Saturday, December 13, 1980

AC/DC chart with “Back in Black” single

First posted 10/24/2020.

Back in Black

AC/DC

Writer(s): Brian Johnson, Angus Young, Malcolm Young (see lyrics here)


First Charted: December 13, 1980


Peak: 37 US, 39 CB, 54 HR, 1 CL, 51 AR, 27 UK, 65 AU (Click for codes to singles charts.)


Sales (in millions): 3.0 US, 0.6 UK, 4.05 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 612.0 video, -- streaming

Awards:

About the Song:

After five successful albums in their native Australia, AC/DC were finally being embraced by an international market with 1979’s Highway to Hell, an album which went top 10 in the UK and top 20 in the U.S. Then tragedy struck. Rock singer Bon Scott died on February 19, 1980. On his death certificate, the official cause was listed as acute alcohol poisoning.

The group considered disbanding, but on the advice of their producer, Mutt Lange, brought in Brian Johnson for an audition. Scott himself had seen him perform with his former band Geordie back in 1973 and talked up the singer to the rest of the band. SF By the end of March, he had the job as the new singer for AC/DC.

Among the new songs recorded by the group was a song called “Back in Black,” which was a tribute to Scott. Guitarist Malcolm Young already had the main guitar riff down and the group already had the idea for the title before it had any words. SF Johnson recalled that the band asked him to write the lyrics, saying “it can’t be morbid – it has to be for Bon and it has to be a celebration.” WK Johnson responded with words such as “Forget the hearse, ‘cause I never die” and what he considered “mumbo jumbo” lines like “Nine lives. Cats’ eyes. Abusing every one of them and running wild.” The band, however, told Johnson “they saw Bon’s life in that lyric.” WK

While the song wasn’t a big hit from a chart standpoint, its iconic opening guitar riff made it into what The Guardian called “a classic metal anthem.” WK Metal Hammer magazine said, “There are rock songs that appeal to metal fans. And there are metal songs that appeal to rock fans. Then there is ‘Back in Black’ – a rock song and metal song that appeals to everyone…and it all hangs on that monumental, no-nonsense, three-chord monster of a riff.” WK


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Wednesday, December 10, 1980

Journey’s Dream after Dream released

First posted 10/12/2008; updated 9/11/2020.

Dream After Dream

Journey


Released: December 10, 1980


Recorded: date


Charted: date


Peak: -- US, -- UK, -- CN, -- AU


Sales (in millions): -- US, -- UK, 0.5 world (includes US and UK)


Genre: classic rock


Tracks:

Song Title (date of single release, chart peaks) Click for codes to singles charts.

  1. Destiny
  2. Snow Theme
  3. Sand Castles
  4. A Few Coins
  5. Moon Theme
  6. When the Love Has Gone
  7. Festival Dance
  8. The Rape
  9. Little Girl


Total Running Time: 35:22


The Players:

  • Steve Perry (vocals)
  • Neal Schon (guitar, backing vocals)
  • Gregg Rolie (keyboards, backing vocals)
  • Ross Valory (bass, backing vocals)
  • Steve Smith (drums)

Rating:

3.976 out of 5.00 (average of 7 ratings)

About the Album:

Dream after Dream was a soundtrack album for the Japanese fantasy film Yume, Yume No Ato. Because the music was by Journey, who’d become a well-known rock band thanks to their three previous Steve Perry-led affairs, the soundtrack received much more attention than the movie. Still, the music was a departure from Journey’s more current sound. Instead, it was a throwback to the more progressive rock beginnings of their first three albums before Perry joined.

Most of the soundtrack consists of instrumentals, meaning Steve Perry makes minimal contributions to the album. Two songs have sparse vocals – Destiny and Sand Castles. JM The only “true vocal track” JM is on “the lovelorn ballad Little Girl, easily making it the highlight of the album.” AMG It resurfaced later as the B-side to 1982’s “Open Arms” and was featured on Journey’s box set, Time 3.

These components made this “one of the most overlooked albums in Journey’s catalog.” AMG While it certainly didn’t fit the tastes of the arena-rock fanbase the group had developed over the last three albums, it “is a fine example of Journey’s underrated musicianship, and recommended to devoted fans.” AMG The album is also noteworthy for featuring Gregg Rolie’s final work with the band.

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