Saturday, September 6, 1997

Elton John performs “Candle in the Wind” at Princess Di’s funeral: September 6, 1997

Originally posted September 6, 2012.

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This content is taken from the The Top 100 Songs of the Rock Era, 1954-1999, available at as a standard book or ebook!

According to Elton John, lyricist Bernie Taupin called “Candle in the Wind” “the best song we’ve ever written.” KL It charted three times in three decades with three versions. The original was a tribute to Marilyn Monroe and hit #11 in 1974 in the U.K. In the U.S., when DJs latched on to “Bennie and the Jets” the planned single release was aborted, RS500 but a live version would hit #6 on the pop chart and #2 on the adult contemporary chart in 1987.

The song’s greatest success came when Princess Diana died in a car crash on August 31, 1997. Elton proposed the idea to Taupin of revising the lyrics as a eulogy. Within the hour, Taupin had faxed the new words to John. HL Elton performed the only public performance of the revamped version at Diana’s funeral for a televised worldwide audience of more than 2.5 billion people. BR1 After the funeral, Elton headed to the studio with famed Beatles’ producer George Martin to record the song. BR1

When released in the U.K., the song went straight to #1 on the strength 658,000 copies sold in a single day. The song amassed 2 million in sales by the end of its second week and logged another million in the next week. MG In 2008, the song had moved more than 5 million, making it the U.K.’s biggest seller ever. MG

The U.S. matched that number just in advance orders BR1 and would go on to 11 million in sales. MG Worldwide, it ranks as one of the top 100 best-selling songs in the world. Only Bing Crosby’s “White Christmas”, with estimates as high as 56 million, has sold more. The song topped the charts in 11 countries,” BB100 most notably with an astonishing 45 weeks at #1 in Canada. MG Its 14 weeks atop the U.S. charts make it one of the biggest #1 pop songs in U.S. chart history.


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Sunday, August 31, 1997

Concert: Bob Dylan

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Venue: Spiritfest – Liberty Memorial Park; Kansas City, MO
Tour: Never Ending Tour

What I remember most about this show: There were at least a half-dozen of us who went to this outdoor, general admission festival. Jerry, the Bob Dylan fanatic of the bunch, went that morning to stake out a spot up close. The rest of us arrived later and camped out about ten feet from the stage. During the show, we had to lock arms together to preserve our prime spots and keep others from pushing in front of us!

The Set List:

1. Absolutely Sweet Marie
2. It Takes a Lot to Laugh, It Takes a Train to Cry
3. Tough Mama
4. You Ain’t Goin’ Nowhere
5. Silvio
6. Stone Walls and Steel Bars (Stanley Brothers cover)
7. Mr. Tambourine Man
8. Tangled Up in Blue
9. Stuck Inside of Mobile with the Memphis Blues Again
10. Tears of Rage
11. Leopard-Skin Pill-Box Hat


12. Like a Rolling Stone
13. Don’t Think Twice, It’s Alright
14. Highway 61 Revisited

Saturday, June 28, 1997

Radiohead hit #1 in the UK with OK Computer: June 28, 1997

Originally posted June 28, 2012.

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Release date: 16 June 1997
Tracks: (Click for codes to singles charts.) Airbag / Paranoid Android (6/7/97, #3 UK) / Subterranean Homesick Alien / Exit Music (For a Film) / Let Down (8/16/97 #29 MR) / Karma Police (8/6/97, #69 UK, #14 MR) / Fitter Happier / Electioneering / Climbing Up the Walls / No Surprises (1/24/98 #4 UK) / Lucky (11/4/95, --) / The Tourist

Sales (in millions): 2.0 US, 0.9 UK, 3.0 Europe, 7.5 world

Peak: 21 US, 12 UK


Review: OK Computer “is art-rock at its most rewarding and contradictory.” BN Its “astonishing emotional and compositional complexity” BN established “Radiohead as one of the most inventive and rewarding guitar-rock bands of the ‘90s,” AMG even invoking some to call them “The Only Band That Matters.” TL

The album “vigorously defies fast analysis, flip judgment and easy interpretation” RS and “becomes even more impressive with repeated listens.” AMG Radiohead eschewed “many of the obvious elements of guitar rock, creating music that is subtle and textured, yet still has the feeling of rock & roll.” AMG The album is marked by “countless schizophrenic twists and turns.” BN It is “subtly layered but startlingly bombastic, melancholic but beautifully serene, fractured and chaotic but completely sure of its own sonic ambition.” BN It “rejects speed and hooks in favor of languorous texture and morose details.” AZ “It’s a thoroughly astonishing demonstration of musical virtuosity” AMG in which “it’s not always easy to determine which instrument makes which noise. The melodies are unorthodox and tangentia” QM and the “more planetarium-compatible noises” QM garnered comparisons to Pink Floyd. AZ

Thematically, it is a “spooky, atmospheric, intense and paranoid rumination” TL on “the debilitating clutter of modern life and the desire to escape from it.” BN It explores the idea that “the past is being perpetually deleted (with the future yet to be downloaded).” URB It “would be insufferable if it didn’t float along on a procession of gorgeous melodies…punctuated by Thom Yorke’s elastic tenor” TL and ability to shift his voice “effortlessly…from a sweet falsetto to vicious snarls.” AMG

Paranoid Android

Highlights include the “sighing” AMG and “superb Karma PoliceQM as well as “the complex, multi-segmented Paranoid Android.” AMG It is packed with “alternating time signatures, wild dynamic shifts, drama and adrenaline to spare” VH1 is “a ‘Bohemian Rhapsody’ for the nineties.” AD Finally, “the slow and emotionally draining closing five minute long epic” ADNo Surprises is Radiohead's prettiest moment to date.” QM

Karma Police

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Saturday, June 14, 1997

Puff Daddy Memorializes Notorious B.I.G.: June 14, 1997

Originally posted June 14, 2011.

On March 9, 1997, rapper Christopher Wallace, better known as The Notorious B.I.G., was gunned down. He was only 24 years old. His 1994 album Ready to Die had made him a superstar. His 1997 album Life After Death, released just two weeks after his death, immortalized him.

The Notorious B.I.G. and Puff Daddy

Devastated over the loss of his best friend, rapper Sean “Puff Daddy” Combs wrote a tribute around samples of The Police’s 1983 #1 hit “Every Breath You Take,” a song featured in the book The Top 100 Songs of the Rock Era, 1954-1999. Combs tapped singer Faith Evans, B.I.G.’s widow, to sing the song with him alongside R&B group 112. The song made its chart debut on June 14, 1997. It was huge from the onset. According to the 2001 Guinness World Records British Hit Singles book edited by Dave Roberts, it was the first to debut at #1 in both the United States and England. DR-64

It was only the fifth song in history to debut atop the U.S. Billboard Hot 100 chart. (See full list here). Chart tracking methods changed in the 1990s, making the feat possible for the first time. Michael Jackson’s 1995 hit “You Are Not Alone” was the first to accomplish the landmark. As of Lady Gaga’s “Born This Way,” which debuted atop the chart on February 26, 2011, it is still an accomplishment as only twenty songs can boast to doing it.

At its release, “I’ll Be Missing You” claimed the title of biggest selling rap song of all-time. DR-64 With 11 weeks atop the charts, it is also one of the biggest #1 pop songs in U.S. chart history. Only Eminem’s “Lose Yourself” has logged more time on top (although pop-meets-rap group Black Eyed Peas went to #1 for 12 weeks with “Boom Boom Pow” and “I Got a Feeling” hit the summit for 14 weeks).

1997 proved a mixed blessing for Combs. Even as he mourned his friend, he capped one of the most successful years in pop history. His song “Can’t Nobody Hold Me Down” topped the chart for 6 weeks right after B.I.G.’s death. It was replaced by B.I.G.’s “Hypnotize,” a song which Combs helped write and produce, for three weeks. A three-week stint by Hanson’s “Mmmbop” interrupted the Combs/B.I.G. stranglehold briefly – then “I’ll Be Missing You” began its chart run. It was then supplanted by “Mo Money Mo Problems,” another B.I.G. hit with Combs featured as a writer and producer. All told, Combs spent 22 weeks on top of the Hot 100 chart in 1997 as a writer, producer, and/or performer.

“I’ll Be Missing You” ranks as one of the top 1000 songs of the 20th century according to Dave’s Music Database.

For more information, including special recognitions for acts, songs, and albums, check out individual entries in the DMDB music makers’ encyclopedia for Puff Daddy and the Notorious B.I.G.. Also check out the DMDB pages for Ready to Die and Life After Death for reviews and more details about those albums.

Tuesday, March 25, 1997

Mar. 25, 1997: Muddy Waters compilation, His Best 1947-55, released

Last updated September 7, 2018.

Best of/His Best

Muddy Waters

Released: April 1958 B, Mar. 25, 1997 H

Years Covered: 1948-54 B, 1947-55 H

Sales (in millions):
US: --
UK: --
IFPI: --
World (estimated): --

US: --
UK: --
Canada: --
Australia: --

B Best of
H His Best 1947-1955

Quotable: “Perfect country blues” – Ken Hohman,

Genre: blues

Album Tracks: H

  1. I Can’t Be Satisfied (9/18/48, #11 RB) B
  2. I Feel Like Going Home (9/18/48, B-side of “Satisfied”)
  3. Train Fare Home (1948)
  4. Rollin’ and Tumblin’ (1950)
  5. Rollin’ Stone (1950) B
  6. Louisiana Blues (1/13/51, #10 RB) B
  7. Long Distance Call (4/14/51, #8 RB) B
  8. Honey Bee (7/14/51, #10) B
  9. Still a Fool (11/24/51, #9 RB) B
  10. She Moves Me (2/23/52, #10 RB) B
  11. Standing Around Crying (1952) B
  12. Mad Love (I Want You to Love Me) (11/21/53, #6 RB) B
  13. Baby Please Don’t Go (1953)
  14. (I’m Your) Hoochie Coochie Man (3/13/54, #3 RB) B
  15. I Just Want to Make Love to You (6/5/54, #4 RB) B
  16. I’m Ready (10/23/54, #4 RB) B
  17. Mannish Boy (6/30/55, #5 RB)
  18. Young Fashioned Ways (1955)
  19. Sugar Sweet (1955)
  20. Trouble No More (1955)

All of the above tracks are featured on His Best 1947-1955 (H). Tracks featured on Best of are noted by B.

Singles/Hit Songs:

Click here for the chart codes for singles/hit songs.


In 1958, Chess Records released a Muddy Waters’ greatest hits collection simply entitled The Best of Muddy Waters. It compiled a dozen songs which were initially issued as singles from 1948 to 1954. Most appeared on Billboard magazine’s R&B charts. It was the first Muddy Waters album and only the third album released by Chess on the LP (long-playing) format. WK In 1983, it was inducted into the Blues Hall of Fame.

Nearly 40 years later, as part of their 50th anniversary series, Chess released a new compilation (His Best 1947-55) JH which covered all the songs on the original Best of collection plus another eight songs.

These songs represent Waters from his formative years through his peak. Listeners are “in for a lot of terrific bottleneck slide guitar work as well as electric Chicago blues.” KH These “tracks are spare, haunting and, quite frankly, perfect country blues.” KHI Can't Be Satisfied, Rollin' and Tumblin’, I’m Ready, and Mannish Boy are simply beyond reproach.” KH The latter song and “Hoochie Coochie Man have sparked endless imitations over the years – and…nobody has played them better since.” KH

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