Tuesday, June 30, 2015

New Musical Express (NME) Top 100 Songs

Originally posted 5/29/2012; updated 4/10/2019.

New Musical Express (NME) is a British music magazine first published in 1952. The magazine was responsible for the first UK singles chart that same year and has gone on to publish multiple best-of lists (links at bottom of page) throughout its history. This is an aggregate of 18 of those lists, resulting in an interesting meshing of classic rock alongside alternative rock with the occasional pop or R&B song thrown in for good measure.

  1. The Strokes “Last Nite” (2001)
  2. Bob Dylan “Like a Rolling Stone” (1965)
  3. Arctic Monkeys “I Bet You Look Good on the Dance Floor” (2005)
  4. Joy Division “Love Will Tear Us Apart” (1980)
  5. The Verve “Bittersweet Symphony” (1997)
  6. The Smiths “How Soon Is Now?” (1985)
  7. The Rolling Stones “Jumpin’ Jack Flash” (1968)
  8. The Kinks “You Really Got Me” (1964)
  9. The Beach Boys “Good Vibrations” (1966)
  10. The White Stripes “Seven Nation Army” (2003)

  11. The Libertines “Time for Heroes” (2003)
  12. Yeah Yeah Yeahs “Maps” (2003)
  13. The Who “My Generation” (1965)
  14. The Killers “Mr. Brightside” (2004)
  15. The Streets “Dry Your Eyes” (2004)
  16. Missy “Misdemeanor” Elliott “Get Ur Freak On” (2001)
  17. The Beatles “Paperback Writer” (1966)
  18. Futureheads “Hounds of Love” (2005)
  19. Nirvana “Smells Like Teen Spirit” (1991)
  20. The Smiths “There Is a Light That Never Goes Out” (1986)

  21. Pulp “Common People” (1995)
  22. OutKast “Hey Ya!” (2003)
  23. The Beatles “Strawberry Fields Forever” (1967)
  24. The Rolling Stones “(I Can’t Get No) Satisfaction” (1965)
  25. Franz Ferdinand “Take Me Out” (2004)
  26. BeyoncĂ© with Jay-Z “Crazy in Love” (2003)
  27. Marvin Gaye “I Heard It Through the Grapevine” (1968)
  28. Jay-Z “99 Problems” (2004)
  29. The Ronettes “Be My Baby” (1963)
  30. The Smiths “This Charming Man” (1983)

  31. Stone Roses “Fools Gold” (1989)
  32. Lou Reed “Walk on the Wild Side” (1973)
  33. Manic Street Preachers “A Design for Life” (1996)
  34. The Beach Boys “God Only Knows” (1966)
  35. Dizzee Rascal “Fix Up Look Sharp” (2003)
  36. The Rapture “House of Jealous Lovers” (2002)
  37. Johnny Cash “Hurt” (2003)
  38. The Rolling Stones “Paint It, Black” (1966)
  39. Hot Chip “Over and Over” (2006)
  40. Stevie Wonder “Superstition” (1972)

  41. The Miracles “The Tracks of My Tears” (1965)
  42. Arcade Fire “Rebellion (Lies)” (2005)
  43. The Beatles “I Want to Hold Your Hand” (1963)
  44. David Bowie “Space Oddity” (1969)
  45. The Undertones “Teenage Kicks” (1978)
  46. The Beatles “She Loves You” (1963)
  47. Eminem “The Real Slim Shady” (2000)
  48. David Bowie “Heroes” (1977)
  49. Oasis “Live Forever” (1994)
  50. Oasis “Wonderwall” (1995)

  51. Radiohead “Paranoid Android” (1997)
  52. SinĂ©ad O’Connor “Nothing Compares 2 U“ (1990)
  53. Ike & Tina Turner “River Deep, Mountain High” (1966)
  54. The Clash “London Calling” (1979)
  55. Sex Pistols “God Save the Queen” (1977)
  56. M.I.A. “Paper Planes” (2008)
  57. LCD Soundsystem “Losing My Edge” (2002)
  58. The Cure “Boys Don’t Cry” (1979)
  59. Arcade Fire “Wake Up” (2005)
  60. The Kinks “Waterloo Sunset” (1967)

  61. The Walkmen “The Rat” (2004)
  62. New Order “Blue Monday” (1983)
  63. Queens of the Stone Age “No One Knows” (2002)
  64. The La’s “There She Goes” (1989)
  65. Sex Pistols “Anarchy in the U.K.” (1976)
  66. MGMT “Time to Pretend” (2008)
  67. The Gossip “Standing in the Way of Control” (2007)
  68. The Libertines “Can’t Stand Me Now” (2004)
  69. Joy Division “Transmission” (1979)
  70. Kylie Minogue “Can’t Get You Out of My Head” (2001)

  71. Marvin Gaye “What’s Going On” (1971)
  72. The Beatles “Hey Jude” (1968)
  73. The Jimi Hendrix Experience “Hey Joe” (1966)
  74. The Jackson 5 “I Want You Back” (1969)
  75. Blur “Song 2” (1997)
  76. This Mortal Coil “Song to the Siren” (1982)
  77. The Pixies “Gigantic” (1988)
  78. Roxy Music “Virginia Plain” (1972)
  79. Otis Redding “(Sittin’ on) The Dock of the Bay” (1968)
  80. Aretha Franklin “Respect” (1967)

  81. The Jimi Hendrix Experience “Purple Haze” (1967)
  82. Klaxons “Golden Skans” (2007)
  83. The Doors “Light My Fire” (1967)
  84. The Jimi Hendrix Experience “All Along the Watchtower” (1968)
  85. Wolfman with Pete Doherty “For Lovers” (2004)
  86. Amy Winehouse “Rehab” (2006)
  87. Bob Marley & the Wailers “No Woman, No Cry” (1974)
  88. Robert Wyatt “Shipbuilding” (1982)
  89. Four Tops “Reach Out (I’ll Be There)“ (1966)
  90. The Byrds “Eight Miles High” (1966)

  91. Rihanna with Jay-Z “Umbrella” (2007)
  92. My Bloody Valentine “You Made Me Realise” (1988)
  93. Bloc Party “Banquet” (2005)
  94. The Specials “Ghost Town” (1981)
  95. The Beatles “Penny Lane” (1967)
  96. Michael Jackson “Billie Jean” (1982)
  97. The Byrds “Mr. Tambourine Man” (1965)
  98. The White Stripes “Fell in Love with a Girl” (2001)
  99. Donna Summer “I Feel Love” (1977)
  100. The Stone Roses “I Am the Resurrection” (1989)


NME Song Lists:

Saturday, June 27, 2015

In Concert: The Rolling Stones

photo by Lance Hemenway

Venue: Arrowhead Stadium; Kansas City, MO
The Players: Mick Jagger (vocals), Keith Richards (guitar, vocals), Ronnie Wood (guitar), Charlie Watts (drums)
Opening Act: Ed Sheeran

The Set List:

1. Start Me Up
2. It’s Only Rock and Roll But I Like It
3. Tumbling Dice
4. Doom and Gloom
5. Beast of Burden (with Ed Sheeran)
6. Kansas City
7. Bitch
8. Wild Horses
9. Street Fighting Man
10. Honky Tonk Women
11. Before They Make Me Run
12. Happy
13. Midnight Rambler
14. Miss You
15. Gimme Shelter
16. Jumpin’ Jack Flash
17. Sympathy for the Devil
18. Brown Sugar

Encore:

19. You Can’t Always Get What You Want
20. (I Can’t Get No) Satisfaction

Seeing the Rolling Stones in concert was a mistake. I made the mistake of not bringing my son, thinking a 12-year-old couldn’t care less about a band only on his radar because of Maroon 5’s “Moves Like Jagger.” I made the mistake of joking that these septuagenarians (except for young pup Ronnie Wood – all of 68) would have difficulty commanding a stage, given the interference of their walkers, canes, and wheelchairs. I made the mistake of dismissing Mick Jagger’s a reputation as possibly rock music’s greatest frontman ever. Finally, I made the mistake of thinking it would be a good idea to go to any other concert again after this one.

I’ve seen my fair share of rock legends on stage – Allman Brothers, Pat Benatar, David Bowie, Eric Clapton, Bob Dylan, Journey, John Mellencamp, The Police, Bruce Springsteen, Styx, Roger Waters, and Yes all spring to mind. However, none came close to matching the stage presence of Mick Jagger. The man didn’t just command a stage, but an arena with his exhaustive prancing and ability to get a crowd revved up. This was not a fat cat millionaire just phoning it in.

Aside from Jagger, there were a lifetime of memorable musical moments. How does one not melt when Keith Richards launches into the arguably most famous guitar riff off all time with “(I Can’t Get No) Satisfaction”? Who wouldn’t be moved by the choir at the beginning of “You Can’t Always Get What You Want”? How about the chops of the female singer on “Gimme Shelter” or the bass solo during “Miss You”? Hell, the final curtain call with just Jagger, Richards, Woods, and Charlie Watts bowing to their audience was tear-worthy.

So I offer my apologies to my son for not making this his first show. I apologize to the Stones for ever dismissing them as past their prime. I apologize to every other performer I’ll ever see when I say, “Well, they were good, but they weren’t the Rolling Stones.”


Friday, June 26, 2015

The Byrds hit #1 with “Mr. Tambourine Man” 50 years ago (6/26/1965)

First posted 4/18/2020; updated 4/19/2020.

Mr. Tambourine Man

The Byrds

Writer(s): Bob Dylan (see lyrics here)


Released: April 12, 1965


First Charted: May 8, 1965


Peak: 11 US, 11 CB, 11 HR, 1 CL, 12 UK (Click for codes to singles charts.)


Sales (in millions): -- US, -- UK, -- world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 14.88 video, -- streaming

Awards:

About the Song:

“Mr. Tambourine Man” “elevated [Bob] Dylan from folk hero to bona fide star.” RS500 He partly wrote it “during a drug-fueled cross-country trek in 1964” RS500 and recorded it on January 15, 1965. RS500 Some people interpreted itas being about a drug pusher, but Dylan said the song was inspired by Bruce Langhorne, a guitarist who brought a tambourine to the recording session which he said was “as big as a wagon wheel.” SJ

“If nobody sings Dylan like Dylan, the Byrds at least came close.” MA The band heard a demo and, although they weren’t completely sold on it, recorded their own version five days after Dylan. RS500 The original version “was a multi-versed acoustic meander through typically elliptical wordplay,” TB but the Byrds whittled it down to a one-verse, more conventional three minute single. HL Dylan said of their recording, “Wow, man. You can even dance to that!” RS500

Roger McGuinn said, “I just rearranged it into a Beatles song.” CR Not only did the recording tap ino the Beatles harmonies, but a Beach Boys’ beat, and a bit of Bach in the guitar intro. RP His “chiming twelve-string Rickenbacker guitar became folk rock’s defining sound.” RS500 Interestingly, while fellow Byrds David Crosby and Gene Clark did add backing harmonies, CR McGuinn was the only member to actually play on the hit, RS500 with the other instruments being handled by session musicians.

“The Tambourine Man was the Pied Piper for others to follow.” HL It “started the folk-rock movement” SJ “and the whole singer/songwriter tradition.” CR McGuinn said, however, that “We weren’t really thinking about the folk background. In fact, we were trying to subdue it and become legitimate rock & roll people. Fortunately, we weren’t able to shake it, and the residue is what made us sound interesting.” CR


Resources and Related Links:

  • The Byrds’ DMDB Encyclopedia entry
  • Bob Dylan’s DMDB Encyclopedia entry
  • CR Toby Creswell (2005). 1001 Songs: The Great Songs of All Time. Thunder’s Mouth Press: New York, NY. Page 59.
  • HL Michael Heatley and Spencer Leigh (1998). Behind the Song: The Stories of 100 Great Pop & Rock Classics. London, England: Blandford Books. Page 92.
  • MA Dave Marsh (1989). The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made. New York, NY; New American Library. Pages 145-6.
  • RP Robert Palmer (1995). Rock & Roll: An Unruly History. New York, NY; Harmony Books. Page 106.
  • RS500 Rolling Stone (4/7/2011). “The 500 Greatest Songs of All Time
  • SJ Bob Shannon and John Javna (1986). Behind the Hits: Inside Stories of Classic Pop and Rock and Roll. New York, NY; Warner Brothers, Inc. Page 78.
  • TB Thunder Bay Press. (2006). Singles: Six Decades of Hot Hits & Classic Cuts. Outline Press Ltd.: San Diego, CA. Page 74.

Monday, June 15, 2015

6/15/2015: Tears for Fears @ the Uptown in Kansas City

image from consequenceofsound.com

Tears for Fears has an ‘80s nostalgia vibe to them, considering they had their biggest hits in that decade (four top ten hits in the U.S., including #1’s “Everybody Wants to Rule the World” and “Shout”). Understandably, their show focused mostly on this output (4 songs from 1983’s The Hurting, 3 from 1985’s Songs from the Big Chair, and 4 from 1989’s The Seeds of Love). Still, I hoped for a few more songs from that era, especially “The Working Hour,” “I Believe,” and “Mother’s Talk” (the last two were even singles).

The “band’s” nineties output (1993’s Elemental and 1995’s Raoul and the Kings of Spain) were really Roland Orzabal solo efforts since Curt Smith had flown the coop. “Break It Down Again” was the only song they played from either album, although they did a cover of Radiohead’s “Creep,” which was a B-side from 1995. I had hoped for more – “Goodnight Song,” “Power,” and “God’s Mistake” were all minor singles from that time which would have been nice to see live.

The two reunited in 2004 for Everybody Loves a Happy Ending and again on the Ready Boy and Girls? EP in 2014, but neither appeared on anyone’s radar but the TFF faithful. They tackled three songs from the Happy Ending, but nothing from the EP. I was hoping for their cover of Arcade Fire’s “Ready to Start.”

All in all, however, it was a good show despite the brevity.

The Set List:

1. Everybody Wants to Rule the World 2
2. Secret World 6
3. Sowing the Seeds of Love 3
4. Pale Shelter 1
5. Break It Down Again 4
6. Everbody Loves a Happy Ending 6
7. Change 1
8. Mad World 1
9. Memories Fade 1
10. Closest Thing to Heaven 6
11. Advice for the Young at Heart 3
12. Creep (Radiohead cover)
13. Badman’s Song 3
14. Head Over Heels 2

Encore:

15. Woman in Chains 3
16. Shout 2

Studio Album Discography:

1 The Hurting (1983)
2 Songs from the Big Chair (1985)
3 The Seeds of Love (1989)
4 Elemental (1993)
5 Raoul and the Kings of Spain (1995)
6 Everybody Loves a Happy Ending (2004)


Saturday, June 13, 2015

Bessie Smith and Louis Armstrong charted with “St. Louis Blues” ninety years ago today (6/13/1925)

First posted 11/24/2011; updated 4/12/2020.

St. Louis Blues

Bessie Smith & Louis Armstrong

Writer(s):W.C. Handy (see lyrics here)


First Charted: June 13, 1925


Peak: 3 US (Click for codes to singles charts.)


Sales (in millions): -- US, -- UK, -- world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 1.57 video, -- streaming

Awards (Smith & Armstrong):


Awards (Handy’s version):

About the Song:

Not only is this the most recorded blues song of all time JA and maybe the most recorded American song of all time, PM but is has been called “the most important blues song ever written.” LW William Christopher Handy, who became known as “The Father of the Blues,” was a bandleader who performed to mixed race audiences throughout the southern United States. As jug bands gained in popularity, he was driven to compose music in a similar style, LW most notably with “St. Louis Blues,” a lyric he claims he was inspired to write after hearing a St. Louis woman complaining about her cheating husband. LW

He wrote the song in 1914, a time when the popular songs of Tin Pan Alley began fusing “with folklore to explore the blues, the form that led to the full-fledged birth of American jazz.” NPR Handy tapped into Afro-Spanish rhythms he picked up on trips to Cuba LW and mixed “the ‘humour of a coon’ song, the syncopation of ragtime, and the spirit of a Negro spiritual, and call[ed] it the blues.” RCG The great theatrical producer Florenz Ziegfeld credited Handy with putting black bands on the previously all-white map of Broadway in New York. RCG

15 versions of the song charted over the next forty years PM generating $25,000 a year, which by today’s standards would make Handy a billionaire. LW Sophie Tucker first sang it in vaudeville RCG and Prince’s Orchestra first hit with it in 1916 (#4), but Marion Harris had the greatest success with it in 1920 (#1). PM “The 1921 recording by the Original Dixieland Jazz Band sold more than any other. JA In 1925, Bessie Smith’s version with Louis Armstrong hit #3 and it is the highest ranked version according to Dave’s Music Database. The Mills Brothers hit #2 in 1932. PM Among others to record it were Bing Crosby, Benny Goodman, Duke Ellington, Guy Lombardo, Lena Horne, Dinah Shore, Johnny Mercer, and Pearl Bailey. RCG The song has been featured in more than 25 Hollywood films, including the 1958 biopic St. Louis Blues, in which Nat “King” Cole plays Handy and sings his signature song. RCG


Resources and Related Links:

Friday, June 5, 2015

Ben Harper @ Grinders - Crossroads in Kansas City

image from relix.com

Prior to this concert I knew three Ben Harper songs – “Steal My Kisses,” “Diamonds on the Inside,” and “With My Own Two Hands.” I tend to pick my concerts based on acts which I know backwards and forwards. I also couldn’t have told you much about Harper. I’d have guessed his age at about ten years younger than he is (45) and his discography to be about half what it is (12 studio albums). My buddy Paul didn’t know much more about Harper, but talked me into going. I’m glad he did.

While the old man in me craved a chair by the encore, I was certainly not bored by the music. Harper and the Innocent Criminals were versatile performers who clearly enjoy their jobs. They incorporated reggae, ear-piercing guitar rock, acoustic folk, alternative, and even elements of prog-rock. Harper frequently changed out guitars and was generous with highlighting the band, which included multiple – and well-deserved – choruses of cheering and applause for the lively percussionist.

The set list ignored the last five albums, but that makes sense considering that this is the Innocent Criminals’ reunion with Harper after a seven-year layoff.

The Set List:

1. Better Way 7
2. Brown Eyed Blues 5
3. Excuse Me Mr. 2
4. Ground on Down 2
5. Diamonds on the Inside 5
6. Masterpiece
7. Don't Take That Attitude to Your Grave 1
8. Burn to Shine 4
9. The Woman in You 4
10. Steal My Kisses 4
11. Roses from My Friends 3
12. Gold to Me 2
13. Amen Omen 5
14. The Will to Live 3
15. Mama’s Trippin’ 3
16. With My Own Two Hands 5

Encore:

17. Walk Away 1
18. Another Lonely Day 2
19. There Will Be a Light 6
20. Oppression 2
21. She's Only Happy in the Sun 5
22. Burn One Down 2
23. Glory & Consequence 3

Studio Album Discography:

1 Welcome to the Cruel World (1994)
2 Fight for Your Mind (1995)
3 The Will to Live (1997)
4 Burn to Shine (1999)
5 Diamonds on the Inside (2003)
6 There Will Be a Light (with the Blind Boys of Alabama, 2004)
7 Both Sides of the Gun (2006)
8 Lifeline (2007)
9 White Lies for Dark Times (2009)
10 Give Till It’s Gone (2011)
11 Get Up! (with Charlie Musselwhite, 2013)
12 Childhood Home (with Ellen Harpe, 2014)