Saturday, August 15, 1981

Lionel Richie and Diana Ross hit #1 with “Endless Love” for first of 9 weeks

First posted 7/4/2012; updated 4/20/2020.

Endless Love

Lionel Richie and Diana Ross

Writer(s): Lionel Richie (see lyrics here)

First Charted: July 4, 1981

Peak: 19 US, 19 CB, 19 HR, 15 RR, 13 AC, 17 RB, 7 UK, 16 CN, 14 AU (Click for codes to singles charts.)

Sales (in millions): 3.0 US, 0.25 UK, 3.25 world (includes US + UK)

Airplay/Streaming (in millions): -- radio, 66.8 video, -- streaming


About the Song:

In 2002, Richie told Billboard magazine, “When I put out ‘Endless Love’…during the days of disco, the reaction was, ‘Are you nuts?’” BB100 However, this unforgettable ballad from the completely forgettable Brooke Shields and Tom Cruise movie of the same name was the biggest hit Motown had up to that time, not to mention the biggest soundtrack single and most successful duet. BR1

It was also the most successful song of both their careers. This was no small task – between them, they contributed to 54 #1 songs on Billboard magazine’s pop, R&B, and adult contemporary (AC) charts. However, this song found the pair at very different stages of their careers. Ross spent the ‘60s fronting the Supremes, racking up 12 #1 pop hits and 8 #1’s on the R&B chart. When she went solo in the ‘70s, she hit the top of the R&B and AC charts five and three times respectively. However, “Endless Love” was her final Motown single WK and her last of six #1 pop hits.

Richie was also a Motown stalwart, but just launching his solo career. With the Commodores, he landed atop the pop charts twice, the R&B charts six times, and the adult contemporary chart once. “Endless Love” was Richie’s first time atop the pop, R&B, and AC charts – charts he’d top five, five, and eleven times respectively. As a songwriter, he had the top song of 1980 with Kenny Rogers’ “Lady.” WHC

Recording was no easy task. Richie hadn’t written the song as a duet, but there was a push to get Diana on the song. Since Richie couldn’t sing in her key, he had to make up her part in the studio. SF Their busy schedules meant they finally met up in Reno, Nevada at 3:30 in the morning after Ross had performed at Lake Tahoe. An hour and a half later, they had the song on tape. BR1 Good thing – it was due to go out the next day for use in the movie. SF

Ross also recorded a solo version on her Who Do Fools Fall in Love? album WK and in 1994, it became Luther Vandross’ biggest hit when he and Mariah Carey reached #2 on the pop charts in the U.S. and top 5 in the U.K.

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Saturday, August 8, 1981

Journey Charts with Escape: August 8, 1981

Originally posted August 8, 2011.

Journey’s ‘Escape’-era lineup, left to right:
Jonathan Cain, Ross Vallory, Neal Schon, Steve Perry, Steve Smith

1981 was the year of arena rock. REO Speedwagon, Styx, Foreigner, and Journey had all been around since at least the mid-‘70s and amassed huge followings, but peaked that year with the only #1 albums of their careers. All four albums marked the groups’ biggest selling studio efforts and were supported by at least two top ten hits each. All four make the Dave’s Music Database lists of top 1000 albums of all time and Top 100 Classic Rock Albums, although Foreigner makes the latter with its debut and not 1981’s Foreigner 4.

All four groups were savaged by critics. Their power ballads were mocked and their proclivity toward radio-friendly rock wasn’t taken seriously. All four bands have been eligible for the Rock and Roll Hall of Fame for a decade; none are in.

Of the four kings of arena rock, however, Journey may be laughing the hardest in the critics’ faces. In the last five years, their song “Don’t Stop Believin’”, had a surprising resurgence when it was used in the finale of television’s The Sopranos. Then it also served as the springboard for Glee, giving that television franchise a #4 hit with the first of their many covers which would dethrone Elvis Presley for most chart hits in Billboard Hot 100 history. Read more about that in my Pop Matters column, Is Glee the New Elvis, Really?

Of course, the song did just fine the first time around. It was one of three top-ten, million-selling singles from Escape, sandwiched in between power ballads “Who’s Crying Now” and “Open Arms”. However, the revival of the song in the digital age has now lifted it to 2.9 million in sales worldwide. Journey’s new-found success lifted them to their loftiest heights in years – their 2008 album Revelation went top five and platinum in the U.S.

As for the original album’s success, it marked the debut of Jonathan Cain as the group’s new keyboardist. He also co-wrote every song on the album, CR which had a lot to do with the group’s boosted commercial appeal. The “heartfelt songwriting and sturdy musicianship” MD has “a way of rekindling the innocence of youthful romance and the rebelliousness of growing up.” MD

Of course, Journey also retained some of the best qualities from pre-Escape days, namely “Neal Schon’s grand yet palatable guitar playing” MD and “the passionate, wide-ranged vocals of Steve Perry, who is the true lifeblood of this album, and this band.” MD

Escape also makes the NARM/Rock and Roll Hall of Fame’s list of Definite 200 Albums and Kerrang! magazine’s best-of list.

Click photo for more about the album.

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Saturday, August 1, 1981

MTV went on the air: August 1, 1981

Originally posted August 1, 2012.

image from

MTV, or Music Television, launched on cable television on August 1, 1981. While today the station has become known for a slew of reality-based programming targeted toward teens, the “M” in “MTV” truly stood for music in the beginning. The station became required viewing for teens wanting to be up on the latest videos and music news.

That first broadcast was only available to parts of New Jersey. The initial format consisted of crude promotional videos and concert footage with music similar to a Top 40 radio format. Thanks to a need for lots of content, the early years of MTV broke lots of new artists and made for fertile creative ground for pioneers of music video.

Here were the first 10 videos, along with the VJ (video jockey) chatter and commercials, as aired on MTV:

The Launch of MTV

1. Buggles “Video Killed the Radio Star”

2. Pat Benatar “You Better Run”
3. Rod Stewart “She Won’t Dance with Me”

4. The Who “You Better You Bet”

5. Ph.D “Little Susie’s on the Up”
6. Cliff Richard “We Don’t Talk Anymore”

7. Pretenders “Brass in Pocket”
8. Todd Rundgren “Time Heals”
9. REO Speedwagon “Take It on the Run” (with original technical difficulties included)

10. Styx “Rockin’ the Paradise”
11. Robin Lane & the Chartbusters “When Things Go Wrong”

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