Saturday, December 12, 2015

Frank Sinatra's Top 100 Songs

First posted 12/12/2015; updated 5/25/2019.

image from breitbart.com

Singer born Francis Albert Sinatra on 12/12/1915 in Hoboken, New Jersey. Died 5/14/1998. “Ol’ Blue Eyes” is one of the premiere pop crooners and traditional pop artists of all time. His personal life was tabloid fodder thanks to several high-profile marriages and divorces and his alleged association with the Mafia.

He began professionally singing as a teenager. Worked with the Hoboken Four (35-39), the Harry James’ Orchestra (39), and Tommy Dorsey’s Orchestra (39-42) before going solo on 9/3/42. On 6/1/43, he signed with Columbia Records and on 3/13/53 to Capitol Records, where he recorded a series of critically acclaimed and commercially successful themed albums. He was a residency performer with the Rat Pack in Las Vegas in the early 1950s and won an Academy Award for Best Supporting Actor in From Here to Eternity. Formed his own record label, Reprise Records, in 1960 and sold it to Warner Brothers in 1963.

“I’ll Never Smile Again,” which featured Sinatra on lead vocals with the Tommy Dorsey Orchestra, is featured in the DMDB book The Top 100 Songs of the Pre-Rock Era, 1890-1953.

For a complete list of this act’s songs and albums honored by the DMDB, check out the DMDB Music Maker Encyclopedia entry.


Top 100 Songs

Dave’s Music Database lists are determined by song’s appearances on best-of lists as well as chart success, sales, radio airplay, streaming, and awards.

Notes: TD = Tommy Dorsey’s Orchestra. Sinatra landed 40 songs at #1 on various charts, including the U.S. pre-Billboard pop charts (US), Hit Parade (HP), adult contemporary charts (AC), the UK charts (UK), the Canadian charts (CN), and the Australian charts (AU).

DMDB Top 1%:

1. I’ll Never Smile Again (w/ TD & the Pied Pipers, 1940) #1 US, HP
2. All or Nothing at All (w/ Harry James’ Orchestra, 1939) #1 US, HP
3. Strangers in the Night (1966) #1 US, AC, UK, AU
4. There Are Such Things (w/ TD & the Pied Pipers (1942) #1 US, HP
5. My Way (1969)

DMDB Top 5%:

6. Five Minutes More (1946) #1 US, HP, AU
7. Somethin’ Stupid (w/ Nancy Sinatra, 1967) #1 US, AC, UK, CN, AU
8. You’ll Never Walk Alone (w/ the Ken Lane Singers, 1945)
9. Theme from ‘New York, New York’ (1980)
10. One for My Baby and One for the Road (1949)

11. White Christmas (w/ the Bobby Tucker Singers, 1949)
12. In the Blue of the Evening (w/ TD, 1942) #1 US
13. Saturday Night Is the Loneliest Night of the Week (1944)
14. They Say It’s Wonderful (1946) #1 HP
15. Stardust (w/ TD & the Pied Pipers, 1940)
16. Learnin’ the Blues (1955) #1 US, HP, AU
17. Young at Heart (1954) #1 HP, AU
18. Night and Day (w/ Axel Stordahl’s Orchestra, 1942)
19. I’ve Got You Under My Skin (1956)
20. Oh! What It Seemed to Be (1946) #1 US, HP

21. I Couldn’t Sleep a Wink Last Night (w/ the Bobby Tucker Singers, 1944) #1 HP
22. Oh, Look at Me Now (w/ TD, Connie Haines, & the Pied Pipers, 1941)
23. All the Way (1957)
24. I’ll Be Seeing You (w/ TD, 1940) #1 HP
25. How About You? (w/ TD, 1942)
26. Almost Like Being in Love (1947)
27. Autumn in New York (1949)
28. Love and Marriage (1955)
29. But Beautiful (1948)
30. I’ve Got a Crush on You (w/ Bobby Hackett, 1948)

31. A Lovely Way to Spend an Evening (w/ the Bobby Tucker Singers, 1944) #1 AU
32. Goodnight Irene (w/ the Mitch Miller Singers, 1950) #1 HP, UK
33. Mam’selle (1947) #1 US, HP, AU
34. Some Enchanted Evening (1949) #1 HP
35. Time after Time (1947)
36. People Will Say We’re in Love (w/ the Bobby Tucker Singers, 1943) #1 HP
37. You’ll Never Know (w/ the Bobby Tucker Singers, 1943) #1 HP
38. This Love of Mine (w/ TD & the Pied Pipers, 1941)
39. Nancy with the Laughing Face (1945)
40. Call Me Irresponsible (1963)

41. Love Is the Tender Trap (1955)
42. It Was a Very Good Year (1965) #1 AC
43. Stardust (1962)
44. Begin the Beguine (1946)

DMDB Top 10%:

45. Oh, What a Beautiful Morning (w/ the Bobby Tucker Singers, 1943)
46. Everything Happens to Me (w/ TD, 1941)
47. High Hopes (w/ A Bunch O Kids, 1959)
48. September Song (1946)
49. Sunday, Monday or Always (w/ the Bobby Tucker Singers, 1943) #1 HP, AU
50. Three Coins in the Fountain (1954) #1 HP, UK, AU

51. Imagination (w/ TD, 1940) #1 HP
52. Polka Dots and Moonbeams (w/ TD, 1940)
53. It’s Always You (w/ TD, 1943)
54. I Get a Kick Out of You (1953)
55. Witchcraft (1957)
56. Fools Rush in Where Angels Fear to Tread (w/ TD, 1940) #1 HP
57. Summer Wind (1966) #1 AC
58. My Funny Valentine (1954)
59. Here’s That Rainy Day (1959)
60. It Started All Over Again (w/ TD, 1943)

61. Dream (When You’re Feeling Blue) (1945) #1 HP
62. That’s Life (1966) #1 AC
63. Come Fly with Me (1958)
64. Nature Boy (1948) #1 HP
65. If I Loved You (1945)
66. Stormy Weather (Keeps Rainin' All the Time) (w/ the Ken Lane Singers, 1945)
67. I’ve Got the World on a String (1953)
68. We Three (My Echo, My Shadow, and Me) (w/ TD, 1940) #1 HP
69. The Second Time Around (1961)
70. It Only Happens When I Dance with You (1948)

71. I’m Walking Behind You (1953) #1 HP, AU
72. Just As Though You Were Here (w/ TD, 1942)
73. In the Wee Small Hours of the Morning (1955)
74. Day by Day (1946)
75. The Way You Look Tonight (1964)
76. Take Me (w/ TD, 1942)
77. Nice ‘N’ Easy (1960)
78. I Only Have Eyes for You (1949)
79. Chicago (That Toddlin’ Town) (1957)
80. All of Me (1948)

81. I’m a Fool to Want You (1951)
82. Fly Me to the Moon (1964)
83. They Can’t Take That Away from Me (1954)
84. Nevertheless I’m in Love with You (1950) #1 HP
85. Granada (1961)
86. Do I Worry? (w/ TD, 1941)
87. You and I (w/ TD, 1941)
88. Blues in the Night (My Mama Done Tol’ Me) (1958)
89. New York, New York (w/ Gene Kelly, 1949)
90. Chattanoogie Shoe Shine Boy (1950) #1 HP

DMDB Top 20%:

91. I’ve Got You Under My Skin (w/ Bono, 1993)
92. Dolores (w/ TD, 1941) #1 US
93. I’ll Be Seeing You (re-recording w/ TD, 1961)
94. All Through the Day (1946) #1 HP
95. Be Careful, It’s My Heart (w/ TD, 1942)
96. What’ll I Do? (1948)
97. Say It Over and Over Again (w/ TD, 1940)
98. Me and My Shadow (w/ Sammy Davis, Jr., 1962)
99. The Birth of the Blues (1952)
100. Our Love Affair (w/ TD, 1940)


Awards:


Saturday, December 5, 2015

12/5/2015: “Love Yourself” debuts at #4, giving Justin Bieber three songs in top 5

Updated 11/24/2018.

image from vangoo music

Love Yourself

Justin Bieber

Writer(s): Ed Sheeran, Benny Blanco, Justin Bieber (see lyrics here)


Released: 11/9/2015


First Charted: 11/20/2015


Peak: -- US (Click for codes to singles charts.)


Sales *: 2.85 US, 2.06 UK, 7.68 world (includes US + UK)


Radio Airplay *: --


Video Airplay *: 1429.16


Streaming *: 1134.0


* in millions

Review:

“Love Yourself” was the third single from Justin Bieber’s fourth album, Purpose. All three songs went to #1 in the U.S. and UK. The song debuted at #4 on the Billboard Hot 100 while Bieber’s previous singles “What Do You Mean?” and “Sorry” were still in the top 5. Prior to Bieber, only The Beatles and 50 Cent had accomplished that feat. WK “Love Yourself” knocked “Sorry” out of the number one slot, making him the twelfth artist to succeed himself on the Hot 100. WK It did so in the UK as well, making him only the third act – after the Beatles and Elvis Presley – to do so. SF It ended up as Billboard’s number one song of the year and was nominated for Grammys for Song of the Year and Best Pop Solo Performance. It won the American Music Award for Favorite Pop/Rock Song.

The cut was “a kiss-off to a narcisstic ex-lover who did the protagonist wrong.” WK Bieber said it was “definitely about someone in my past,” WK singing “‘Cause if you like the way you look that much, oh baby you should go and love yourself.” WK Bieiber also said that it was “cool because so many people can resonate with that because how many women do we bring back that mom doesn’t really necessarily like?” WK

It was written by Bieber with Ed Sheeran and Benny Blanco. Blanco produced the track, offering the instrumentation and programming. WK The acoustic pop song featured “just vocals, an electric guitar, and a brief flurry of trumpets.” WK Sheeran, who has said he originally had Rihanna in mind for the track WK and that he considered it for his own album, SF provided background vocals. WK Of working with Sheeran, Bieber said, “I think he’s one of the most talented writers in the game right now” WK “so just to be able to work with that caliber of songwriter was really, really awesome.” WK

Consequence of Sound’s Michelles Geslani said it “sounds exactly like what you’d expect from a meeting of these two minds.” WK Entertainment Weekly’s Leah Greenblatt called it “the world’s first campfire-folk diss track” WK and Digital Spy’s Amy Davidson called it a “deliciously evil poison-pen ballad.” Spin’s Andrew Unterberger called the song “an earth-salting, cruelly chuckling kiss-off track [which] features an unprecedented-for Bieber caliber of lyrical detail.” WK


Resources and Related Links:

Note: Footnotes (raised letter codes) refer to sources frequently cited on the blog. Numbers following the letter code indicate page numbers. If the raised letter code is a link, it will go directly to the correct page instead of the home page of a website. You can find the sources and corresponding footnotes on the “Lists” page in the “Song Resources” section.

Awards:


Thursday, December 3, 2015

Scott Weiland: His 20 Top Songs

image from relix.com

Scott Weiland, best known as the lead singer of Stone Temple Pilots and the supergroup Velvet Revolver, died from a drug overdose on 12/3/2015 while on tour in Bloomington, Minnesota. He was 48. In honor of Weiland, here are his top 20 songs according to Dave’s Music Database, which compiles sales, chart performance, radio airplay, and best-of lists.

1. Stone Temple Pilots “Plush” (1992)
2. Stone Temple Pilots “Interstate Love Song” (1994)
3. Velvet Revolver “Fall to Pieces” (2004)
4. Stone Temple Pilots “Vasoline” (1994)
5. Stone Temple Pilots “Big Empty” (1994)
6. Velvet Revolver “Slither” (2004)
7. Stone Temple Pilots “Big Bang Baby” (1996)
8. Stone Temple Pilots “Creep” (1992)
9. Stone Temple Pilots “Trippin’ ona Hole in a Paper Heart” (1996)
10. Stone Temple Pilots “Sour Girl” (1999)

11. Stone Temple Pilots “Dancing Days” (1995)
12. Stone Temple Pilots “Sex Type Thing” (1992)
13. Stone Temple Pilots “Lady Picture Show” (1996)
14. Stone Temple Pilots “Pretty Penny” (1994)
15. Stone Temple Pilots “Wicked Garden” (1992)
16. Velvet Revolver “The Last Fight” (2007)
17. Stone Temple Pilots “Between the Lines” (2010)
18. Stone Temple Pilots “Revolution” (2001)
19. Stone Temple Pilots “Unglued” (1994)
20. Magnificent Bastards “Mockingbird Girl” (1995)


Saturday, November 14, 2015

Justin Bieber’s “Sorry” debuts at #2

Updated 11/24/2018.

image from screenertv.com

Sorry

Justin Bieber

Writer(s): Justin Bieber, Julia Michaels, Justin Tranter, Sonny Moore, Michael Tucker (see lyrics here)


Released: 10/23/2015


First Charted: 10/25/2015


Peak: 13 US, 11 AC, 34a RB, 11 UK, 17 CN, 2 AU (Click for codes to singles charts.)


Sales *: 8.0 US, 2.4 UK, 13.5 world (includes US + UK)


Radio Airplay *: --


Video Airplay *: 3035.64


Streaming *: 1118.0


* in millions

Review:

“Sorry” was the second single from Justin Bieber’s album Purpose. Like its predecessor, “What Do You Mean?,” it topped the Billboard Hot 100, but it had to wait awhile. It debuted at #2 on the 11/14/2015 chart – behind Adele’s “Hello.” It spent eight non-consecutive weeks at #2 before finally dethroning Adele. WK The song would ultimately top the chart in thirteen countries. WK

The dance-pop song featured a “smooth but electricifying EDM beat incorporating brassy horn bleats, a reggaeton rhythm, [and] warm island rhythms.” WK Bieber enlisted Skrillex to produce songs for his album after working with him on top-ten hit “Where Are Ü Now.” Bieber said, “Skrillex is a genius. He’s super futuristic and I just love his sounds. I think being able to incorporate that sound with what I’m doing has been super cool because …I feel like no one’s done it before.” WK

Michael Tucker, aka BloodPop, crafted the melody with Bieber in Mind and songwriters Justin Traner and Julia Michaels helped on the lyrics. WK The idea grew out of a personal event Michaels had. WK She said the idea was to “capture that moment in a relationship…where you realize you made a mistake and you’re finally read to admit and apologize.” WK In Bieber’s hands, he wasn’t just asking a lover for a second chance, but the public as well. He called the song “the end-all of apologies that I’m giving to people, to the media” SF for “a run of boorish behavior that included reckless driving, public urination, and even an incident involving a black market monkey.” SF He later recanted that comment, saying, “It really had nothing to do with that…It was about a girl.” SF

At first, Bieber consider the song “too safe and simple,” but came to love the song and “changed a couple things to make it feel like him” WKWK Of the final results, BloodPop said “Justin’s vocal delivery and the triumphant key of the song gave the narrative a warm color…The beat is…exciting and fun.” WK

Time’s Nolan Feeney said, “with a beat this breezy…that’s nothing to be sorry about.” WK Spin’s Brennan Carley called “Sorry” “a subdued step forward for the Biebs” WK and USA Today’s Maeve McDermott said it was “just as much of an earworm as his previous single ‘What Do You Mean?’” WK AllMusic’s Andy Kellman praised both songs as showing Bieber “makinga deeper connection with his material and that…he was progressing from performer to artist.” WK Pitchfork’s Brad Nelson called them “his best performances to date.” WK


Resources and Related Links:

Note: Footnotes (raised letter codes) refer to sources frequently cited on the blog. Numbers following the letter code indicate page numbers. If the raised letter code is a link, it will go directly to the correct page instead of the home page of a website. You can find the sources and corresponding footnotes on the “Lists” page in the “Song Resources” section.

Awards:


Adele’s “Hello” debuts at #1

Updated 11/24/2018.

image from billboard.com

Hello

Adele

Writer(s): Adele Adkins, Greg Kurstin (see lyrics here)


Released: 10/23/2015


First Charted: 11/7/2015


Peak: 110 US, 116 AC, 10a RB, 13 UK, 17 CN, 16 (Click for codes to singles charts.)


Sales *: 7.0 US, 1.86 UK, 13.45 world (includes US + UK)


Radio Airplay *: --


Video Airplay *: 2432.90


Streaming *: 865.00


* in millions

Review:

Adele’s second album, 21, made her a superstar – and set the expectations high for her new album, 25. She introduced new material via a commercial in the United Kingdom on The X Factor on October 18, 2015. Vanity Fair’s Josh Duboff said “the internet collectively lost its mind” after the thirty-second broadcast of “Hello.” WK The single was released five days later. It debuted at #1 in 20 countries, including the United States’ Billboard Hot 100 where it stayed for 10 weeks. It was her fourth #1 in the United States and her second in the U.K. It became the first song to sell more than a million digital copies in a week WK and set a record for 7.32 million streams in its first week. WK

The video also set a record with more than 27.7 million views in a 24-hour span, beating the previous record of 20.1 million views by Taylor Swift’s “Bad Blood.” WK It set the Vevo record for the fastest video to reach 100 million views in five days. WK The video also became the quickest to reach one billion views on YouTube – 88 days. WK MTV named it Video of the Year at its 2016 Video Music Awards. WK

The song won Grammys for Record of the Year, Song of the Year, and Best Pop Solo Performance. 25 won for Album of the Year and Pop Vocal Album, giving Adele five Grammys for the night. She became the first artist in history to win the three general field awards in the same ceremony twice. WK

The “piano ballad with soul influences” WK was marked by lyrics focused on “themes of nostalgia and regret and plays out like a conversation.” WK The song took six months to write – her co-writer, Greg Kurstin, said he wondered “if Adele was ever going to come back and finish it.” WK Kurstin ended up playing bass, guitar, drums, piano, and keyboards on the song. WK The result was what The Guardian’s Alex Petridis described as “precisely the kind of lovelorn epic ballad that made Adele one of the biggest stars in the world.” WK


Resources and Related Links:

Note: Footnotes (raised letter codes) refer to sources frequently cited on the blog. Numbers following the letter code indicate page numbers. If the raised letter code is a link, it will go directly to the correct page instead of the home page of a website. You can find the sources and corresponding footnotes on the “Lists” page in the “Song Resources” section.

Awards: