Saturday, April 29, 2006

Gnarls Barkley charts with “Crazy”

Updated 1/16/2019.

image from RollingStone.com

Crazy

Gnarls Barkley

Writer(s): Brian Burton/ Thomas Callaway/ Gianfranco Reverberi/ Gian Piero Reverberi (see lyrics here)


Released: 3/13/2006


First Charted: 4/29/2006


Peak: 2 US, 7 AC, 16 AAA, 53 RB, 19 UK, 2 AU (Click for codes to singles charts.)


Sales *: 4.0 US, 1.2 UK, 5.96 world (includes US + UK)


Radio Airplay *: 0.6


Video Airplay *: --


Streaming *: 157.50


* in millions

Review:

When Goodie Mob rapper and soulman Cee-Lo Green teamed with noted producer Danger Mouse (Gorillaz’ Demon Days and his own Jay-Z/Beatles mash-up The Grey Album), the average radio listener would stare blankly if quizzed on songs associated with either of the pair. With a name that played on Hall of Fame basketball star Charles Barkley, the duo were seemingly carefree about whether or not achieved success.

Thus the success of “Crazy” was based not on the band’s image or personality, but the strength of the unique and catchy song – “the audio equivalent of a hippie rainbow.” BX It featured “an impassioned vocal, an old-fashioned bassline,” MN and a “thoroughly authentic retro sound and indelibly genius melody…It’s chord progression and melody is a songwriter’s joy.” WX The duo “packed a career’s worth of genius…into three minutes” RS’09 “and just enough oddness to stand out on the radio dial.” MN

The song emerged from a discussion between the duo about how artists aren’t taken seriously unless they’re insane. Green used the conversation as a springboard for the song’s lyrics and paired it with a strings sample Danger Mouse took from a spaghetti Western score by Ennio Morricone.

“Crazy” was the first song to top the British charts on the strength of downloads alone. It became the best-selling single of 2006 and, by the end of the next year, was the most downloaded song ever in the U.K. SFThe music video fit the insanity theme, done in the style of the famous psychiatric Roschach test in which patients are evaluated on their responses to inkblot patterns. SF


Resources and Related Links:

Note: Footnotes (raised letter codes) refer to sources frequently cited on the blog. Numbers following the letter code indicate page numbers. If the raised letter code is a link, it will go directly to the correct page instead of the home page of a website. You can find the sources and corresponding footnotes on the “Lists” page in the “Song Resources” section.

Awards:


Saturday, April 8, 2006

Daniel Powter tops the charts with “Bad Day”

Updated 1/15/2019.

image from genius.com

Bad Day

Daniel Powter

Writer(s): Daniel Powter (see lyrics here)


Released: 1/9/2005


First Charted: 8/27/2005


Peak: 15 US, 119 AC, 2 UK, 7 CN, 3 AU (Click for codes to singles charts.)


Sales *: 3.0 US, 0.6 UK, 5.0 world (includes US + UK)


Radio Airplay *: 0.7


Video Airplay *: 122.64


Streaming *: --


* in millions

Review:

Daniel Powter’s “Bad Day” was definitely not an overnight success. The Canadian singer first recorded the song with producer Jeff Dawson in 2002, who he partnered with in 1997. WK They couldn’t find a label to release it, but finally signed a contract with Warner Bros. Records in April 2003. WK The song was eventually used in a French TV ad for Coca Cola during the 2004 Christmas season. WK

After that, the song was released in Europe as the lead single for Powter’s self-titled sophomore album in January 2005. It went on to become the most played song on European radio. WK In July 2008, the British Performing Rights Society announced that “Bad Day” was the most-played song in the U.K. over the previous five years. SF

The song wouldn’t find success in the U.S. until 2006, when it was used as the goodbye song to departing contestants on the hugely successful U.S. television talent show American Idol. SF It finally charted in the U.S. in February of that year and reached the top of the Billboard Hot 100 in April. It became the first song to sell two million digital copies in the United States. WK

A writer for The Daily Edge said it was “so sweet it gave you a toothache” WK while People magazine said the song “may be catchy enough to overcome its trite lyrics.” WK On the flip side, On the flip side, others were complimentary of the song’s message. Entertainment Weekly’s David Browne said the song was “addressed to anyone who’s feeling depressed…but its grand panoramic arrangement wants to pump you up.” WK All Music Guide’s Stephen Thomas Erlewine echoed the latter statement, calling it a “sunny tune that pretty much has the opposite sentiment of its title.” WK Powter himself said the song is “not literally about having a bad day. It’s more about not taking yourself too seriously and complaining about trivial things.” WK


Resources and Related Links:

Note: Footnotes (raised letter codes) refer to sources frequently cited on the blog. Numbers following the letter code indicate page numbers. If the raised letter code is a link, it will go directly to the correct page instead of the home page of a website. You can find the sources and corresponding footnotes on the “Lists” page in the “Song Resources” section.

Awards: