Wednesday, December 19, 2007

December 19, 1957: The Music Man opened on Broadway

Originally posted May 19, 2011. Last updated September 4, 2018.

The Music Man (cast/soundtrack)

Meredith Willson (composers)

Opened on Broadway: December 19, 1957

Cast Album Charted: February 24, 1958

Soundtrack Charted: August 11, 1962


Sales (in millions):
US: 1.0 C, 0.5 S
UK: --
IFPI: --
World (estimated): 1.5 C+S


Peak:
US: 112-C, 2 S
UK: 14 S
Canada: --
Australia: --

C cast album
S soundtrack

Quotable: --


Genre: show tunes


Album Tracks:

  1. Main Title/ Rock Island
  2. Iowa Stubborn
  3. Ya Got Trouble
  4. Piano Lesson If You Don’t Mind My Saying So s
  5. Goodnight, My Someone
  6. Ya Got Trouble s
  7. Seventy Six Trombones
  8. Sincere
  9. The Sadder But Wiser Girl for Me
  10. Pick-a-Little, Talk-a-Little
  11. Goodnight Ladies c
  12. Marian the Librarian
  13. My White Knight c
  14. Being in Love s
  15. Gary, Indiana s
  16. The Wells Fargo Wagon
  17. It’s You c
  18. Shipoopi *
  19. Lida Rose/ Will I Ever Tell You?
  20. Gary, Indiana
  21. Till There Was You
  22. Goodnight, My Someone s
  23. Seventy Six Trombones s
  24. Finale c

* Track comes right before “Till There Was You” on soundtrack.
c indicates song that appears only on cast album.
s indicates song that appears only on soundtrack.


Singles/Hit Songs *:

Till There Was You
- Anita Bryant (1959) #30
- Valjean (1962) #100

* As was common in the pre-rock era, multiple versions of a single song from a Broadway show would become hits. All chart positions are from the U.S. Billboard pop charts.

Review:

“The original Broadway cast of Meredith Willson’s most successful musical was headed by Robert Preston, who played the part of Harold Hill, a conman” R-C “intent on swindling the good people of River City, IA, by selling them on a fictitious boys' band.” R-S

“Willson concentrates on percussive effects and rapid-fire spiels for Preston, though the musical standout is Barbara Cook as Marian the Librarian. Highlights of this perennial hit show include Seventy-Six Trombones and Till There Was You.” R-S

“Coming along in the summer of 1962, four and a half years after the Broadway opening, the film version of The Music Man appeared in an era when Hollywood was more likely to be faithful to stage musicals, rather than dramatically altering them, as had been the practice in the past. R-S

The movie version “found Robert Preston re-creating his starring role as conman Professor Harold Hill…and some minor roles were also filled by the Broadway originals. More important, Meredith Willson’s score was rendered intact, the only change being a revision of the song My White Knight into Being in Love.” R-S

“The major casting change was the substitution of Shirley Jones, who had a box-office track record, for Barbara Cook, who did not, in the role of Marian the librarian. Cook may have been preferable, but Jones handled the part well, too.” R-S

“Musically, the big change had to do with scale; the Broadway pit orchestra and original cast were replaced by a vast Hollywood orchestra and chorus, and musical director Ray Heindorf made the most of the larger effects on songs like ‘Seventy Six Trombones’.” R-S

“Still, the music fan who already owned a copy of the original Broadway cast recording didn’t really need to plump for the original motion picture soundtrack, which didn’t keep the album from racing up the charts…as the film became one of the year’s top grossers. But it remains true; unless you are a Shirley Jones fan or want to hear future Andy Griffith Show co-star and film director Ronnie Howard sing Gary, Indiana with a lisp, stick to the Broadway version.” R-S


Review Sources:

Awards:


Saturday, December 1, 2007

Alicia Keys hit #1 with “No One”

Updated 1/18/2019.

image from contactmusic.com

No One

Alicia Keys

Writer(s): Alicia Keys, Kerry Brothers Jr., George M. Harry (see lyrics here)


Released: 9/11/2007


First Charted: 9/8/2007


Peak: 15 US, 9 AC, 110 RB, 6 UK, 2 CN, 3 AU (Click for codes to singles charts.)


Sales *: 4.0 US, 0.6 UK, 5.6 world (includes US + UK)


Radio Airplay *: 0.8


Video Airplay *: 395.93


Streaming *: --


* in millions

Review:

Keys told Billboard magazine “This is one song that just wrote itself. A lot of the snogs didn’t happen like that. It was one of the last songs I wrote. I needed to say this. It’s full force, classical yet vintage, desperate yet triumphant. I want people to feel my soul.” HT100 She told MTV News Canada that the song is about “the way that so many things are around you all time to try to distract you” WK in relationships.

While Keys sometimes had a tendency “towards bloat, overstuffing her songs and albums with not particularly original ideas; she’s pared down her vision since, becoming both more disciplined and more eccentric.” DS With “No One,” however, she created “perhaps the most straightforward, even basic pop this decade has seen, are so obvious as to convert even the most chart-skeptical.” DS

Popjustice called it one of her best singles to date. WK Digital Spy’s Alex Fletcher called it a “simplistic yet beautiful, fluttering, piano-tinkling ballad.” WK Paste’s David Mead said it “showcases a new depth and width to the tone of her voice.” WK

It was the most-listened-to song on American radio in 2008 with 3.08 billion listeners, SF as evidenced by the song topping multiple Billboard pop and R&B-oriented charts. For the week ending December 29, 2007, Keys became the first artist in the history of the R&B/hip-hop charts to have songs at #1 and #2 (“Like You’ll Never See Me Again”) without help from any duet partners or featured artists. SF The song did well internationally as well, hitting #1 in Bulgaria, Croatia, Cyprus, Hungary, Portugal, Spain, Switzerland, and Turkey. SF


Resources and Related Links:

Note: Footnotes (raised letter codes) refer to sources frequently cited on the blog. Numbers following the letter code indicate page numbers. If the raised letter code is a link, it will go directly to the correct page instead of the home page of a website. You can find the sources and corresponding footnotes on the “Lists” page in the “Song Resources” section.

Awards: