (2010)
  14. Katy Perry with Kanye West…E.T. (2011) #1
  15. Pink…So What (2008) #1
  16. Taylor Swift…I Knew You Were Trouble (2012)
  17. Katy Perry….Teenage Dream (2010) #1
  18. Ariana Grande with Izzy Azalea…Problem (2014)
  19. Britney Spears…Oops! I Did It Again (2000)
  20. Ellie Goulding…Love Me Like You Do (2015)

  21. Usher with Pitbull…DJ Got Us Falling in Love (2010)
  22. Katy Perry…Last Friday Night (T.G.I.F.) (2010) #1
  23. Katy Perry…Wide Awake (2012)
  24. Pink…Raise Your Glass (2010) #1
  25. Taylor Swift…Bad Blood (2015) #1
  26. Kelly Clarkson…My Life Would Suck Without You (2009) #1
  27. Katy Perry…The One That Got Away (2011)
  28. Jessie J with Ariana Grande & Nicki Minaj…Bang Bang (2014)
  29. Jessie J…Domino (2011)
  30. Pink…Fuckin’ Perfect (2010)

  31. Taylor Swift…22 (2013)
  32. Katy Perry…Part of Me (2012) #1
  33. Pink…Who Knew (2006)
  34. Kelly Clarkson…Behind These Hazel Eyes (2005)
  35. Britney Spears with Nicki Minaj & Ke$ha…Till the World Ends (2011)
  36. Taylor Swift…Style (2015)
  37. The Weeknd…Can’t Feel My Face (2015) #1
  38. Avril Lavigne…What the Hell (2011)
  39. Pink…U + Ur Hand (2006)
  40. Backstreet Boys…Quit Playing Games with My Heart (1996)

Wednesday, August 19, 2015

Top 50 Blues Songs of All Time

image from bluesmusicfan.com

This DMDB list was created by aggregating 19 lists focused on the best blues songs of all time.

1. Muddy Waters…Mannish Boy (1955)
2. B.B. King…The Thrill Is Gone (1969)
3. John Lee Hooker…Boom Boom (1962)
4. Howlin’ Wolf…Smokestack Lightnin’ (1956)
5. Albert King…Born Under a Bad Sign (1967)
6. Muddy Waters…Hoochie Coochie Man (1954)
7. John Lee Hooker…Boogie Chillen (1948)
8. Robert Johnson…Sweet Home Chicago (1936)
9. Robert Johnson…Hellhound on My Trail (1937)
10. Elmore James…I Believe I’ll Dust My Broom (1952)

11. T-Bone Walker…Call It Stormy Monday (1948)
12. Little Walter…Juke (1952)
13. Robert Johnson…Cross Road Blues (1936)
14. Big Joe Williams…Baby Please Don’t Go (1941)
15. Muddy Waters…Got My Mojo Working (1956)
16. Bessie Smith…Nobody Knows You When’ You’re Down and Out (1929)
17. Howlin’ Wolf…How Many More Years (1951)
18. Son House…Death Letter (1930)
19. Otis Rush…I Can’t Quit You Baby (1956)
20. Blind Willie McTell…Statesboro Blues (1928)

21. The Jimi Hendrix Experience…Red House (1967)
22. Freddie King…I’m Tore Down (1961)
23. Junior Wells with Buddy Guy…Messin’ with the Kid (1970)
24. Big Mama Thornton…Ball N’ Chain (1968)
25. Robert Johnson…Come on in My Kitchen (1937)
26. Robert Johnson…I Believe I’ll Dust My Broom (1936)
27. Canned Heat…On the Road Again (1968)
28. Sonny Boy Williamson #1…Good Morning Little School (1937)
29. Guitar Slim…The Things That I Used to Do (1954)
30. Muddy Waters…Rollin’ Stone (1950)

31. Little Walter…My Babe (1955)
32. Buddy Guy…Damn Right, I’ve Got the Blues (1991)
33. Robert Johnson…Love in Vain (1937)
34. Leroy Carr…How Long, How Long Blues (1928)
35. Clarence “Pinetop” Smith…Pine Top’s Boogie Woogie (1929)
36. Muddy Waters…I Can’t Be Satisfied (1948)
37. Etta James…I Just Want to Make Love to You (1961)
38. Howlin’ Wolf…The Killing Floor (1964)
39. Gary Moore…Still Got the Blues (1990)
40. Blind Willie Johnson…Dark Was the Night, Cold Was the Ground (1927)

41. Otis Rush…All Your Love (I Miss Loving) (1958)
42. Etta James…At Last (1961)
43. Lowell Fulson…Reconsider Baby (1954)
44. Robert Petway…Catfish Blus (1941)
45. Freddie King…Hideaway (1961)
46. Elmore James…The Sky Is Crying (1960)
47. Big Bill Broonzy…Key to the Highway (1941)
48. The Mississippi Sheiks…Sitting on Top of the World (1930)
49. Willie Dixon…Spoonful (1970)
50. Robert Johnson…Me and the Devil Blues (1937)


Tuesday, August 11, 2015

Songs Which Hit #1 More Than Once

In the history of the Billboard charts, 81 songs have reached number one in the hands of more than one artist. It was a common practice in the pre-rock era for multiple artists to record a song and for those versions to chart simultaneously. In the rock era, the occasional remake of a former #1 would find its way to the top. The most recent example is Christina Aguilera and company’s 2001 remake of LaBelle’s “Lady Marmalade.”

Also worthy of note: a handful of songs have hit #1 more than twice. “In the Good Old Summertime,” “The Glow-Worm,” and “To Each His Own” each topped the chart with three versions. Four different acts took “Peg O’ My Heart,” “Over There,” and “Till We Meet Again” to the top.

What follows is a ranking of the 81 songs to top the chart by more than one act. The list is ordered by total weeks spent at #1. After a song title, each chart-topping version is listed with the act, year it first charted, and weeks each version topped the chart.


25 weeks:

  1. Peg O’ My Heart (Charles Harrison, 1913, 7 wks; The Harmonicats, 1947, 8 wks; Buddy Clark, 1947, 6 wks; The Three Suns, 1947, 4 wks)
    22 weeks:

  2. The Third Man Theme (Anton Karas, 1950, 11 wks; Guy Lombardo, 1950, 11 wks)
    21 weeks:

  3. The Gypsy (The Ink Spots, 1946, 13 wks; Dinah Shore, 1946, 8 wks)
  4. Oh What It Seemed to Be (Frankie Carle & Marjorie Hughes, 1946, 11 wks; Frank Sinatra, 1946, 8 wks)
    17 weeks:

  5. Over There (American Quarter, 1917, 9 wks; Nora Bayes, 1917, 3 wks; Peerless Quartet, 1917, 2 wks; Enrico Caruso, 1918, 3 wks)
  6. In the Good Old Summertime (J.W. Myers, 1902, 7 wks; Haydn Quartet, 1903, 6 wks; Sousa’s Band, 1903, 4 wks)
    15 weeks:

  7. It’s a Long, Long Way to Tipperary (American Quartet, 1914, 7 wks; John McCormack, 1915, 8 wks)
    14 weeks:

  8. Cruising Down the River on a Sunday Afternoon (Blue Barron & His Orchestra, 1949, 7 wks; Rus Morgan & the Skylarks, 1949, 7 wks)
  9. My Blue Heaven (Gene Austin, 1927, 13 wks; Paul Whiteman, 1927, 1 wk)
  10. On the Banks of the Wabash (George J. Gaskin, 1897, 10 wks; Steve Porter, 1898, 4 wks)
  11. Shine on, Harvest Moon (Harry MacDonough & Elise Stevenson, 1909, 9 wks; Ada Jones & Billy Murray, 1909, 5 wks)
    13 weeks:

  12. Till We Meet Again (Henry Burr & Albert Campbell, 1919, 9 wks; Nicholas Orlando’s Orcestra with Harry MacDonough, 1919; 2 wks; Charles Hart with Lewis James, 1919, 1 wk; Lewis James & Charles Hart, 1919, 1 wk)
  13. The Glow-Worm (Victor Orchestra, 1908, 5 wks; Lucy Isabelle Marsh, 1908, 5 wks; The Mills Brothers, 1952, 3 wks)
  14. The Sidewalks of New York (Dan Quinn, 1895, 9 wks; J.W. Myers, 1895, 4 wks)
  15. Sweet Adeline (You’re the Flower of My Heart) (Haydn Quartet, 1904, 10 wks; Columbia Male Quartet, 1904, 3 wks)
  16. When You Were Sweet Sixteen (George J. Gaskin, 1900, 8 wks; Jere Mahoney, 1900, 5 wks)
    12 weeks:

  17. Alexander’s Ragtime Band (Arthur Collins & Byron Harlan, 1911, 10 wks; Bing Crosby & Connee Boswell, 1938, 2 wks)
  18. The Last Round-Up (George Olsen, 1933, 9 wks; Guy Lombardo & Carmen Lombardo, 1933, 3 wks)
    11 weeks:

  19. To Each His Own (Eddy Howard, 1946, 8 wks; Freddy Martin & Stuart Wade, 1946, 2 wks; The Ink Spots, 1946, 1 wk)
  20. A Bird in a Gilded Cage (Steve Porter, 1900, 6 wks; Jere Mahoney, 1900, 5 wks)
  21. Ramona (Gene Austin, 1928, 8 wks; Paul Whiteman, 1928, 3 wks)
  22. The Stars and Stripes Forever (John Philip Sousa, 1897, 8 wks; Sousa’s Band, 1901, 3 wks)
  23. Stormy Weather (Keeps Raining All the Time) (Leo Reisman, 1933, 8 wks; Ethel Waters, 1933, 3 wks)
    10 weeks:

  24. Beautiful Ohio (Henry Burr, 1919, 9 wks; Waldorf-Astoria Dance Orchestra, 1919, 1 wk)
  25. Bedelia (Haydn Quartet, 1904, 7 wks; Billy Muray, 1904, 3 wks)
  26. Deep Purple (Larry Clinton & Bea Wain, 1939, 9 wks; Nino Tempo & April Stevens, 1963, 1 wk)
  27. Hello Ma Baby (Len Spencer, 1899, 6 wks; Arthur Collins, 1899, 4 wks)
  28. A Hot Time in the Old Town (Dan Quinn, 1896, 7 wks; Len Spencer, 1897, 3 wks)
  29. Love Me and the World Is Mine (Henry Burr, 1906, 7 wks; Albert Campbell, 1906, 3 wks)
  30. Tell Me Pretty Maiden (Harry MacDonough & Grace Spencer, 1901, 7 wks; Byron Harlan with Frank Stanley, Joe Belmont, & Florodora Girls, 1901, 3 wks)
  31. There! I’ve Said It Again (Vaughn Monroe, 1945, 6 wks; Bobby Vinton, 1963, 4 wks)
  32. Wait Till the Sun Shines, Nellie (Byron Harlan, 1906, 9 wks; Harry Tally, 1906, 1 wk)
    9 weeks:

  33. Come Down Ma Evening Star (Mina Hickman, 1903, 5 wks; Henry Burr, 1903, 4 wks)
  34. Goodnight Sweetheart (Wayne King, 1931, 7 wks; Guy Lombardo & Carmen Lombardo, 1931, 2 wks)
  35. My Wild Irish Rose (Albert Campbell, 1899, 6 wks; George J. Gaskin, 1899, 3 wks)
  36. Scatter-Brain (Frankie Masters, 1939, 8 wks; Freddy Martin & Glenn Hughes, 1939, 1 wk)
  37. Smoke Gets in Your Eyes (Paul Whieman, 1933, 6 wks; The Platters, 1959, 3 wks)
  38. The Washington Post March (U.S. Marin Band, 1890, 6 wks; Sousa’s Band, 1895, 3 wks)
    8 weeks:

  39. By the Beautiful Sea (Heidelberg Quintet, 1914, 6 wks; Ada Jones & Billy Watkins, 1914, 2 wks)
  40. Down by the Old Mill Stream (Harry MacDonough, 1911, 7 wks; Arthur Clough & the Brunswick Quartet, 1911, 1 wk)
  41. Mr. Gallagher & Mr. Shean (Ed Gallagher & Al Shean, 1922, 6 wks; Ernest Hare & Billy Jones, 1922, 2 wks)
  42. The Music Goes ‘Round and ‘Round (Tommy Dorsey, 1935, 5 wks; Riley-Farley Orchestra, 1935, 3 wks)
    7 weeks:

  43. Blue Bell (Byron Harlan & Frank Stanley, 1904, 4 wks; Haydn Quartet & Harry MacDonough, 1904, 3 wks)
  44. I Didn’t Raise My Boy to Be a Soldier (Peerless Quartet, 1915, 4 wks; Morton Harvey, 1915, 3 wks)
  45. I’ll Be There (The Jackson 5, 1970, 5 wks; Mariah Carey, 1992, 2 wks)
  46. The Mansion of Aching Hearts (Harry MacDonough, 1902, 4 wks; Byron Harlan, 1902, 3 wks)
  47. Mother Machree (John McCormack, 1911, 5 wks; Will Oakland, 1911, 2 wks)
  48. This Year’s Kisses (Hal Kemp with Skinnay Ennis, 1937, 4 wks; Benny Goodman, 1937, 3 wks)
  49. Yes! We Have No Bananas (Billy Jones, 1923, 5 wks; Ben Selvin with Irving Kaufman, 1923, 2 wks)
  50. Young Love (Tab Hunter, 1956, 6 wks; Sonny James, 1956, 1 wk)
    6 weeks:

  51. Blue Moon (Glen Gray with Kenny Sargent, 1935, 3 wks; The Marcels, 1961, 3 wks)
  52. I’m Forever Blowing Bubbles (Ben Selvin, 1919, 4 wks; Henry Burr & Albert Campbell, 1919, 2 wks)
  53. I’ve Got a Pocketful of Dreams (Bing Crosby, 1938, 4 wks; Russ Morgan, 1938, 2 wks)
  54. I’ve Got Rings on My Fingers (Ada Jones, 1909, 4 wks; Blanche Ring, 1909, 2 wks)
  55. Lady Marmalade (LaBelle, 1974, 1 wk; Christina Aguilera with Lil’ Kim, Mya, & Pink, 2001, 5 wks)
  56. The Love Nest (John Steel, 1920, 4 wks; Art Hickman, 1920, 2 wks)
  57. Red Sails in the Sunset (Guy Lombardo & Carmen Lombardo, 1935, 4 wks; Bing Crosby, 1935, 2 wks)
  58. Tiger Rag (The Original Dixieland Jazz Band, 1918, 2 wks; The Mills Brothers, 1931, 4 wks)
    5 weeks:

  59. All Alone (Paul Whiteman, 1925, 3 wks; John McCormack, 1925, 2 wks)
  60. All of Me (Paul Whiteman, 1932, 3 wks; Louis Armstrong, 1932, 2 wks)
  61. Always (George Olsen, 1926, 3 wks; Vincent Lopez, 1926, 2 wks)
  62. Butterfly (Andy Williams, 1957, 3 wks; Charlie Gracie, 1957, 2 wks)
  63. Come Josephine in My Flying Machine (Ada Jones with Billy Murray & the American Quartet, 1911, 3 wks; Blanche Ring, 1911, 2 wks)
  64. Go Away Little Girl (Steve Lawrence, 1962, 2 wks; Donny Osmond, 1971, 3 wks)
  65. Happy Days Are Here Again (Benny Meroff with Dusty Rhodes, 1930, 3 wks; Ben Selvin, 1930, 2 wks)
  66. It’s Been a Long, Long Time (Harry James with Kitty Kallen, 1945, 3 wks; Bing Crosby with the Les Brown Trio, 1945, 2 wks)
  67. Lean on Me (Bill Withers, 1972, 3 wks; Club Nouveau, 1987, 2 wks)
  68. The Star-Spangled Banner (Prince’s Orchestra, 1916, 2 wks; John McCormack, 1917, 3 wks)
  69. When a Man Loves a Woman (Percy Sledge, 1966, 2 wks; Michael Bolton, 1991, 3 wks)
  70. When It’s Springtime in the Rockies (Ben Selvin, 1930, 3 wks; Hilo Hawaiian Orchestra, 1930, 2 wks)
    4 weeks:

  71. Change Partners (Fred Astair, 1938, 2 wks; Jimmy Dorsey, 1938, 2 wks)
  72. Managua, Nicaraga (Freddy Martin, 1947, 3 wks; Guy Lomardo, 1947, 1 wk)
  73. The Merry-Go-Round Broke Down (Russ Morgan, 1937, 2 wks; Shep Fields, 1937, 2 wks)
  74. Mr. Five by Five (Freddie Slack, 1942, 2 wks; Harry James, 1942, 2 wks)
  75. The Object of My Affection (Jimmy Grier, 1934, 2 wks: Boswell Sisters, 1935, 2 wks)
    3 weeks:

  76. The Loco-Motion (Grand Funk Railroad, 1974, 2 wks; Little Eva, 1962, 1 wk)
  77. Mam’selle (Art Lund, 1947, 2 wks; Frank Sinatra, 1947, 1 wk)
  78. You Keep Me Hangin’ On (The Supremes, 1966, 2 wks; Kim Wilde, 1986, 1 wk)
    2 weeks:

  79. Open the Door, Richard (Count Basie, 1947, 1 wk; The Three Flames, 1947, 1 wk)
  80. Please Mr. Postman (The Marvelettes, 1961, 1 wk; Carpenters, 1974, 1 wk)
  81. Venus (Shocking Blue, 1969, 1 wk; Bananarama, 1986, 1 wk)

Saturday, August 8, 2015

August 8, 1965: The Beatles hit #1 in the UK with Help!

Originally posted March 3, 2010. Last updated September 2, 2018.

Help! (soundtrack)

The Beatles

Released:

  • Aug. 6, 1965 UK
  • Aug. 13, 1965 US

Sales (in millions):
US: 3.0
UK: 0.9
IFPI: --
World (estimated): 10.3


Peak:
US: 1 9
UK: 19
Canada: --
Australia: 111

Quotable: “Reflects the toll [of] the most popular band…but…The Beatles turn their pain into some of their finest work.” – Lori Latimer, Ink Blot Magazine


Genre: pop/rock


Album Tracks/Hit Songs:

Click here for the chart codes for singles/hit songs.

UK Album:

  1. Help! [2:21] (7/19/65) #1 UK, #1 US
  2. The Night Before [2:36]
  3. You've Got to Hide Your Love Away [2:11]
  4. I Need You (Harrison) [ 2:31]
  5. Another Girl [2:08]
  6. You're Gonna Lose That Girl [2:20]
  7. Ticket to Ride [3:12] (4/9/65) #1 UK, #1 US
  8. Act Naturally (Morrison/Russell) [2:33] (9/13/65) #47 US
  9. It's Only Love [1:58]
  10. You Like Me Too Much (Harrison) [2:38]
  11. Tell Me What You See (Harrison/Lennon/McCartney) [2:39]
  12. I've Just Seen a Face [2:07]
  13. Yesterday [2:07] (9/13/65) #1 US, #8 UK
  14. Dizzy Miss Lizzy (Williams) [2:54]
All songs written by Lennon/McCartney unless otherwise noted.

US soundtrack:

  1. Help!
  2. The Night Before
  3. From Me to You Fantasy (instrumental) *
  4. You’ve Got to Hide Your Love Away
  5. I Need You
  6. In the Tyrol (instrumental) *
  7. Another Girl
  8. Another Hard Day’s Night (instrumental) *
  9. Ticket to Ride
  10. The Bitter End *
  11. You’re Gonna Lose That Girl
  12. The Chase (instrumental) *
* Songs not featured on UK album.

Check out the DMDB Beatles’ singles page for a complete singles discography.

Review:

“Like almost everything that the Beatles did from this record on, [this album is] not merely good, but groundbreaking.” JA “The harmonies [are] stellar [and] the individual vocal performances are…solid.” MU However, despite “those fantastic melodies and ringing guitars that keep up the light-hearted pop facade, [the album also] reflects the toll that being the most popular band in the world was taking on The Beatles. But in the fashion of all the great ones, The Beatles turn their pain into some of their finest work.” LL

The album kicks off with the instantly classic title track, “where the brash arrangement disguises Lennon's desperation” STE in “one of his most earnest and painful pleas for emotional salvation.” LL “It’s Lennon’s desperate state of mind that drives this album.” LL It’s also strange that ”John Lennon's confessional song became the title for a silly James Bond spoof…The funny thing is, it works both ways--as a young man's personal statement about learning to open up to others, and as the frantic theme for an exotic espionage chase comedy starring those lovable mop-tops.” JE

”Driven by an indelible 12-string guitar, Ticket to Ride is another masterpiece” STE from Lennon; indeed, it is “the best pop song The Beatles had written at this stage.” AD “Instrumentally, [the] off-beat rhythm was Ringo's masterpiece.” CDU “The dragging beat…adds perfectly to the lyrics’ tortured confusion.” LL

”The jaunty The Night Before and Another Girl,” STE the latter of which features “a great guitar solo by Paul,” DBW are “two very fine tunes that simply update his melodic signature.” STE They might both be “unremarkable without…George’s killer guitar work.” LL

”George is writing again” STE and “starting to contribute quality compositions [like] I Need You.” DBW “It's a very simple song, but…sounds nice.” AD George’s other song, “You Like Me Too Much, re-introduces piano into a Beatles album and works as a very nice unassumingly enjoyable track.” AD Even if George’s “two contributions don't touch Lennon and McCartney's originals, they hold their own against much of their British pop peers.” STE

“Like the previous album's ‘Im a Loser,’ You've Got to Hide Your Love Away was Lennon's nod to the influence of Bob Dylan.” CDU The simultaneously ”plaintive” STE and “charmingly ramshackle” AD song was “supposedly written about Beatle manager Brian Epstein’s homosexuality. It is an acoustic number so tender, it hurts just to think about it.” LL

“John is absolutely vicious in his delivery of You're Going to Lose That Girl,” MU “the kind of song McCartney effortlessly tosses off.” STE It demonstrates that “John's lyrics are advancing rapidly.” JA “if not quite a classic [it] is at least hugely charming and enjoyable, with some fine Beatles harmonies and playful vocals all round.” AD “You’re Going to Lose That Girl”

”The Bakersfield bounce” STE of ”the superfluous country number Act NaturallyJA “adds new flavor [and is] an ideal showcase for Ringo's amiable vocals.” STE

Among the six songs Lennon contributed are ”a pair of minor numbers,” STE but even these have moments. “It's Only Love has some haunting guitar sounds and a beautiful John vocal” AD while “even a…filler tune like Tell Me What You See is totally redeemed by the incredible harmony on the refrain line.” MU

“McCartney's gift for melody was obvious in I've Just Seen a Face,” CDU “a frighteningly modern-sounding semi-acoustic number,” JA which is “an irresistible folk-rock gem.” STE

Paul’s “widely imitated and covered” JA Yesterday is “a simple, beautiful ballad whose arrangement” STE is ”a startling, wildly successful experiment dispensing with the normal four-piece rock band backing track in favor of a string quartet.” JA The composition “was the start of a stellar series of McCartney ballads with strings (‘Eleanor Rigby,’ ‘She's Leaving Home’)” CDU and also “suggested much more sophisticated and adventurous musical territory, which the group immediately began exploring with Rubber Soul.” STE

”The rocking…Dizzy Miss Lizzie,” JA “seemingly included for the hell of it,” AD is “one of their best covers.” DBW It is a full-fledged “vocal scorcher” AD that “gives John an opportunity to flex his rock & roll muscle.” STE It “sounds like John’s raucous answer to Paul's ‘Kansas City/Hey, Hey, Hey, Hey’ vocal on Beatles for Sale.” JE In closing out the album, this song also closed the book on another of the group’s chapters; “Help! was the last Beatles album to feature a cover version.” CDU

“Of course, it's essential – as are…all the Beatles' albums.” JE “Every Beatles album could be a greatest hits record. They all have songs that you absolutely need. Help! is no exception.” LL


Review Source(s):

Awards:


Related DMDB Link(s):