Tuesday, August 19, 1980

AC/DC released “You Shook Me All Night Long”

Updated 1/27/2019.

image from shutupandplay.ca

You Shook Me All Night Long

AC/DC

Writer(s): Angus Young, Malcolm Young, Brian Johnson (see lyrics here)


Released: 8/19/1980


First Charted: 9/6/1980


Peak: 36 US, 42 CB, 42 HR, 38 UK, 8 AU (Click for codes to singles charts.)


Sales *: 1.0 US, 0.25 UK, 1.32 world (includes US + UK)


Radio Airplay *: --


Video Airplay *: 218.6


Streaming *: --


* in millions

Review:

AC/DC’s Back in Black has become such a mainstay on “best albums of all time” lists now that it is easy to forget the uncertainty the band faced when the album was released in 1980. On February 19 of that year, the band’s lead singer, Bon Scott, died after a drinking binge. It was Scott’s father who encouraged the band to find a new singer and soldier on. SF Brian Johnson stepped in and the band found the greatest success of their career.

Guitarists Angus and Malcom Young already had the title and the chords, but needed words. Johnson supplied his “gravelly, raspy vocals and easy-to-learn, almost exultant, double-entendre lyrics.” AMG (“She told me to come but I was already there”). The song is basically “a night-after bragging session with a heavy dose of swagger and pomp.” AMG It “was equal parts naughty and proud, pop-tinged yet stomp-worthy,” AMG which probably explains the song’s popularity at strip clubs. SF

The inspiration for “You Shook Me All Night Long” came while the band was recording in the Bahamas. Never a band known for “deep, meaningful lyrics,” SF Johnson turned images of American girls into lyrics where he compared women to cars in lines like “She was a fast machine/ She kept her motor clean.” SF Johnson said it “just fell into place so I can’t claim any credit on that thing.” SF Of the Young brothers’ work, he said, “It’s one of the greatest rock and roll riffs I’ve ever heard in my life.” SF

It has “a simple beat; a melodic, heavy rock-boogie riff; a shrill, pumping guitar solo.” AMG The “pop-tinged guitar chords give the song a slap-on-the-back, beer-swilling friendliness” AMG which is probably why it has become “a hard rock staple…popular at sporting events and bars, and…one of…hard rock’s most memorable party anthems.” AMG Johnson told USA Weekend he considers the song the highlight of the band’s catalog because “It was the first song I wrote with the guys and it has a special groovy beat that won’t let you go. It has such a special place in my heart…it might be one of the best rock songs ever written – if I do say so myself.” SF


Resources and Related Links:

Note: Footnotes (raised letter codes) refer to sources frequently cited on the blog. Numbers following the letter code indicate page numbers. If the raised letter code is a link, it will go directly to the correct page instead of the home page of a website. You can find the sources and corresponding footnotes on the “Lists” page in the “Song Resources” section.

Awards:


Tuesday, August 5, 1980

Pat Benatar’s Crimes of Passion released

First posted 3/24/2008; updated 1/3/2020.

Crimes of Passion

Pat Benatar

-


Buy Here:


Released: August 5, 1980


Charted: August 23, 1980


Peak: 2 US, -- UK, 2 CN, 16 AU


Sales (in millions): 5.0 US, -- UK, 5.67 world (includes US and UK)


Genre: classic rock


Tracks: (Click for codes to singles charts.)

  1. Treat Me Right (Pat Benatar/Doug Lubahn) [3:24] (12/29/80, 18 US, 10 CB, 13 HR, 12 RR, 31 AR, 12 CN)
  2. You Better Run (Eddie Brigati/Felix Cavaliere) [3:02] (7/8/80, 42 US, 44 CB, 54 HR, 76 CN, 31 AU)
  3. Never Wanna Leave You (Pat Benatar/Neil Giraldo) [3:13]
  4. Hit Me with Your Best Shot (Eddie Schwartz) [2:51] (9/15/80, 9 US, 7 CB, 5 HR, 9 RR, 10 CN, 33 AU)
  5. Hell Is for Children (Pat Benatar/Neil Giraldo/Roger Capps) [4:48]
  6. Little Paradise (Neil Giraldo) [3:32]
  7. I’m Gonna Follow You (Billy Steinberg) [4:28]
  8. Wuthering Heights (Kate Bush) [4:28]
  9. Prisoner of Love (Scott St. Clair Sheets) [3:05]
  10. Out-a-Touch (Pat Benatar/Neil Giraldo/Myron Gromacher) [4:19]


Total Running Time: 37:07


The Players:

  • Pat Benatar (vocals)
  • Neil Giraldo (guitar/keyboards)
  • Scott St. Clair Sheets (rhythm guitar)
  • Roger Capps (bass)
  • Myron Grombacher (drums)

Rating:

4.667 out of 5.00 (average of 6 ratings)


Awards:

About the Album:

“With Crimes of Passion, Pat Benatar escaped the dreaded sophomore slump.” AMG “Thankfully, Benatar avoids the synth-happy trends of the early ‘80s and delivers a hard rocking ten-song session of power pop tempered with a few ballads for balance.” AMG

The album’s success was due “in no small part to the song that would become the most well-known…of her career, Hit Me with Your Best Shot.” AMG However, the album was also aided by other singles and a few non-charting tracks as well.

You Better Run, a cover of a Young Rascals’ song, was the lead-off single. It just missed the top 40, but earned an important distinction as the second music video ever aired on MTV (after the Buggles’ “Video Killed the Radio Star”). It reflected her popularity with an audience beyond pop music.

In fact, Benatar’s real base was album rock radio, but Billboard magazine didn’t chart airplay on such stations until the album was more than six months old. The third single, Treat Me Right, was another top 20 hit for Benatar and gave Benatar another first. While the song was on its way down in popularity, it was still able to secure a spot on the aforementioned album rock chart by Billboard.

In addition to the three pop singles, Hell Is for Children, a slow-building rocker about child abuse, and the ballad I’m Gonna Follow You became rock staples. “The rest of the album is mildly hit or miss, with a few moments of filler.” AMG Most notable may be Benatar’s “version of Kate Bush’s Wuthering Heights is probably one of the most underrated songs of her entire catalog.” AMG

While the album cemented Benatar’s status as a rock icon, the original Rolling Stone review knocked it for its “leaden reworkings of hard-rock clichés,” RS “sodden songwrting and excruciating excesses” RS and accused her of “lacking both subtlety and playfulness.” RS

Commerically, though, it was an unquestionable success, becoming the best-selling album of her career. It held the runner-up position on Billboard’s album chart for five weeks behind John Lennon and Yoko Ono’s Double Fantasy and landed at #5 on the magazine’s year-end chart. WK The album also landed Benatar her first Grammy – for Best Female Rock Vocal Performance.

Review Sources: