Friday, March 22, 1974

Eagles’ On the Border released

First posted 3/26/2008; updated 10/17/2020.

On the Border

Eagles


Released: March 22, 1974


Peak: 17 US, 28 UK, 12 CN, 27 AU


Sales (in millions): 2.0 US, 0.06 UK, 4.5 world (includes US and UK)


Genre: country rock


Tracks: Click for codes to singles charts.

  1. Already Gone (Robb Strandland/Jack Temphcin) [4:13] (5/4/74, 32 US, 17 CB, 2 CL, 12 CN)
  2. You Never Cry Like a Lover
  3. Midnight Flyer (Paul Craft) [3:58]
  4. My Man
  5. On the Border (Don Henley/Bernie Leadon/Glenn Frey) [4:28] (17 CL)
  6. James Dean (Jackson Browne/Glenn Frey/Don Henley/J.D. Souther) [3:40] (9/7/74, 77 US, 49 CB, 10 CL, 56 CN)
  7. Ol’ ‘55 (Tom Waits) [4:22]
  8. Is It True
  9. Good Day in Hell
  10. Best of My Love (Don Henley/Glenn Frey/J.D. Souther) [4:35] (11/30/74, 11 US, 4 CB, 1 CL, 11 AC, 11 CN)


Total Running Time: 40:25


The Players:

  • Glenn Frey (vocals, guitar, piano)
  • Don Henley (vocals, drums)
  • Bernie Leadon (guitar, vocals, banjo, mandolin, dobro)
  • Randy Meisner (bass, vocals)
  • Don Felder (guitar)

Rating:

3.755 out of 5.00 (average of 20 ratings)


Awards:

About the Album:

“The Eagles began recording their third album in England with producer Glyn Johns, as they had their first two albums, but abandoned the sessions after completing two acceptable tracks. Johns, it is said, tended to emphasize the group’s country elements and its harmonies, while the band, in particular Glenn Frey and Don Henley, wanted to take more of a hard rock direction…[so] they reconvened with a new producer, Bill Szymczyk, who had produced artists like B.B. King and, more significantly, Joe Walsh.” AMG

“But the resulting album is not an outright rock effort by any means. Certainly, Frey and Henley got what they wanted with Already Gone, the lead-off track, which introduces new band member Don Felder as one part of the twin guitar solo that recalls the Allman Brothers Band; James Dean, a rock & roll song on the order of ‘Your Mama Don’t Dance’; and Good Day in Hell, which is strongly reminiscent of Joe Walsh songs like ‘Rocky Mountain Way’.’” AMG

“But the album also features the usual mixture of styles typical of an Eagles album. For example, Midnight Flyer, sung by Randy Meisner, is modern bluegrass; My Man is Bernie Leadon’s country-rock tribute to the recently deceased Gram Parsons; and Ol’ 55 is one of the group’s well-done covers of a tune by a singer-songwriter labelmate, in this case Tom Waits.” AMG

“Like most successful groups, the Eagles combined many different elements, and their third album, which looked back to their earlier work and anticipated their later work, was a transitional effort that combined even more styles than most of their records did.” AMG The title track “points the band in a new R&B direction that was later pursued more fully.” AMG Meanwhile, the more adult contemporary-focused Best of My Love became the band’s first chart-topper.

Resources and Related Links:

Saturday, March 2, 1974

Roberta Flack wins Grammys for Song and Record of the Year

image from mangore.com


Roberta Flack “Killing Me Softly with His Song”


Writer(s): Charles Fox, Norman Gimbel (see lyrics here)

First charted: 1/20/1973

Peak: 15 US, 2 AC, RB 2, 6 UK (Click for codes to singles charts.)

Sales (in millions): 1.0 US, -- UK, 1.0 world (includes US and UK)

Radio Airplay (in millions): 5.0 Video Airplay (in millions): 8.3


Review: At the 16th Grammy Awards on March 2, 1974, Roberta Flack took home the prizes for Song and Record of the Year. She owes this monster hit to Don McLean – and airline headsets.

Folk singer Lori Lieberman was at a Don McLean show at the Troubadour in Los Angeles when she was inspired to write a poem RS500 – but not by “American Pie” or McLean’s other big hit, “Vincent.” No, she heard album track “Empty Chairs,” and thought, “Whoa! This person knows me!” CR-387-8 Unsure how to put the poem into lyric form, CR-388 she showed it to two men she was working with at the time: Gimbel and Fox of Happy Days fame. RS500

She recorded the song and released it as a single, but it didn’t take off – well, that is, until it was literally lifted off the ground in its inclusion on a tape of music for airline headsets. SJ-164 Roberta Flack’s curiosity was peaked when she saw the song title in an in-flight magazine while on a flight from L.A. to New York. SJ-164 She says she “absolutely freaked” RS500 and knew she had to cover the song. CR-388

She and producer Quincy Jones spent three months polishing the track in the studio RS500 to create the “lushy romantic and forlorn atmosphere.” CR-388 The result was her second chart-topper, three Grammy wins, the biggest song of 1973, WHC-100 and, according to Blender magazine, is the eleventh most performed song ever. CR-388

More than 20 years later, the Fugees revived the song with the intention “to bring musicality back to hip-hop.” HL-70 Their version became a big radio hit in 1996 and even lifted a remix of Flack’s original into the dance club play charts.


Resources and Related Links:

Note: Footnotes (raised letter codes) refer to sources frequently cited on the blog. Numbers following the letter code indicate page numbers. If the raised letter code is a link, it will go directly to the correct page instead of the home page of a website. You can find the sources and corresponding footnotes on the “Lists” page in the “Song Resources” section.


Award(s):