Friday, May 30, 2003

50 years ago: Jackie Gleason hit #1 for 1st of 23 weeks

First posted 4/6/2008; updated 9/29/2020.

Music for Lovers Only

Jackie Gleason


Charted: January 17, 1953


Peak: 123 US, -- UK, -- CN, -- AU


Sales (in millions): 0.5 US, -- UK, 0.5 world (includes US and UK)


Genre: orchestral pop


Tracks:

Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Alone Together (Arthur Schwartz, Howard Dietz) [3:05]
  2. My Funny Valentine (Richard Rodgers, Lorenz Hart) [3:22]
  3. But Not for Me (George Gershwin, Ira Gershwin) [2:49]
  4. Love (Your Spell Is Everywhere) (Edmund Goulding, Elsie Janis) [2:41]
  5. I’m in the Mood for Love (Jimmy McHugh, Dorothy Fields) [3:30]
  6. Love Is Here to Stay (George Gershwin, Ira Gershwin) [3:22]
  7. I Only Have Eyes for You (Al Dubin, Harry Warren) [3:19]
  8. Body and Soul (Johnny Green, Ed Heyman, Robert Sau, Frank Eyton) [3:16]

    Added to the 1953 12” LP:

  9. Little Girl [3:22]
  10. I Cover the Waterfront [3:42]
  11. Some Day [3:26]
  12. If I Had You [3:30]
  13. When a Man Loves a Woman [2:26]
  14. A Stranger in Town [2:44]
  15. There Ought to Be a Moonlight Saving Time [2:27]
  16. My Love for Carmen [3:20]


Total Running Time: 50 minutes

Rating:

4.154 out of 5.00 (average of 10 ratings)


Quotable: One can practically “smell cigarette smoke mingled with perfume and champagne.” – PopDose.com


Awards:

About the Album:

While known mostly as a comedic actor, Jackie Gleason also released a series of orchestral “mood music” albums (i.e. “background music for making out on the couch” SA) in the ‘50s and ‘60s. He couldn’t read or write music SA and was neither a composer nor conductor in the traditional sense, but had a deep music appreciation and took an active hand in the music that appeared in his television shows. PD He often sat at the piano “painstakingly working on melodies one note at a time while a musical director took notes and translated.” PD

His first album was Music for Lovers Only, originally released as a 10”, eight-song LP in 1952. It was expanded to a 12” in 1953 and eight more tracks were added. JG “Listeners liked how Gleason smoothed down the tunes.” SA It was a massively successful collection which spent three years on the Billboard album chart, including more than five months at #1.

Gleason’s work is now “viewed more often as collective kitsch than as music to be enjoyed on its own merits,” PD but it “is perfectly enjoyable. It’s vintage orchestral pop, neatly arranged and played with professionalism.” PD When listening to it, one can practically “smell cigarette smoke mingled with perfume and champagne.” PD The liner notes, if not the album cover itself, make it clear that was exactly Gleason’s intent in describing the “entrancing setting” for his music as “a wisp of cigarette smoke in the soft lamplight, the tinkle of a glass, a hushed whisper.” JG Gleason said, “The only thing better than one of my songs is one of my songs with a glass of scotch.” SA

The album features jazz cornetist Bobby Hackett, who worked with Glenn Miller and Benny Goodman in the ‘30s and ‘40s. PD “Highlights include My Funny Valentine, I’m in the Mood for Love, and I Only Have Eyes for You,” JG the latter of which became a huge doo-wop hit later in the decade. Earlier versions of “I’m in the Mood for Love” and Body and Soul are featured in the DMDB book The Top 100 Songs of the Pre-Rock Era, 1890-1953.

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Saturday, May 3, 2003

50 Cent spent 9th week at #1 with “In Da Club”

Last updated 3/28/2020.

In Da Club

50 Cent

Writer(s): Curtis Jackson, Andre Young, Mike Elizondo (see lyrics here)


Released: January 7, 2003


First Charted: December 28, 2002


Peak: 19 US, 14 RR, 19 RB, 3 UK, 15 CN, 15 AU (Click for codes to singles charts.)


Sales (in millions): 1.0 US, 1.05 UK, 2.86 world (includes US + UK)


Airplay/Streaming (in millions): 0.5 radio, 1003.31 video, -- streaming

Awards:

About the Song:

Getting riddled with nine bullets would be a game changer, usually not for the better. As a former drug dealer earning a reputation for his mix tapes on his way toward rap stardom, however, such events only add to the lore of Curtis Jackson III, better known as 50 Cent. He didn’t just survive, but parlayed his gangsta cred into a blockbuster career under the tutelage of two of the genres biggest stars – Eminem and Dr. Dre.

After a failed stint with Columbia Records, his Em and Dre-backed Interscope debut, Get Rich or Die Tryin’, stormed out of the gates with a whopping 872,000 first week sales. The only rapper to post a bigger debut? Eminem. SF The album jumped out to such a prominent start on the back of lead single, “In Da Club.” The song, which became the biggest selling single of 2003, TB-304 was such a big hit that in clubs, DJs often had to play it twice in a row. SF

The club has taken on a “mythic aura…in modern pop music, as a sort of hyperreal space in which all desires are satisfied, all bodies are beautiful (and available), and everything and everyone exists for the sake of the person making the song…Fiddy’s rhymes approach the club from a tough-guy street pose, but Dre’s polished, expensive beat and the very lack of urgency in his voice betray him: he’s just another rich asshole in paradise.” DS

Ironically, the “hook [was] so chunky and flat-footed, it was hard to dance to.” NPR’09 The song marked “the joyful, playful start of a depressing era of party rap somewhat akin to the hair metal…of the ‘80s.” NPR’09 That beat, which “could fairly be called harsh or elegantly spare,” ID “helped set off the ringtone craze.” ID The song’s “infectious chant” TB-304 “go shorty, it’s your birthday” “has now become standard drunken-birthday-party fare,” TB-304 but 2 Live Crew’s Luther Campbell wasn’t feeling so celebratory; he sued 50 Cent for borrowing the line from his group’s 1994 song “It’s Your Birthday.” SF

The song’s “success was evident by the number of songs it spawned. BeyoncĂ© did a version (“Sexy Lil’ Thug”) with lyrics adjusted to be about a girls’ night out. Mary J. Blige recorded “Hooked” with P. Diddy, using the beat from “Club.” Similarly, Bubba Sparxxx did “In the Mudd” and Cadillac Tah did “There’s a Snitch in the Club.” SF


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