Saturday, December 12, 1992

Dec. 12, 1992: The Bodyguard soundtrack hit #1 in the U.S. for the first of 20 weeks

Last updated September 1, 2018.

The Bodyguard (soundtrack)

Whitney Houston/ Various Artists

Released: Nov. 14, 1992


Sales (in millions):
US: 17.0
UK: 2.14
IFPI: --
World (estimated): 38.5


Peak:
US: 1 20
UK: 111
Canada: 19
Australia: 15

Quotable: --


Genre: pop/R&B


Album Tracks/Hit Songs:

Click here for the chart codes for singles/hit songs.

  1. I Will Always Love You (WHITNEY HOUSTON) (11/14/92) #1 US, #1 UK, #1 RB, #1 AC, 4x platinum single
  2. I Have Nothing (WHITNEY HOUSTON) (2/20/93) #1a US, #3 UK, #3a RB, #1 AC, gold single
  3. I’m Every Woman (WHITNEY HOUSTON) (1/9/93) #2a US, #4 UK, #4a RB, #26 AC, gold single
  4. Run to You (WHITNEY HOUSTON) #26a US, #15 UK, #31 RB, #9 AC
  5. Queen of the Night (WHITNEY HOUSTON) (11/6/93) #36a US, #14 UK, #47a RB
  6. Jesus Loves Me (WHITNEY HOUSTON)
  7. Even if My Heart Would Break (KENNY G/ AARON NEVILLE)
  8. Someday (I’m Coming Back) (LISA STANSFIELD)
  9. It’s Gonna Be a Lovely Day (S.O.U.L. S.Y.S.T.E.M.)
  10. What’s So Funny ‘Bout Peace, Love and Understanding (CURTIS STIGERS)
  11. Waiting for You (KENNY G) *
  12. Trust in Me (JOE COCKER/ SASS JORDAN)
  13. Theme from ‘The Bodyguard’ (ALAN SILVESTRI)
* not on U.S. album

Review:

“Few observers expected that Whitney Houston’s first big-screen role in 1992’s The Bodyguard would generate a phenomenon. Not that the film itself was a phenomenon – it was a healthy success, due not only to Houston, but to her co-star Kevin Costner's drawing power – but the soundtrack’s success was astonishing. The Bodyguard followed Houston’s cover of Dolly Parton’s I Will Always Love You to the top of the charts, and once they got there, neither the single nor the album budged for weeks. ‘I Will Always Love You’ spent a record-shattering 14 weeks in the top slot, while The Bodyguard spent 20 weeks at number one, eventually selling over 15 million copies and winning the Grammy award for Album of the Year.” STE

“Like many phenomena of that magnitude, it’s hard to see, in retrospect, what triggered such a massive public response. True, The Bodyguard isn’t a typical soundtrack in that its first half plays like Houston’s sequel to I’m Your Baby Tonight, but its second half is filled with the flotsam and jetsam typical for a big-budget soundtrack – an excerpt from Alan Silverstri’s score, some flavorless but pleasant Kenny G instrumentals, dated pop and dance numbers, and a cover (Curtis Stigers’ take on (What's So Funny 'Bout) Peace, Love and Understanding, which is notable in some circles as the recording that made the song’s author, Nick Lowe, a millionaire).” STE

“Then again, nobody really paid attention to anything outside of the first six songs, all of which rank among Houston's best efforts, demonstrating progress from the somewhat stilted I’m Your Baby Tonight. It’s not startling enough to justify the phenomenon, but I Have Nothing, Queen of the Night, Run to You, and especially her cover of I’m Every Woman are all first-rate urban pop songs that skillfully capture Houston at her best. In a sense, the album is no different than any other album Houston recorded.” STE

“It may seem odd that a soundtrack is Houston's biggest-selling album to date, but consider this – even her best records had five or six great songs surrounded by well-constructed filler; the same is true here, only the filler is recorded by other artists.” STE


Review Source(s):

Awards:


Related DMDB Link(s):


Monday, November 30, 1992

Nirvana released “In Bloom”

First posted 5/7/2020.

In Bloom

Nirvana

Writer(s): Kurt Cobain (see lyrics here)


Released: November 30, 1992


First Charted: December 12, 1992


Peak: 5 AR, 28 UK, 73 AU (Click for codes to singles charts.)


Sales (in millions): -- US, 0.2 UK, 0.2 world (includes US + UK)


Airplay/Streaming (in millions): 0.131 radio, 135.8 video, -- streaming

Awards (Nirvana):

Awards (Sturgill Simpson):

About the Song:

Nirvana’s Kurt Cobain wrote “In Bloom” after their debut album, Bleach, was released on Sub Pop. The song was an attack on those outside the underground music community who started showing up at Nirvana’s shows, but didn’t understand the band’s message. WK Cobain said the song was an attack on “rednecks, macho men, and abusive people.” SF He told Melody Maker magazine, “I didn’t like the cheerleader type of girl or want to hang out with the jock boys. I chose to live the life of a recluse. I didn’t hang out with anyone else because I couldn’t handle their stupidity.” SF

The band first recorded the song in April 1990 for what was then intended as their second album for Sub Pop. They even recorded a video for the song. When Nirvana signed to DGC Records, they started work on Nevermind in May 1991 and “In Bloom” was one of the first songs they revisited. It ended up as the fourth single from Nevermind, released over a year after the album first dropped.

A new video for the song was shot which parodied variety shows from the 1960s, like The Ed Sullivan Show. The host introduces the band as “thoroughly all right and decent fellas” and mispronounces their name. A crowd of teenagers screams throughout the song and the band destroys the set and their instruments by the song’s conclusion. Two different versions were shot, one in which the band performed in dresses and another where they play in Beach Boys-style outfits. A third version combined elements of both videos and won Best Alternative Video at the 1993 MTV Video Music Awards. It was also named top music video by critics in Village Voice. WK

Sturgill Simpson, a country artist, recorded the song for his 2016 A Sailor’s Guide to Earth album. A “swirl of strings and horns” SF made the song “completely unrecognizable.” SF Simpson said he was in seventh or eight grade when the album ame out and it “was like a bomb went off.” SF He explained that “In Bloom” “summed up what it means to be a teenager, and I think it tells a young boy that he can be sensitive and compassionate – he doesn’t have to be tough or cold to be a man. So I wanted to make a very beautiful and pure homage to Kurt.” SF


Resources and Related Links:

Saturday, November 28, 1992

Whitney Houston hit #1 with "I Will Always Love You"

First posted 11/28/2011; updated 4/7/2020.

I Will Always Love You

Whitney Houston

Writer(s): Dolly Parton (see lyrics here)


Released: November 3, 1992


First Charted: November 13, 1992


Peak: 114 US, 17 RR, 1511 RB, 110 UK, 18 CN, 110 AU (Click for codes to singles charts.)


Sales (in millions): 10.0 US, 2.0 UK, 20.0 world (includes US + UK)


Airplay/Streaming (in millions): 6.0 radio, 1212.9 video, 315.17 streaming

Awards (Houston’s version):


Awards (Parton’s version):

Review:

Considering that this song has topped six different U.S. charts for a combined total of 55 weeks, it could be declared the most successful chart single of all time. On the U.S. pop charts, Elvis Presley’s double-sided single “Don’t Be Cruel”/“Hound Dog” held the record for most weeks (11) atop the Billboard Hot 100 for 36 years before Boyz II Men grabbed the pinnacle for 13 weeks with “End of the Road.” However, the Boyz didn’t hang on to the record quite as long as The King. A mere two weeks after “Road” finished its reign, the song that would dethrone it slid into the #1 spot.

Dolly Parton’s original was a #1 country song in 1974 and 1982. It was a re-recorded version for the film The Best Little Whorehouse in Texas. Dolly even hit the country charts with it a third time when a 1995 duet version with Vince Gill went to #15. However, it was Whitney’s version that exploded. It hit on the UK charts, Cashbox, and Billboard’s pop, R&B, and adult contemporary charts.

Whitney’s version was featured in the movie The Bodyguard. It had to illustrate Kevin Costner’s character’s background when it plays on a jukebox at a blue-collar bar and show Houston’s glamorous, superstar singer lifestyle when she sings it to him later as a tribute. BR1

Plans to record Jimmy Ruffin’s “What Becomes of the Brokenhearted” were scuttled when the movie Fried Green Tomatoes got first dibs. Costner brought a 1975 Linda Ronstadt version of “Love You” to Houston, who re-arranged it as a soul ballad. WK

It goes without saying that this was 1992’s biggest pop hit, WHC but it also was the first triple-platinum-selling single by a woman BB100 and propelled The Bodyguard soundtrack to 17 million sales. It is also a hit at funerals, being the most requested record for those solemn occasions. KL


Resources and Related Links: